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Breakeven Amazon To Buy Back $5 Billion In Stock

Breakeven Amazon To Buy Back $5 Billion In Stock

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Donald Trump On “The Honeymooners” (0’54”)

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Time Inc. Issues Employees “One Time Inc.” Culture Cards To Carry

Time Inc. Issues Employees “One Time Inc.” Culture Cards To Carry

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Oscar-Nominated Cinematographers Say Beauty Comes From Story, Not Equipment Choices

Oscar-Nominated Cinematographers Say Beauty Comes From Story, Not Equipment Choices

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Still No Consensus On What To Do About All That Video Shot On Phones In Vertical Format

Still No Consensus On What To Do About All That Video Shot On Phones In Vertical Format

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Scott Rudin To Produce Aaron Sorkin B’wy Adaptation Of “To Kill A Mockingbird”

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Judge Allows James Woods Defamation Suit Against Anonymous Tweeter

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Good Dr. Bordwell Situates The Framing Of Mad Max: Fury Road In Art And Film History

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The Law of Banksy: Who Owns Street Art?

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Sofia Coppola To Stage “La Traviata” In Rome With Fashion By Garavani And Production Designer Of Dark Knight And Interstellar

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Michael Wolff Guesstimates The Resolution Of The Viacom-Shari Redstone-Dauman Saga

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“Every bit of the frame can be used, if only to jolt the viewer’s eye. All the action on the screen isn’t just in the story.”
Good Dr. Bordwell Situates The Framing Of Mad Max: Fury Road In Art History And Film

“The entire movie is about how other countries have dismantled the prisons in which Americans live.”
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Quote Unquotesee all »

“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it’s important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice. I think it’s very, very important in a time where everything is commercialized, commodified, and branded, where advertising is constantly bleeding into other forms of discourse, for there to be an independent voice kind of speaking to—and to some extent on behalf of—the public.”
~ A. O. Scott On One Role Of The Critic

“Every night, we’d sit and talk for a long, long time and talk about the process and I knew he was very, very intrigued about what could be happening. Then of course, one of the fascinating things he told me about was how he had readers who were reading for him that never knew it was Stanley Kubrick. So if he heard of a novel, he would send it out to people. I think he did it through newspaper ads at the time. And he would send it out to people and ask for a kind of synopsis or a critique of the novel. And he would read those. And it was done anonymously. But he said there were housewives and there were barristers and all sorts of people doing that. And I thought, yeah, that’s a really good way to open up the possibilities. Because otherwise, you’re randomly looking, walking through a bookstore or an airport. I said, “How many people are doing this?” It was about 30 people.”
~ George Miller’s Conversations With Kubrick