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Polanski To Preside Over Cesar Awards

Polanski To Preside Over Cesar Awards

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“It’s going to stay. We will view Paramount a much more integral part of Viacom moving forward.”

“It’s going to stay. We will view Paramount a much more integral part of Viacom moving forward.”

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Trump Will Eliminate National Endowments For The Arts, Humanities; Sell Off Corporation For Public Broadcasting, Following Heritage Foundation Plan

Trump Will Eliminate National Endowments For The Arts, Humanities; Sell Off Corporation For Public Broadcasting, Following Heritage Foundation Plan

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China Hw’d Efforts Not Only About Media, Says Media Mega-Investor Li Ruigang

China Hw’d Efforts Not Only About Media, Says Media Mega-Investor Li Ruigang

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700 Public Computers At St. Louis Public Libraries Hijacked By Ransomware

700 Public Computers At St. Louis Public Libraries Hijacked By Ransomware

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Sundance Prepares For Saturday March

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Andy Lau Expected To Recover After Being Thrown From Horse

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Paolo Sorrentino On Tone

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Francis Ford Coppola Wines Exclusive At Oscar For Next Three Years

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Senator Brown Seeks FBI Information On Relativity Media And Trump Treasury Nominee Steven Mnuchin’s Dealings

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How To Provide For Your Nanny At Sundance

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Esquire Network To Leave Cable

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PETA Protests Dog’s Own Purpose After TMZ Releases Video Of German Shepherd Being Pushed Into Rushing Water

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A Primer On Takeshi Kitano For His 70th Birthday

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Why Netflix Is Paying Tens Of Millions To Corner The Big-Name Standup Market

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Hacksaw Ridge, Mel Gibson (for an hour)

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The Jungle Book, Rob Legato

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Sing, Garth Jennings

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20th Century Women, Greta Gerwig

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thestar.com

“We are observers like everyone else and we’re excited about the freedom of speech and what people are bringing to the party or anti-party, whatever you want to call it.”
Sundance Prepares For Saturday March

“For me, every time the audience can laugh, they should laugh.”
Paolo Sorrentino On Tone

variety

“That’s a category we took from kind of cheap, second-window programming to something that really becomes an event and a subscriber-acquisition driver for Netflix.”
Why Is Netflix Paying Tens Of Millions To Corner The Big-Name U. S. Standup Market?

“The growth market of English language films out of the U.S. is China. The new growth must come from China. It is a major source of income. So, if China were to retaliate, it’s bad for both parties. I do not wish to see that materialize.”
Dalian Wanda Chairman Wang Jianlin, China’s Richest Man, Cautions Against United States Regulating Chinese Investment In Hw’d
And – New Cinemas May Require Subsidies To Keep Lights On translated

variety

“If you want politics, the movies are one of the last places you’re gonna get ’em. You’ve got Twitter, Instagram, Facebook, television, radio, newspapers. People have their own personal polarized media for their beliefs and points of view, and I don’t think this is the time or place where political movies are going to work.”
Will Sundance Films See A Trump Effect? Gregg Goldstein Inquires

hollywoodreporter.com

“I do not own a private jet. Never have. And everything I do is completely offset with carbon credits. I do everything I can to walk the walk as I talk the talk.”
Al Gore On Sundance Opener An Inconvenient Sequel: Truth To Power

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“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson