Film Essent Archive for February, 2010

Your World in Two Minutes

The BBC has this pretty cool thing called My World going, where they are inviting filmmakers to submit two-minute short films about where they live. The shortlist will be selected by “well-known documentary filmmakers from around the world” and the top ten shown on BBC World News.
You can check out some of the films already submitted or enter your own film right over here. Some of the entries are surprisingly good; it made me think about what some of my talented filmmaker friends could come up with to show their world two minutes. If you make and submit a short to this competition, let me know so I can check it out.

No Comments »

Oxford Film Festival: It's a Wrap!

This was my third year at the Oxford Film Festival, and I have to say this fest just gets better and better every year. Other small regional fests take note: If you want to grow your small-town-fest-that-could into a small town fest that can and does have a reputation as one of the go-to fests for your region, take some notes from the folks who make this fest happen. As at any fest, there are countless volunteers who make it happen, but I have to give a shout out to the fest co-directors, Michelle Emanuel, Molly Fergusson and Micah Ginn, and Assistant Director Melanie Addington.
My fellow fest circuit junkies — not to mention all you indie filmmakers out there looking for a great fest to showcase your hard work — should add Oxford to your list of fests to check out; If you’re ever fortunate enough to be invited to attend as a filmmaker, juror or panelist, do not turn it down.

Read the full article »

1 Comment »

Quote Unquotesee all »

“I’ve been pleasantly surprised by how many recappers, while clearly over their heads, are baseline sympathetic to finding themselves routinely unmoored, even if that means repeating over and over that this is closer to “avant-garde art” than  normal TV to meet the word count. My feed was busy connecting the dots to Peter Tscherkassky (gas station), Tony Conrad (the giant staring at feedback of what we’ve just seen), Pat O’Neill (bombs away) et al., and this is all apposite — visual and conceptual thinking along possibly inadvertent parallel lines. If recappers can’t find those exact reference points to latch onto, that speaks less to willful ignorance than to how unfortunately severed experimental film is from nearly all mainstream discussions of film because it’s generally hard to see outside of privileged contexts (fests, academia, the secret knowledge of a self-preserving circle working with a very finite set of resources and publicity access to the larger world); resources/capital/access/etc. So I won’t assign demerits for willful incuriosity, even if some recappers are reduced, in some unpleasantly condescending/bluffing cases, to dismissing this as a “student film” — because presumably experimentation is something the seasoned artist gets out of their system in maturity, following the George Lucas Model of graduating from Bruce Conner visuals to Lawrence Kasdan’s screenwriting.”
~ Vadim Rizov Goes For It, A Bit

“On the first ‘Twin Peaks,’ doing TV was like going from a mansion to a hut. But the arthouses are gone now, so cable television is a godsend — they’re the new art houses. You’ve got tons of freedom to do the work you want to do on TV, but there is a restriction in terms of picture and sound. The range of television is restricted. It’s hard for the power and the glory to come through. In other words, you can have things in a theater much louder and also much quieter. With TV, the quieter things have to be louder and the louder things have to be quieter, so you have less dynamics. The picture quality — it’s fine if you have a giant television with a good speaker system, but a lot of people will watch this on their laptops or whatever, so the picture and the sound are going to suffer big time. Optimally, people should be watching TV in a dark room with no disturbances and with as big and good a picture as possible and with as great sound as possible.”
~ David Lynch