Film Essent Archive for February, 2010

Your World in Two Minutes

The BBC has this pretty cool thing called My World going, where they are inviting filmmakers to submit two-minute short films about where they live. The shortlist will be selected by “well-known documentary filmmakers from around the world” and the top ten shown on BBC World News.
You can check out some of the films already submitted or enter your own film right over here. Some of the entries are surprisingly good; it made me think about what some of my talented filmmaker friends could come up with to show their world two minutes. If you make and submit a short to this competition, let me know so I can check it out.

Oxford Film Festival: It's a Wrap!

This was my third year at the Oxford Film Festival, and I have to say this fest just gets better and better every year. Other small regional fests take note: If you want to grow your small-town-fest-that-could into a small town fest that can and does have a reputation as one of the go-to fests for your region, take some notes from the folks who make this fest happen. As at any fest, there are countless volunteers who make it happen, but I have to give a shout out to the fest co-directors, Michelle Emanuel, Molly Fergusson and Micah Ginn, and Assistant Director Melanie Addington.
My fellow fest circuit junkies — not to mention all you indie filmmakers out there looking for a great fest to showcase your hard work — should add Oxford to your list of fests to check out; If you’re ever fortunate enough to be invited to attend as a filmmaker, juror or panelist, do not turn it down.

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BLOOM
There cannot be a human being who has fewer thoughts on the whole question of word processing than I do. I’ve never even seen a word processor. I am hopelessly archaic. For me the typewriter hasn’t even been invented yet, so how can I speak to this matter? I protest! A man who has never learned to type is not going to be able to add anything to this debate. As far as I’m concerned, computers have as much to do with literature as space travel, perhaps much less. I can only write with a ballpoint pen, with a Rolling Writer, they’re called, a black Rolling Writer on a lined yellow legal pad on a certain kind of clipboard. And then someone else types it.

INTERVIEWER
And someone else edits?

BLOOM
No one edits. I edit. I refuse to be edited.

INTERVIEWER
Do you revise much?

BLOOM
Sometimes, but not often.
~ Harold Bloom

“So, what does it look like when he leaves the show? First, it looks like a ratings spike, and I had a nice chuckle about that. But the truth is, the ink wasn’t even dry on his exit papers before they rushed in a new guy. I was on vacation in Sicily, decompressing — it was a long working relationship and it was a tumultuous end and I needed a moment to just chill with some rosé — and they’re calling me, going, ‘What do you think of this guy?’ ‘What do you think of this guy?’ And they’re sending pictures. I was like, ‘Are you people fucking nuts? Why do you feel that you have to replace this person?’ I couldn’t believe how fast the studio and the network felt like they had to get a penis in there.”
Ellen Pompeo