Movie City Indie Archive for December, 2008

On the dawn of a new year

Morning

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QT's got a title and a release date: Inglourious Basterds opens August 21……

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… of 2009. Wow! From the PR: “December 31, 2008 – The Weinstein Company (TWC) and Universal Pictures announced today that Academy Award-winning director Quentin Tarantino’s World War II epic, Inglourious Basterds, starring Brad Pitt, will open domestically August 21, 2009. The announcement was made by Harvey Weinstein, co-chairman of TWC and David Linde, co-chairman of Universal Pictures who are partners in the film. TWC and Universal are co-financing and co-presenting the film with TWC handling domestic distribution and Universal handling international distribution. International release dates will be announced shortly.”

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New Year's Wishes from Bioshock

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Why don't most guests challenge bullies on tee-vee?



And why do dottily condescending bullies get the nice salaries? “Well, Chief…” Former Congressman and seven-second-delay morning chat show host Joe Scarborough matches wits with 80-year-oldl Zbigniew Brzezinski, national security advisor to President Carter and father of his co-host, Mika.

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Andy Warhol interviews Steven Spielberg



The chatty young film director is interested in the ghosts on the TV set and talks about swallowing the future. [Courtesy of Warhol Museum, via Interview.]

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The Times Of Harvey Milk (1984)

Streaming at Hulu.

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Ann Savage was 87

3145274060_b2bb79172b.jpgFrom My Winnipeg.

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Another piece of Orson Welles' The Other Side of the Wind?



This clip has been on YouTube for a few months, but a nice surprise on Christmas eve. Improv by Paul Mazursky, Dennis Hopper and a classically annoying Henry Jaglom. An alternate take’s below. Wellesnet gives context of The Other Side of the Wind, including a LOOK piece penned by Welles that could have been penned today: “If there’s gold in this new age, the new director will find it only when he loves the movies even more than he loves himself. A quarter of a century ago, on my own, and free of the crippling restraints of the Hollywood factory system, I managed to make a couple of pictures; the second of these (The Magnificent Ambersons) was seized and sorely mangled by the studio machine. What is surprising is that I lasted as long as I did. In those days, the men behind the desks had no reason to doubt that their authority was fully sanctioned by the public taste The movie industry was making a successful product for a middle-aged, middle-class, middle-brow market. Today, the bosses, such as they are, cannot pretend they know anything about then market except that it is very young. Solution: very young filmmakers in total control of their own work. Like a nervous old lady. Hollywood is suddenly afraid of the traffic. She needs youthful hands to guide her. This trust is rather touching, slightly ridiculous, and very hopeful for the future of American films.” [The last news I’ve read about the status of The Other Side Of The Wind here.]

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Park City past before Park City future

Set


Outside the Racquet Club

Grids

Getting the shot

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IOUSA: the half-hour edit

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Happy indie holidays…

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Indie film blogger road trip



The opening nine minutes of a work-in-progress by Sujewa Ekanayake.

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Polaroid SX-70 promo film by Charles and Ray Eames



Music by Elmer Bernstein.

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The East Village, 1971, shot with 16mm Bolex



From TVDays.

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Manoel De Oliveira is so much younger than that now.

When Manoel de Oliveira was in Chicago three years ago, looking not a day over 75, I had a cold and kept my distance: I didn’t want to be the one who sneezed on a living legend and brought him down. No worries: just turned 100, he’s gotten a $210,000-worth hank of Euros from incentive fund Eurimages for his currently-shooting Eccentricities of a Blonde-Haired Girl, one of 12 European productions divvying $6.1 million. And for the collector of the rarest of curiousities, the Portuguese stalwart has issued a book of poetry in his hometown of Porto. AFP reports, “It’s a compilation of texts that [he] has written in recent years,” said his publisher Jose Manuel Lello, whose Lello Editores is releasing ‘One Hundred Years, One Hundred Texts’ on Sunday in Oliveira’s hometown Porto. “There are philosophical writings on humanity or science, several poems, and even a story in which he recounts an episode from his childhood,” Lello told AFP on Friday.” The limited edition? One hundred copies.

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Movie City Indie

Quote Unquotesee all »

“The middle-range movies that I was doing have largely either stopped being made, or they’ve moved to television, now that television is a go-to medium for directors who can’t get work in theatricals, because there are so few theatricals being made. But also with the new miniseries concept, you can tell a long story in detail without having to cram it all into 90 minutes. You don’t have to cut the characters and take out the secondary people. You can actually put them all on a big canvas. And it is a big canvas, because people have bigger screens now, so there’s no aesthetic difference between the way you shoot a movie and the way you shoot a TV show.

“Which is all for the good. But what’s happened in the interim is that theatrical movies being a spectacle business are now either giant blockbuster movies that run three hours—even superhero movies run three hours, they used to run like 58 minutes!—and the others, which are dysfunctional family independent movies or the slob comedy or the kiddie movie, and those are all low-budget. So the middle ground of movies that were about things, they’re just gone. Or else they’re on HBO. Like the Bryan Cranston LBJ movie, which years ago would’ve been made for theaters.

“You’ve got people like Paul Schrader and Walter Hill who can’t get their movies theatrically distributed because there’s no market for it. So they end up going to VOD, and VOD is a model from which no one makes any money, because most of the time, as soon as they get on the site, they’re pirated. So the whole model of the system right now is completely broken. And whether or not anybody’s going to try to fix, or if it even can be fixed, I don’t know. But it’s certainly not the same business that I got into in the ’70s.”
~ Joe Dante

“Lars. He’s done a lot of drugs. Over the hill. The last time I saw Lars, he was telling my wife he wants to have sex with her. I told him to fuck off. So he found another slut.”
~ Nicolas Winding Refn On Lars Von Trier

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