Movie City Indie

Trailering Paul and Tom’s INHERENT VICE (2’01″)

Jesus, it really is a ZAZ joint, is it not? Whoa.

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58-second Australian INTERSTELLAR TV Spot Offers More Plot

[Via Australian TV Sports & Music Almanac.]

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Int’l Trailering JUPITER ASCENDING (2’18″)

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Trailering THE BABADOOK (2’22″)

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Teasing A MOST VIOLENT YEAR (1’21″)

All is not lost.

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Martin Scorsese’s Tisch School Of The Arts Speech (32’07″)


“Dean Mary Schmidt Campbell addressed 1,275 members of the Tisch School of the Arts class of 2014 at Radio City Music Hall on May 23, 2014. Martin Scorsese ’64/’68/Hon. ’92 was the honored speaker.”

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From VICE, Spike Jonze’s “Surprise Music Video For Karen O” With Dakota Fanning (1’52″)

At YouTube, Jonze writes: “On Sunday we made a one-act play for my friend Humberto’s company, Opening Ceremony. The idea was to do a play instead of a regular fashion show during Fashion Week, and, miraculously, we were able to do it at the New York Metropolitan Opera House. (Thank you, Peter Gelb and everyone at the Met!) Also, this week my dear friend Karen is putting out her first solo album of precious, personal love and heartache gems titled Crush Songs. They are songs made so intimately and spontaneously alone in her bedroom a few years ago that they feel more like unguarded whispers from her heart than a traditionally produced album. So on Sunday, during a ten-minute break as we were rehearsing and lighting at the Met, we made a very impromptu “music video” for Karen in the spirit of her album. It just seemed like if you have the Opera House, that song, and Elle Fanning together, you shouldn’t let the opportunity go by. So we made this as a surprise gift for Karen to congratulate her on her album. She is going to see this for the first time as you do. I hope you enjoy.”

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Trailering MAPS TO THE STARS (1’55″)

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Movie City Indie

Quote Unquotesee all »

DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
~ Nic Refn to Jen Yamato

DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
~ Nic Refn To Jen Yamato