Movie City Indie

PTA’s “Right Now” Video For Haim (4’31”)

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Jonathan Demme in the Modern World: On MANCHURIAN CANDIDATE (2004)

Unlike his actors, Demme saw John Frankenheimer’s film on its first release. “I saw the original when I was a teenager,” he tells me. “I was an avid moviegoer, I saw everything,” he says, hardly taking a breath.

DEMME: Everything, everything. I was really hooked on movies at a very young age. The Manchurian Candidate, along with Seven Days in May, Fail-Safe and Dr. Strangelove [were] this quartet of anarchistic black-and-white American movies, each of which did things that you just didn’t do in American movies, especially in the realm of irreverence toward politics and government institutions and the Army. I was what, 16, it was shocking, it was thrilling and interestingly, it predated my exposure to the French New Wave, so in away, this was the American, a certain kind of new wave in American movies. So Manchurian Candidate was a trailblazer, it was a shocker, it was a great picture and it altered the way I thought about movies! [Demme caps the rush of words with a pleased whooshing sound.]

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Trailering Sofia Coppola’s THE BEGUILED (2’22”)

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Terrence Malick, Man In The Hat… But Not Always

Terrence-Malick

Now that Terrence Malick has shown his face and sounded his voice in public spaces for Song To Song and Voyage of Time, how many clandestine cameos have been hiding in plain sight?

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The Complete Cast Of “Twin Peaks,” Season Three

TP Cast 1 TP Cast 2

Debuted 27 years ago today. Returns a mere six weeks from now…

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Agnès Varda At ARTFORUM (16’25”)

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Other Side Of the Mind: Orson Welles Interviews Andy Kaufman (6’17”)

[Via Boingboing.]

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Patti Smith in SONG BY SONG (1’04”)


[Via DAZED.]

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Terrence Malick At SXSW (31’37”)

In Ultra-Contemporary Portrait Format!

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Picturing Terrence Malick’s SONG TO SONG

Song to Song Song to SongSong to Song Song to SongSong to Song
Song to Song

Song to Song

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Terrence Malick For Guerlain (0’59”)

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Movie City Indie

Quote Unquotesee all »

“There’s a mass belief that if you’re texting, you’re somehow not interrupting the conversation—you’re not being rude. It’s an illusion of multitasking. I started filmmaking when people didn’t expect to have a phone on set, when it would’ve been seen as unprofessional to pull out a phone. Phones have become a huge distraction, and people work much better without them. At first it causes difficulty, but it really allows them to concentrate on what they’re doing. Everybody understands. I’ve had a lot of crews thank me. With a set, we’re trying to create a bubble of alternate reality.”
~ Christopher Nolan

“I’ve always loved films that approach sound in an impressionistic way and that is an unusual approach for a mainstream blockbuster, but I feel it’s the right approach for this experiential film. Many of the filmmakers I’ve admired over the years have used sound in bold and adventurous ways. I don’t agree with the idea that you can only achieve clarity through dialogue. Clarity of story, clarity of emotions—I try to achieve that in a very layered way using all the different things at my disposal—picture and sound.”
~ Christopher Nolan