Movie City Indie Archive for December, 2008

On the dawn of a new year

Morning

No Comments »

QT's got a title and a release date: Inglourious Basterds opens August 21……

_IB00823 (2).jpg


… of 2009. Wow! From the PR: “December 31, 2008 – The Weinstein Company (TWC) and Universal Pictures announced today that Academy Award-winning director Quentin Tarantino’s World War II epic, Inglourious Basterds, starring Brad Pitt, will open domestically August 21, 2009. The announcement was made by Harvey Weinstein, co-chairman of TWC and David Linde, co-chairman of Universal Pictures who are partners in the film. TWC and Universal are co-financing and co-presenting the film with TWC handling domestic distribution and Universal handling international distribution. International release dates will be announced shortly.”

1 Comment »

New Year's Wishes from Bioshock

No Comments »

Why don't most guests challenge bullies on tee-vee?



And why do dottily condescending bullies get the nice salaries? “Well, Chief…” Former Congressman and seven-second-delay morning chat show host Joe Scarborough matches wits with 80-year-oldl Zbigniew Brzezinski, national security advisor to President Carter and father of his co-host, Mika.

No Comments »

Andy Warhol interviews Steven Spielberg



The chatty young film director is interested in the ghosts on the TV set and talks about swallowing the future. [Courtesy of Warhol Museum, via Interview.]

No Comments »

The Times Of Harvey Milk (1984)

Streaming at Hulu.

No Comments »

Ann Savage was 87

3145274060_b2bb79172b.jpgFrom My Winnipeg.

Read the full article »

No Comments »

Another piece of Orson Welles' The Other Side of the Wind?



This clip has been on YouTube for a few months, but a nice surprise on Christmas eve. Improv by Paul Mazursky, Dennis Hopper and a classically annoying Henry Jaglom. An alternate take’s below. Wellesnet gives context of The Other Side of the Wind, including a LOOK piece penned by Welles that could have been penned today: “If there’s gold in this new age, the new director will find it only when he loves the movies even more than he loves himself. A quarter of a century ago, on my own, and free of the crippling restraints of the Hollywood factory system, I managed to make a couple of pictures; the second of these (The Magnificent Ambersons) was seized and sorely mangled by the studio machine. What is surprising is that I lasted as long as I did. In those days, the men behind the desks had no reason to doubt that their authority was fully sanctioned by the public taste The movie industry was making a successful product for a middle-aged, middle-class, middle-brow market. Today, the bosses, such as they are, cannot pretend they know anything about then market except that it is very young. Solution: very young filmmakers in total control of their own work. Like a nervous old lady. Hollywood is suddenly afraid of the traffic. She needs youthful hands to guide her. This trust is rather touching, slightly ridiculous, and very hopeful for the future of American films.” [The last news I’ve read about the status of The Other Side Of The Wind here.]

Read the full article »

No Comments »

Park City past before Park City future

Set


Outside the Racquet Club

Grids

Getting the shot

No Comments »

IOUSA: the half-hour edit

No Comments »

Happy indie holidays…

No Comments »

Indie film blogger road trip



The opening nine minutes of a work-in-progress by Sujewa Ekanayake.

No Comments »

Polaroid SX-70 promo film by Charles and Ray Eames



Music by Elmer Bernstein.

No Comments »

The East Village, 1971, shot with 16mm Bolex



From TVDays.

No Comments »

Manoel De Oliveira is so much younger than that now.

When Manoel de Oliveira was in Chicago three years ago, looking not a day over 75, I had a cold and kept my distance: I didn’t want to be the one who sneezed on a living legend and brought him down. No worries: just turned 100, he’s gotten a $210,000-worth hank of Euros from incentive fund Eurimages for his currently-shooting Eccentricities of a Blonde-Haired Girl, one of 12 European productions divvying $6.1 million. And for the collector of the rarest of curiousities, the Portuguese stalwart has issued a book of poetry in his hometown of Porto. AFP reports, “It’s a compilation of texts that [he] has written in recent years,” said his publisher Jose Manuel Lello, whose Lello Editores is releasing ‘One Hundred Years, One Hundred Texts’ on Sunday in Oliveira’s hometown Porto. “There are philosophical writings on humanity or science, several poems, and even a story in which he recounts an episode from his childhood,” Lello told AFP on Friday.” The limited edition? One hundred copies.

No Comments »

Movie City Indie

Quote Unquotesee all »

“The purpose of film isn’t to present the kindness of the world.”
~ Isabelle Huppert

The Promised Land steers into the fact that the United States can mean whatever people want it to mean. You may not be able to be Elvis, but you can sure as shit impersonate him for a living. America, like its current President (at least as of this article’s publication), is so dangerous precisely because it’s a blank canvas on which anyone can project their dreams. Whatever it is that you see for yourself, there’s someone you can pay for the pleasure of believing that it’s possible. In his view, the pursuit of happiness is the ultimate con, a delusion that prevents us from seeing our circumstances for what they are.

“Forget the Matrix, it’s the invention of happiness that blinded us to the truth. The rich got richer and the poor help them do it. Jarecki doesn’t argue that the American Dream is dead; he argues that it was never alive in the first place — that we were all lobsters in a pot full of water that was boiling too slowly for any of us to notice. And now it’s time for dinner. Donald J. Trump is the President of the United States. Elvis has left the building.”
~ David Ehrlich