Film Fests Archive for May, 2010

Press Release: Oxford Film Festival Call for Entries

Press Release:
Oxford Film Festival announces Call for Entries
Festival organizers preparing for 8th annual festival
Oxford, Miss. – The Oxford Film Festival organizers recently announced that they are now accepting film submissions from May 20 to September 1, 2010 for the 2011 film festival.
The popular non-profit film festival returns for its eighth year on February 10-13, 2011.
“We are excited to start screening submissions for the 2011 festival,” Executive Director Molly Fergusson said. “As the festival grows, the films we receive get stronger and we’re looking forward to getting some great films this year. We are also working hard this year to obtain numerous awards for filmmakers and are excited for the return of the speed pitch panel which helped filmmakers obtain distribution for their films.”
Entries are due by the regular deadline of September 1, a late deadline of September 15 and WAB extended deadline of October 1.

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima