Film Fests Archive for January, 2014

Sundance 2014 Review: Hellion

Hellion

Kat Candler’s feature Hellion, based on her 2012 short film of the same name, was one of the titles at this year’s Sundance that I was most looking forward to. The short, about three young boys being raised by a single father who’s not around or emotionally engaged enough to keep them from getting into trouble, had a naturalistic honesty to it that I found very intriguing; it left me wanting to know more about these people and their lives. Given a lot more room to explore this through a feature-length film, she tells this story from the perspective of her troubled 13-year-old protagonist, played by newcomer Josh Wiggins in a powerful breakout performance.

Wiggins plays Jacob, a kid growing up in a refinery town in Southeast Texas, struggling to overcome both his mother’s death in a tragic car accident a year earlier, and the emotional absence of his father, Hollis (Aaron Paul, who’s simply terrific here), who’s still reeling from the loss of his wife. Jacob acts out his own anger and grief through a series of delinquent shenanigans around town with his “crew” of buddies that kicks off with a stellar, heavy-metal infused opening sequence that kicks us straight into Jacob’s rage. When he ropes in his sweetly trusting younger brother Wes (Deke Garner) into the action, CPS gets involved and removes Wes to place him with the boys’ Aunt Pam (Juliette Lewis), Hollis and Jacob are forced to take a long, hard look at their own choices to find a way to move on despite the gaping hole tragedy has ripped out of their lives.

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain