Movie City Indie Archive for September, 2008

[PR] Transformers 2 gets iMichael IMAX treatment

IFOX-transformers-35.jpgMICHAEL BAY TO SHOOT SELECT SCENES OF TRANSFORMERS: REVENGE OF THE FALLEN WITH IMAX® CAMERAS
LOS ANGELES, CA, September 30, 2008 – IMAX Corporation (NASDAQ: IMAX; TSX: IMX), DreamWorks Pictures and Paramount Pictures today announced that director Michael Bay will shoot key sequences of Transformers: Revenge of the Fallen with IMAX® cameras. Bay will integrate the IMAX footage with state of the art CGI to create an unprecedented look and feel for the highly anticipated sequel to last year’s box office hit, Transformers. As previously announced, Transformers: Revenge of the Fallen will be released to IMAX® theatres simultaneously with the movie’s wide release on June 26, 2009.
The movie sequences shot in traditional 35mm will be digitally re-mastered into the unparalleled image and sound quality of The IMAX Experience® with IMAX DMR® (Digital Re-mastering) technology. The IMAX DMR scenes will appear in the traditional “letterbox” shape, while scenes shot with IMAX’s cameras will expand vertically to fill the entire IMAX screen.
“The extraordinary level of detail and intensity captured by the IMAX camera creates many exciting possibilities for us with this film,” said Michael Bay, the film’s director. “IMAX’s all-encompassing format will take this story to a new level, and I am once again very excited to share The IMAX Experience with Transformers fans around the world.”

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[NSFW] Full Metal Debate



Was John McCain saying things under his breath during the first debate? This is how rumors get started.

"50 eggs…"

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For Mr. Newman, via Hobotopia.

Paul Newman for Ned Lamont (2004)



Ned Lamont talks about the lifelong progressive.

Newman's own popcorn

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Paul Newman by Dennis Hopper, 1964

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Paul Newman, James Dean screen test

Paul Newman in Slap Shot



Trailer. [Bonus below: Slap Shot en Québécois.]

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Postering Synecdoche, New York

Needs more airship.

Sacha Baron Cohen crashes Milan catwalk

Trailering W.: Based On A True Story's latest incarnation

[If you’re reading this from Indie’s front page, to view in proper ratio, click below on the time stamp link.]


As apt needle-drops go for placing a song to footage, this is splendid. On the nose a bit? Yup.

Filmmaker Todd Sklar on working in Columbia, Missouri



Earlier this week, I traveled to Columbia, Missouri to present two Olivier Assayas films (Irma Vep; Late August, Early September) in the first installment of Ragtag Cinema’s Critic’s Series. It was the first time I met filmmaker Todd Sklar, although I had reviewed his self-distributed feature comedy debut, Box Elder, earlier this year. (It’s still out there, including a scheduled return engagement at Chicago’s Siskel.) Afterwards, we stepped out onto Hitt Street to talk about why Columbia’s good for him and for filmmaking. [The trailer for Box Elder is below; here’s a good making-of piece. Website.]

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Three Days Of The Condor: "We play games"

Dot Matrix Revolution by Superbrothers


DOT MATRIX REVOLUTION* from superbrothers

Movie City Indie

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain