Film Essent Archive for August, 2010

The Summer of Bad Movies

I was reading this article (“Go and Pay to See Scott Pilgrim Now”) on Vanity Fair bemoaning the dismal box office for the pretty wonderful movie SCOTT PILGRIM vs THE WORLD. The writer, John Lopez, says, in part:
Listen, if A.O.

Review: Scott Pilgrim Vs The World

You don’t have to be a fan of the Scott Pilgrim graphic novels to appreciate Edgar Wright’s rather brilliant adaptation of the source material for the movie Scott Pilgrim Vs the World. Nor do you have to be a fan of Michael Cera as an actor to appreciate his turn as the title character (in fact, I would suggest that those who complain of being “tired” of Cera or who generally find him to be “one-note” might be very pleasantly surprised by his performance here). Wright, who previously made the terrific zombie comedy Shaun of the Dead, has made a graphic novel adaptation here that is — yes, yes, for what it is, cinephiles — as close to perfect as you could hope to get. It’s pure entertainment, heavy on brilliant colors, fast-cut editing, video game imagery and clever devices, to be sure; but if that’s your thing, you’ll find Scott Pilgrim Vs The World to be a fantastic, frenetic, fun ride.

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The Long Road from Film Fest to Release Date

Whew. Sometimes it takes a looooooong time to get a film from festival play to an actual release date.
I got an email the other day that NESHOBA, which played the Oxford Film Festival in 2009, is finally getting a theatrical showing in NYC. Micki Dickoff’s smart doc revisits the 1964 murders of three civil rights workers in Neshoba County, Mississippi, and follows the trial of alleged ringleader Rev. Edgar Ray Killen, who was finally indicted for the murders of James Chaney, Andrew Goodman, and Michael Schwermer in 2005.
Dickoff had unprecedented access to Killen and his family in making this film and it is well worth watching. I understand from the director that this is a new cut of the film that is exactly how she wanted it to be, so it’s a bit different from what we saw at Oxford (not sure how different, exactly). NESHOBA opens August 13 in NYC at Cinema Village. The filmmakers and family members of the victims will be in attendance opening night for a Q&A, so go check it out …
… Also from the “it’s about time” charts, I just got an email in my inbox that LOVELY, STILL, the writing/directorial debut of Nicholas Fackler starring Martin Landau and Ellen Burstyn, is finally getting a NYC release date. I saw this film way back in 2008 at the Toronto International Film Festival, where as I recall, it was well-received by critics, and I could have sworn it had already released, but hey, apparently not.
LOVELY, STILL is a sweetheart of a romantic fable about an aging gentleman (Landau) who returns home from his job at a grocery store one day to find a strange woman (Burstyn) in his house. The two embark on a late-in-life romance that isn’t — quite — what it seems. A smart, warmly heartfelt screenplay and excellent acting, combined with a nice job by Fackler in weaving the whole thing together, make this charming little film worth catching while you can. LOVELY, STILL opens in NYC on September 10.
If you live in NYC, and you won’t be otherwise engaged at the Toronto International Film Festival, go check it out.

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BLOOM
There cannot be a human being who has fewer thoughts on the whole question of word processing than I do. I’ve never even seen a word processor. I am hopelessly archaic. For me the typewriter hasn’t even been invented yet, so how can I speak to this matter? I protest! A man who has never learned to type is not going to be able to add anything to this debate. As far as I’m concerned, computers have as much to do with literature as space travel, perhaps much less. I can only write with a ballpoint pen, with a Rolling Writer, they’re called, a black Rolling Writer on a lined yellow legal pad on a certain kind of clipboard. And then someone else types it.

INTERVIEWER
And someone else edits?

BLOOM
No one edits. I edit. I refuse to be edited.

INTERVIEWER
Do you revise much?

BLOOM
Sometimes, but not often.
~ Harold Bloom

“So, what does it look like when he leaves the show? First, it looks like a ratings spike, and I had a nice chuckle about that. But the truth is, the ink wasn’t even dry on his exit papers before they rushed in a new guy. I was on vacation in Sicily, decompressing — it was a long working relationship and it was a tumultuous end and I needed a moment to just chill with some rosé — and they’re calling me, going, ‘What do you think of this guy?’ ‘What do you think of this guy?’ And they’re sending pictures. I was like, ‘Are you people fucking nuts? Why do you feel that you have to replace this person?’ I couldn’t believe how fast the studio and the network felt like they had to get a penis in there.”
Ellen Pompeo