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David Lowery Set-Diaries Day 51 Of Pete’s Dragon

“I was watching some of the cut-together footage the other day. I’m too close to tell how it all adds up just yet, but I like how it feels. It seems sensitive and scrappy. Like a little kid with hand-me-down-clothes and a bloody nose, cuddling a kitten.” David Lowery Set-Diaries Day 51 Of Pete’s Dragon

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Criterion Unearths A Messsage From Ingmar Bergma

Criterion Unearths A Messsage From Ingmar Bergman vid

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Hal Hartley On Ned Rifle, Themes Of Responsibility And The Course Of His Career

Hal Hartley On Ned Rifle, Themes Of Responsibility And The Course Of His Career

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Ari Folman Animates Anne Frank

Ari Folman Animates Anne Frank

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Variety Cover-Stories Jeff Skoll’s Hopes To Sustain Participant Media

Variety Cover-Stories Jeff Skoll’s Hopes To Sustain Participant Media

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Scientology Replies Vehemently, But Not To Points, In THR’s 20 Questions Raised By Going Clear

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“Birthplace Of British Cinema” Reopens After $8.9 Million Refurbishment

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A Survey Of Berlin’s Amazing Cinemas

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Ex Machina’s Alex Garland Picks Five SciFi Faves

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Ian Parker Spends An Afternoon With Charles Grodin And His Fiberglass Menagerie

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The Robin Williams Trust Restricts The Right Of Exploitation Of His Image For 25 Years

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20 Weeks of Summer: Glory Days

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The ASC Remembers Cinematographer Miroslav Ondricek

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Furious 7 Screenwriter Chris Morgan Talks About The Five Installments He’s Written

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Mike Fleming And Peter Bart Tapdance Around The Subject Of Nellie Andreeva’s “Ethnic” Casting Article

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“I love this world, I love these characters. It is definitely a passion project for me.”
Furious 7 Screenwriter Chris Morgan Talks About The Five Installments He’s Written

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“Nellie is trained in the sciences and used those sensibilities to analyze a data sample; the word “ethnic” is commonly used by casting agents. None of that works when talking about people, and race.”
Mike Fleming And Peter Bart Tapdance Around The Subject Of Nellie Andreeva’s “Ethnic” Casting Article

“The Salon piece, a late-breaking bit of Allen disapprobation, is just one of a great many you see these days; a cultural note that attempts to instruct the reader that ‘we’ can’t accept ‘this’ anymore. One almost universal feature of such pieces is a frustrating vagueness about what action ‘we’ are supposed to take concerning the unacceptable state of affairs.”
Glenn Kenny On “The Melodrama Of Woody Allen’s Critical Reputation”

“We are here to enjoy my gift. We are not here to argue. Let those people speak. We will find them and ask them to leave. I am going to handle this the way I want it handled. I’m going to tell you some more jokes.”
Cosby Does Not Countenance Hecklers

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“Tarkovsky was sitting in the corner of the screening room watching the film with me, but he got up as soon as the film was over and looked at me with a shy smile. I said to him, ‘It’s very good. It’s a frightening movie.’ He seemed embarrassed but smiled happily. Then the two of us went to a film union restaurant and toasted with vodka. Tarkovsky, who does not usually drink, got completely drunk and cut off the speakers at the restaurant, then began singing the theme of Seven Samurai at the top of his voice. I joined in, eager to keep up. At that moment, I was very happy to be on Earth.”
~ Akira Kurosawa On Watching Solaris With Andrei Tarkovsky

“Women’s power is too potent to waste on selfies… Truly dangerous women aren’t looking for dates or husbands, and they do not travel in packs. They rarely have many female friends. Their register is either universal, or intensely personal. They play mind games and make promises. Whether they deliver or not remains a secret, and secrets are essential to seduction. The Web has eroded every notion of privacy and stolen the real power of women: the threat of mystery itself.  “I can see you’re trouble” was once the biggest compliment a man could pay a woman. There was going to be a dark spiral into the whirlpool of sex; there were going to be tears on both sides, secrets and regrets, scandal. Today, everyone is trouble.”
~ Joan Juliet Buck in “W”

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