Movie City Indie Archive for September, 2008

[PR] Transformers 2 gets iMichael IMAX treatment

IFOX-transformers-35.jpgMICHAEL BAY TO SHOOT SELECT SCENES OF TRANSFORMERS: REVENGE OF THE FALLEN WITH IMAX® CAMERAS
LOS ANGELES, CA, September 30, 2008 – IMAX Corporation (NASDAQ: IMAX; TSX: IMX), DreamWorks Pictures and Paramount Pictures today announced that director Michael Bay will shoot key sequences of Transformers: Revenge of the Fallen with IMAX® cameras. Bay will integrate the IMAX footage with state of the art CGI to create an unprecedented look and feel for the highly anticipated sequel to last year’s box office hit, Transformers. As previously announced, Transformers: Revenge of the Fallen will be released to IMAX® theatres simultaneously with the movie’s wide release on June 26, 2009.
The movie sequences shot in traditional 35mm will be digitally re-mastered into the unparalleled image and sound quality of The IMAX Experience® with IMAX DMR® (Digital Re-mastering) technology. The IMAX DMR scenes will appear in the traditional “letterbox” shape, while scenes shot with IMAX’s cameras will expand vertically to fill the entire IMAX screen.
“The extraordinary level of detail and intensity captured by the IMAX camera creates many exciting possibilities for us with this film,” said Michael Bay, the film’s director. “IMAX’s all-encompassing format will take this story to a new level, and I am once again very excited to share The IMAX Experience with Transformers fans around the world.”

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[NSFW] Full Metal Debate



Was John McCain saying things under his breath during the first debate? This is how rumors get started.

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"50 eggs…"

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For Mr. Newman, via Hobotopia.

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Paul Newman for Ned Lamont (2004)



Ned Lamont talks about the lifelong progressive.

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Newman's own popcorn

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Paul Newman by Dennis Hopper, 1964

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Paul Newman, James Dean screen test

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Paul Newman in Slap Shot



Trailer. [Bonus below: Slap Shot en Québécois.]

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Postering Synecdoche, New York

Needs more airship.

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Sacha Baron Cohen crashes Milan catwalk

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Trailering W.: Based On A True Story's latest incarnation

[If you're reading this from Indie's front page, to view in proper ratio, click below on the time stamp link.]


As apt needle-drops go for placing a song to footage, this is splendid. On the nose a bit? Yup.

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Filmmaker Todd Sklar on working in Columbia, Missouri



Earlier this week, I traveled to Columbia, Missouri to present two Olivier Assayas films (Irma Vep; Late August, Early September) in the first installment of Ragtag Cinema’s Critic’s Series. It was the first time I met filmmaker Todd Sklar, although I had reviewed his self-distributed feature comedy debut, Box Elder, earlier this year. (It’s still out there, including a scheduled return engagement at Chicago’s Siskel.) Afterwards, we stepped out onto Hitt Street to talk about why Columbia’s good for him and for filmmaking. [The trailer for Box Elder is below; here's a good making-of piece. Website.]

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Three Days Of The Condor: "We play games"

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Movie City Indie

Quote Unquotesee all »

A statement from David Chase’s representative, Leslee Dart:

A journalist for Vox misconstrued what David Chase said in their interview. To simply quote David as saying,“ Tony Soprano is not dead,” is inaccurate. There is a much larger context for that statement and as such, it is not true. As David Chase has said numerous times on the record, “Whether Tony Soprano is alive or dead is not the point.” To continue to search for this answer is fruitless. The final scene of THE SOPRANOS raises a spiritual question that has no right or wrong answer.
~ David Chase Refutes Vox Writer

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver