Movie City Indie Archive for December, 2008

On the dawn of a new year

Morning

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QT's got a title and a release date: Inglourious Basterds opens August 21……

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… of 2009. Wow! From the PR: “December 31, 2008 – The Weinstein Company (TWC) and Universal Pictures announced today that Academy Award-winning director Quentin Tarantino’s World War II epic, Inglourious Basterds, starring Brad Pitt, will open domestically August 21, 2009. The announcement was made by Harvey Weinstein, co-chairman of TWC and David Linde, co-chairman of Universal Pictures who are partners in the film. TWC and Universal are co-financing and co-presenting the film with TWC handling domestic distribution and Universal handling international distribution. International release dates will be announced shortly.”

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New Year's Wishes from Bioshock

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Why don't most guests challenge bullies on tee-vee?



And why do dottily condescending bullies get the nice salaries? “Well, Chief…” Former Congressman and seven-second-delay morning chat show host Joe Scarborough matches wits with 80-year-oldl Zbigniew Brzezinski, national security advisor to President Carter and father of his co-host, Mika.

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Andy Warhol interviews Steven Spielberg



The chatty young film director is interested in the ghosts on the TV set and talks about swallowing the future. [Courtesy of Warhol Museum, via Interview.]

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The Times Of Harvey Milk (1984)

Streaming at Hulu.

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Ann Savage was 87

3145274060_b2bb79172b.jpgFrom My Winnipeg.

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Another piece of Orson Welles' The Other Side of the Wind?



This clip has been on YouTube for a few months, but a nice surprise on Christmas eve. Improv by Paul Mazursky, Dennis Hopper and a classically annoying Henry Jaglom. An alternate take’s below. Wellesnet gives context of The Other Side of the Wind, including a LOOK piece penned by Welles that could have been penned today: “If there’s gold in this new age, the new director will find it only when he loves the movies even more than he loves himself. A quarter of a century ago, on my own, and free of the crippling restraints of the Hollywood factory system, I managed to make a couple of pictures; the second of these (The Magnificent Ambersons) was seized and sorely mangled by the studio machine. What is surprising is that I lasted as long as I did. In those days, the men behind the desks had no reason to doubt that their authority was fully sanctioned by the public taste The movie industry was making a successful product for a middle-aged, middle-class, middle-brow market. Today, the bosses, such as they are, cannot pretend they know anything about then market except that it is very young. Solution: very young filmmakers in total control of their own work. Like a nervous old lady. Hollywood is suddenly afraid of the traffic. She needs youthful hands to guide her. This trust is rather touching, slightly ridiculous, and very hopeful for the future of American films.” [The last news I’ve read about the status of The Other Side Of The Wind here.]

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Park City past before Park City future

Set


Outside the Racquet Club

Grids

Getting the shot

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IOUSA: the half-hour edit

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Happy indie holidays…

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Indie film blogger road trip



The opening nine minutes of a work-in-progress by Sujewa Ekanayake.

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Polaroid SX-70 promo film by Charles and Ray Eames



Music by Elmer Bernstein.

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The East Village, 1971, shot with 16mm Bolex



From TVDays.

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Manoel De Oliveira is so much younger than that now.

When Manoel de Oliveira was in Chicago three years ago, looking not a day over 75, I had a cold and kept my distance: I didn’t want to be the one who sneezed on a living legend and brought him down. No worries: just turned 100, he’s gotten a $210,000-worth hank of Euros from incentive fund Eurimages for his currently-shooting Eccentricities of a Blonde-Haired Girl, one of 12 European productions divvying $6.1 million. And for the collector of the rarest of curiousities, the Portuguese stalwart has issued a book of poetry in his hometown of Porto. AFP reports, “It’s a compilation of texts that [he] has written in recent years,” said his publisher Jose Manuel Lello, whose Lello Editores is releasing ‘One Hundred Years, One Hundred Texts’ on Sunday in Oliveira’s hometown Porto. “There are philosophical writings on humanity or science, several poems, and even a story in which he recounts an episode from his childhood,” Lello told AFP on Friday.” The limited edition? One hundred copies.

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Movie City Indie

Quote Unquotesee all »

Kyle Buchanan: I think the deal with a lot of white, male critics is there’s a very empirical way that they write that they write their movie reviews that always puzzled me. Movies are such subjective things. Back in the day, I used to be the film critic for The Advocate, and it was really striking to me when I would go into screening rooms and I was by far the youngest. They were filled with old white men. And when you watch a film like Black Snake Moan, that’s playing with a whole lot of gender and race issues, I was like, Are like 70-year-old white men like really the sole voices that I want to hear on this movie? It just didn’t feel right.

Jen Yamato I’ve been very pleasantly surprised to see the receptions Moonlight has gotten. But one of the films that I was disappointed to see not get more traction was American Honey. I distinctly remember sitting in a screening room full of mostly older white guys and thinking during the film, How are any of them going to relate to this movie?

~ Taking On The “Old White Guys”

“I was frustrated, a bit angry even. There should be no need for winning in the arts. Awards condition people into thinking that art is a competition, that good cinema is prize-winning … that a filmmaker must win an award or two to be considered finance-worthy. It enables the slow death of many and lack of support for most. My films do not ask to be liked. In fact, my films actively seek to be disliked. It seems that I have failed at this goal. What does it mean to be political in the time of Trump… in the country of Duterte? I dedicate the film to all the outsiders of the world: kids, midgets, freaks, paralytics, prostitutes, scoundrels. These are my people. I make outsider films that talk about the pain and joy of not belonging, of always being on the outside peering in.”
~ Prolific Philippines Filmmaker Khavn de la Cruz On Getting A Prize From Geneva Int’l Film Fest