Movie City Indie

15 For Your Consideration Screenplays Await

momzerPDF downloads, for at least the duration of the 2017 awards season.

Battle of the Sexes, written by Simon Beaufoy

Beauty and the Beast, screenplay by Stephen Chbosky and Evan Spiliotopoulos; based on 1991 animated film written by Linda Woolvert

The Big Sick, Written by Kumail Nanjiani & Emily V. Gordon

Brad’s Status, Written by Mike White

Breathe, Written by William Nicholson

First They Killed My Father, Screenplay by Loung Ung & Angelina Jolie; Based on the Book “First They Killed My Father: A Daughter of Cambodia Remembers” by Loung Ung

I, Tonya, Written by Steven Rogers

The Lost City of Z, Screenplay by James Gray; Based on the Book by David Grann

The Man Who Invented Christmas, Screenplay by Susan Coyne; Based on the Book by Les Standiford

The Meyerowitz Stories (New and Selected), Written by Noah Baumbach

mother!, Written by Darren Aronofsky

Mudbound, Screenplay by Virgil Williams and Dee Rees; Based on the Novel by Hillary Jordan

Okja, Written by Bong Joon Ho and Jon Ronson

The Shape of Water, Written by Guillermo del Toro & Vanessa Taylor [withdrawn]

Three Billboards Outside Ebbing, Missouri, Written by Martin McDonagh

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Six Minutes With The Safdies In The Criterion Closet

The Key West Hemingway Cats Are Safe (With 66-Second Doc On 12-Toed Cats)


12 Toes from Ray Pride on Vimeo.

Trailering Ai Weiwei’s “Human Flow”

PTA’s “Right Now” Video For Haim (4’31”)

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Jonathan Demme in the Modern World: On MANCHURIAN CANDIDATE (2004)

Unlike his actors, Demme saw John Frankenheimer’s film on its first release. “I saw the original when I was a teenager,” he tells me. “I was an avid moviegoer, I saw everything,” he says, hardly taking a breath.

DEMME: Everything, everything. I was really hooked on movies at a very young age. The Manchurian Candidate, along with Seven Days in May, Fail-Safe and Dr. Strangelove [were] this quartet of anarchistic black-and-white American movies, each of which did things that you just didn’t do in American movies, especially in the realm of irreverence toward politics and government institutions and the Army. I was what, 16, it was shocking, it was thrilling and interestingly, it predated my exposure to the French New Wave, so in away, this was the American, a certain kind of new wave in American movies. So Manchurian Candidate was a trailblazer, it was a shocker, it was a great picture and it altered the way I thought about movies! [Demme caps the rush of words with a pleased whooshing sound.]

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Trailering Sofia Coppola’s THE BEGUILED (2’22”)

Terrence Malick, Man In The Hat… But Not Always

Terrence-Malick

Now that Terrence Malick has shown his face and sounded his voice in public spaces for Song To Song and Voyage of Time, how many clandestine cameos have been hiding in plain sight?

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The Complete Cast Of “Twin Peaks,” Season Three

TP Cast 1 TP Cast 2

Debuted 27 years ago today. Returns a mere six weeks from now…

Agnès Varda At ARTFORUM (16’25”)

Movie City Indie

Quote Unquotesee all »

“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster

“One of comedy’s defining pathologies, alongside literal pathologies like narcissism and self-loathing, is its swaggering certainty that it is part of the political vanguard, while upholding one of the most rigidly patriarchal hierarchies of any art form.”
~ Lindy West