Film Fests Archive for January, 2009

Santa Barbara Dispatch Day Two

santa_barbara_sign.JPGMy first full day at the Santa Barbara International Film Festival proved to be both busy and well worth the time invested in watching four films. We dragged ourselves out of bed in time to score a massive caffeine dose before the 8:15AM screening of Poppy Shakespeare, which is having its US premiere at the fest after having premiered at the Karlovy Vary Film Festival last July and a run on Brit television.
The darkly comedic (emphasis on the “darkly”) film, adapted from the novel of the same name by Clare Allan, examines the institution surrounding mental health care in the UK through the eyes of N (Anna Maxwell Martin), a long-term vet of the Dorothy Fish Day Center mental health facility and Poppy Shakespeare (Naomie Harris), a former ad agency receptionist ordered to spend a month attending the day center even though she swears she’s perfectly sane. N, who’s spent the past 13 years jumping through the hoops of madness to continue receiving state benefits, is assigned to mentor Poppy who, in order to get a state lawyer to prove she’s not insane, must first prove that she is in order to receive the state benefit “mad money” that qualifies her to get the legal help she needs.

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Santa Barbara Dispatch Day One

santa_barbara_palms.jpgDue to being busy with our Sundance coverage, immediately followed by a need to spend a few days with my kids between travels, I just got into Santa Barbara yesterday in time to cover the last five days of the Santa Barbara International Film Festival. I’ve never covered this fest before, but now that I’m here I’m thinking it won’t be the last.
Much as I enjoy Sundance, Cannes and Toronto, those fests are exhausting to cover. Three-four hours sleep a night, so many films a day they start to all blur together, because you know however many you see, you’ll still end up missing some great films for the sake of mediocre ones. I wish I could clone myself for those major fests and have enough time to see everything I want, write all of it up, and still get sleep.

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Sunrise, Sunset

santa_barbara_sunrise_2.jpgsanta_barbara_sunset_2.jpg

Nifty and useful things learned at the Santa Barbara Film Festival:
because of the geography of Santa Barbara, we can see both the sunrise and sunset over the ocean across from our hotel. Pretty cool.

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Proud Mama

I have to just take a moment and a little blogspace here to say that my almost-12YO daughter, Neve, found out this afternoon that she’s been accepted as a juror for the Seattle Children’s Film Festival. To apply, she had to write a list of her top ten films, giving specific reasons why she liked them and talking about the elements that make a good children’s film. Added bonus? It counts on our homeschooling SLP!
With Neve’s permission, here’s her list, right after the jump…

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Dear Irene Cho, I will miss your energy and passion; your optimism and joy; your kindness towards friends, colleagues, strangers, struggling filmmakers, or anyone who randomly crossed your path and needed a hand. My brothers and I have long considered you another sibling in our family. Our holiday photos – both western and eastern – have you among all the cousins, in-laws, and kids… in the snow, sun, opening presents, at large dinner gatherings, playing Monopoly, breaking out pomegranate seeds and teaching us all how to dance Gangnam style. Your friendship and loyalty meant a great deal to me: you were the loudest cheerleader when I experienced victories and you were always ready with sushi when I had disappointments. You had endless crazy ideas which always seemed impossible but you would will them into existence. (Like that time you called me and suggested that we host a brunch for newly elected mayor of LA, Eric Garcetti because “he is going to president one day.” We didn’t have enough time or funding, of course, only your desire to do it. So you did, and I followed.) You created The Daily Buzz from nothing and it survived on your steam in spite of many setbacks because you believed in a platform for emerging filmmakers from all nations. Most of all, you were a wonderful mother to your son, Ethan, a devoted wife to your husband, and a wonderful sibling and daughter to your family. We will all miss how your wonderful smile and energy lit up the room and our lives. Rest in peace, Irene.
~ Rose Kuo Remembers Irene Cho on Facebook

“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
~ Olivier Assayas