Film Essent Archive for February, 2010

Your World in Two Minutes

The BBC has this pretty cool thing called My World going, where they are inviting filmmakers to submit two-minute short films about where they live. The shortlist will be selected by “well-known documentary filmmakers from around the world” and the top ten shown on BBC World News.
You can check out some of the films already submitted or enter your own film right over here. Some of the entries are surprisingly good; it made me think about what some of my talented filmmaker friends could come up with to show their world two minutes. If you make and submit a short to this competition, let me know so I can check it out.

Oxford Film Festival: It's a Wrap!

This was my third year at the Oxford Film Festival, and I have to say this fest just gets better and better every year. Other small regional fests take note: If you want to grow your small-town-fest-that-could into a small town fest that can and does have a reputation as one of the go-to fests for your region, take some notes from the folks who make this fest happen. As at any fest, there are countless volunteers who make it happen, but I have to give a shout out to the fest co-directors, Michelle Emanuel, Molly Fergusson and Micah Ginn, and Assistant Director Melanie Addington.
My fellow fest circuit junkies — not to mention all you indie filmmakers out there looking for a great fest to showcase your hard work — should add Oxford to your list of fests to check out; If you’re ever fortunate enough to be invited to attend as a filmmaker, juror or panelist, do not turn it down.

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“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier