Film Essent Archive for February, 2015

Sundance 2015 Review: The Forbidden Room

Forbidden Room 5If there’s a director at Sundance who would view assertions that his film garnered the most walkouts of the fest as an indication he succeeded in making the film he intended, it’s Canadian director Guy Maddin, here this year with what I consider his finest and most layered work yet, The Forbidden Room. Known for making trippy, weird stories that are both deeply personal explorations of philosophical ideas, Maddin works in layers of abstract visual poetry. Recline in your seat, breathe in, breathe out, and allow the imagery to flow into you as you try to take it all in; you’re peering directly into Maddin’s brain through the lens of his camera, and given the recurrence of the idea of “brain” throughout his work, that’s about as meta as you can get.

Forbidden Room 4Maddin, working here with his co-director/prodigy/researcher Evan Johnson, weave together interconnected snippets of many different stories, intricately nested within each other like a cinematic matryoshka doll in which each new layer unfolds with its own brilliant palette to assail your senses as their stories dance around and through each other: the crew of a submarine, trapped and running out of oxygen but afraid to disturb their captain, desperately chews flapjacks to release the air bubbles and survive; a lost woodsman mysteriously appears to tell the tale of a fearsome clan. Skeleton women! Kidnapping! Amnesia! Murder!! And of course, Mother … Mother. Always watching!!!
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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain