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Trailering UNDER THE SILVER LAKE

2017 FYC (For Your Consideration) Screenplays Now Up To 36 Titles

PDF downloads, for the duration of the 2017 awards season. (Make a note in comments if a link doesn’t load.)

Battle of the Sexes, written by Simon Beaufoy

Beauty and the Beast, screenplay by Stephen Chbosky and Evan Spiliotopoulos; based on 1991 animated film written by Linda Woolvert

The Beguiled, Written by Sofia Coppola, based on the novel by Thomas Cullinan

The Big Sick, Written by Kumail Nanjiani & Emily V. Gordon [secondary link]

Brad’s Status, Written by Mike White

Breathe, Written by William Nicholson

Brigsby Bear, Story by Kyle Mooney; Screenplay by Kevin Costello & Kyle Mooney

Coco, Original Story By Lee Unkrich, Jason Katz, Matthew Aldrich, Adrian Molina; Screenplay By Adrian Molina and Matthew Aldrich

Darkest Hour, Written By Anthony McCarten

The Disaster Artist, Written by Scott Neustadter & Michael H. Weber; Based on the book by Greg Sestero and Tom Bissell

Downsizing, Written by Alexander Payne & Jim Taylor

A Fantastic Woman,  Screenplay by Sebastián Lelio, Gonzalo Maza

First They Killed My Father, Screenplay by Loung Ung & Angelina Jolie; Based on the Book “First They Killed My Father: A Daughter of Cambodia Remembers” by Loung Ung

The Florida Project, Written by Sean Baker & Chris Bergoch

Get Out, by Jordan Peele

Guardians of the Galaxy V. 2. Written by James Gunn

Happy End, Written By Michael Haneke

I, Tonya, Written by Steven Rogers

Lady Bird, Written by Greta Gerwig

Last Flag Flying, by Richard Linklater & Darryl Ponicsan

Logan, Story by James Mangold. Screenplay by Scott Frank & James Mangold and Michael Green

The Lost City of Z, Screenplay by James Gray; Based on the Book by David Grann

Loveless, By Oleg Negin, Andrey Zvyagintsev

The Man Who Invented Christmas, Screenplay by Susan Coyne; Based on the Book by Les Standiford

Mark Felt, Written by Peter Landesman

Maudie, Written by Sherrie White

The Meyerowitz Stories (New and Selected), Written by Noah Baumbach

mother!, Written by Darren Aronofsky

Mudbound, Screenplay by Virgil Williams and Dee Rees; Based on the Novel by Hillary Jordan

Norman, By Joseph Cedar

Novitiate, By Maggie Betts

Okja, Written by Bong Joon Ho and Jon Ronson

The Shape of Water, Written by Guillermo del Toro & Vanessa Taylor

Three Billboards Outside Ebbing, Missouri, Written by Martin McDonagh

Thor: Ragnarok, Written by Eric Pearson and Craig Kyle & Christopher L. Yost

Victoria & Abdul, By Lee Hall

War For The Planet of the Apes, Written by Mark Bomback & Matt Reeves; Based on Characters Created by Rick Jaffa & Amanda Silver

Wonderstruck, Written by Brian Selznick

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James Gunn And James Mangold On Politics At The End Of 2017

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Craft Summit 2017: The Art of Editing with Walter Murch (58 min)

19 For Your Consideration Screenplays Await

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PDF downloads, for at least the duration of the 2017 awards season.

Battle of the Sexes, written by Simon Beaufoy

Beauty and the Beast, screenplay by Stephen Chbosky and Evan Spiliotopoulos; based on 1991 animated film written by Linda Woolvert

The Beguiled, Written by Sofia Coppola, based on the novel by Thomas Cullinan

The Big Sick, Written by Kumail Nanjiani & Emily V. Gordon

Brad’s Status, Written by Mike White

Breathe, Written by William Nicholson

First They Killed My Father, Screenplay by Loung Ung & Angelina Jolie; Based on the Book “First They Killed My Father: A Daughter of Cambodia Remembers” by Loung Ung

Guardians of the Galaxy V. 2. Written by James Gunn.

I, Tonya, Written by Steven Rogers

Last Flag Flying, by Richard Linklater & Darryl Ponicsan

Logan, Story by James Mangold. Screenplay by Scott Frank & James Mangold and Michael Green

The Lost City of Z, Screenplay by James Gray; Based on the Book by David Grann

The Man Who Invented Christmas, Screenplay by Susan Coyne; Based on the Book by Les Standiford

The Meyerowitz Stories (New and Selected), Written by Noah Baumbach

mother!, Written by Darren Aronofsky

Mudbound, Screenplay by Virgil Williams and Dee Rees; Based on the Novel by Hillary Jordan

Okja, Written by Bong Joon Ho and Jon Ronson

The Shape of Water, Written by Guillermo del Toro & Vanessa Taylor [withdrawn]

Three Billboards Outside Ebbing, Missouri, Written by Martin McDonagh

Wonderstruck, Written by Brian Selznick

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Six Minutes With The Safdies In The Criterion Closet

The Key West Hemingway Cats Are Safe (With 66-Second Doc On 12-Toed Cats)


12 Toes from Ray Pride on Vimeo.

Trailering Ai Weiwei’s “Human Flow”

PTA’s “Right Now” Video For Haim (4’31”)

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Jonathan Demme in the Modern World: On MANCHURIAN CANDIDATE (2004)

Unlike his actors, Demme saw John Frankenheimer’s film on its first release. “I saw the original when I was a teenager,” he tells me. “I was an avid moviegoer, I saw everything,” he says, hardly taking a breath.

DEMME: Everything, everything. I was really hooked on movies at a very young age. The Manchurian Candidate, along with Seven Days in May, Fail-Safe and Dr. Strangelove [were] this quartet of anarchistic black-and-white American movies, each of which did things that you just didn’t do in American movies, especially in the realm of irreverence toward politics and government institutions and the Army. I was what, 16, it was shocking, it was thrilling and interestingly, it predated my exposure to the French New Wave, so in away, this was the American, a certain kind of new wave in American movies. So Manchurian Candidate was a trailblazer, it was a shocker, it was a great picture and it altered the way I thought about movies! [Demme caps the rush of words with a pleased whooshing sound.]

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain