Movie City Indie Archive for September, 2008

[PR] Transformers 2 gets iMichael IMAX treatment

IFOX-transformers-35.jpgMICHAEL BAY TO SHOOT SELECT SCENES OF TRANSFORMERS: REVENGE OF THE FALLEN WITH IMAX® CAMERAS
LOS ANGELES, CA, September 30, 2008 – IMAX Corporation (NASDAQ: IMAX; TSX: IMX), DreamWorks Pictures and Paramount Pictures today announced that director Michael Bay will shoot key sequences of Transformers: Revenge of the Fallen with IMAX® cameras. Bay will integrate the IMAX footage with state of the art CGI to create an unprecedented look and feel for the highly anticipated sequel to last year’s box office hit, Transformers. As previously announced, Transformers: Revenge of the Fallen will be released to IMAX® theatres simultaneously with the movie’s wide release on June 26, 2009.
The movie sequences shot in traditional 35mm will be digitally re-mastered into the unparalleled image and sound quality of The IMAX Experience® with IMAX DMR® (Digital Re-mastering) technology. The IMAX DMR scenes will appear in the traditional “letterbox” shape, while scenes shot with IMAX’s cameras will expand vertically to fill the entire IMAX screen.
“The extraordinary level of detail and intensity captured by the IMAX camera creates many exciting possibilities for us with this film,” said Michael Bay, the film’s director. “IMAX’s all-encompassing format will take this story to a new level, and I am once again very excited to share The IMAX Experience with Transformers fans around the world.”

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[NSFW] Full Metal Debate



Was John McCain saying things under his breath during the first debate? This is how rumors get started.

"50 eggs…"

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For Mr. Newman, via Hobotopia.

Paul Newman for Ned Lamont (2004)



Ned Lamont talks about the lifelong progressive.

Newman's own popcorn

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Paul Newman by Dennis Hopper, 1964

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Paul Newman, James Dean screen test

Paul Newman in Slap Shot



Trailer. [Bonus below: Slap Shot en Québécois.]

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Postering Synecdoche, New York

Needs more airship.

Sacha Baron Cohen crashes Milan catwalk

Trailering W.: Based On A True Story's latest incarnation

[If you’re reading this from Indie’s front page, to view in proper ratio, click below on the time stamp link.]


As apt needle-drops go for placing a song to footage, this is splendid. On the nose a bit? Yup.

Filmmaker Todd Sklar on working in Columbia, Missouri



Earlier this week, I traveled to Columbia, Missouri to present two Olivier Assayas films (Irma Vep; Late August, Early September) in the first installment of Ragtag Cinema’s Critic’s Series. It was the first time I met filmmaker Todd Sklar, although I had reviewed his self-distributed feature comedy debut, Box Elder, earlier this year. (It’s still out there, including a scheduled return engagement at Chicago’s Siskel.) Afterwards, we stepped out onto Hitt Street to talk about why Columbia’s good for him and for filmmaking. [The trailer for Box Elder is below; here’s a good making-of piece. Website.]

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Three Days Of The Condor: "We play games"

Dot Matrix Revolution by Superbrothers


DOT MATRIX REVOLUTION* from superbrothers

Movie City Indie

Quote Unquotesee all »

“What Quibi trying to do is get to the next generation of film narrative. The first generation was movies, and they were principally two-hour stories that were designed to be watched in a single sitting in a movie theater [ED: After formats like the nickelodeon]. The next generation of film narrative was television, principally designed to be watched in one-hour chapters in front of a television set. I believe the third generation of film narrative will be a merging of those two ideas, which is to tell two-hour stories in chapters that are seven to ten minutes in length. We are actually doing long-form in bite-size.”
~ Jeffrey Katzenberg

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz