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A. O. Scott Tallies Telluride

“Film festivals don’t really have themes, even though deadline-stressed journalists sometimes suggest otherwise. But seeing a lot of movies over a short stretch of time can lead you to notice patterns, trivial—like a fox showing up on screen in two consecutive movies, a horse in three—and less so.” A. O. Scott Tallies Telluride

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Will Self Sez George Orwell Was A Literary Mediocrity

Will Self Sez George Orwell Was A Literary Mediocrity

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La Finke Leaks News Of Alleged Nonfiction Book Project To The NYT’s Somaiya After Slam Site Pictures Her; Also Suggests Vanity Fair’s Graydon Carter Is Sweet On Her

La Finke Leaks News Of Alleged Nonfiction Book Project To The NYT’s Somaiya After Slam Site Pictures Her; Also Suggests Vanity Fair’s Graydon Carter Is Sweet On Her

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Michael Mirasol On “Cynthia Rothrock, HK Action Films And Expendable Women”

Michael Mirasol On “Cynthia Rothrock, HK Action Films And Expendable Women”

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Well, Are Film Tax Credits Effective?

Well, Are Film Tax Credits Effective?

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“This is a flagrant violation of privacy. The authorities have been contacted and will prosecute anyone who posts the stolen photos of Jennifer Lawrence.”

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Brooks Barnes Sez This Is The Worst Summer For Movies Since 1997

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M. Phillips Takes On How A Couple Of “M———er”s Got Love Is Strange Its “R” Rating; He Means The Word, Not The Raters

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On Popul Vuh’s Soundtracks For Werner Herzog

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Frederick Wiseman To Adapt Titicut Follies Into Ballet

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I Love This Faux TIFF Logo

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Marc Maron on WTF & More (pt 1 of 2)

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Weekend Estimates (3-day) by Labored Klady

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The Weekend Report

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Friday Estimates by Klady of the Galaxy

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Marc Maron on WTF & More (pt 1 of 2)

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The Boxtrolls, Sir Ben Kingsley

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Joe Manganiello, La Bare (part 1 of 2)

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Love Is Strange, Ira Sachs, Alfred Molina

MCN Festivals
NY Times

Edge of Tomorrow, for instance, looked like a hit—and that was exactly its problem. The title was too similar to The Day After Tomorrow, released in summer 2004. The barren landscape too closely resembled Mr. Cruise’s 2013  Oblivion. Characters walking around in robot exoskeletons? Been there (Pacific Rim), done that (Real Steel).”
Brooks Barnes Sez This Is The Worst Summer For Movies Since 1997

“No matter how discreet and clothed its depictions, Love Is Strange is apparently just too gay for a PG-13.”
M. Phillips Takes On A Couple Of “M———er”s That Got Love Is Strange Its “R” Rating; He Means The Word, Not The Raters

fake_cbailey_2014-Aug-31

3-Day Estimates 2014-08-31 at 10.33.04 AM

Annnnddddd we seem to be back

daily beast

“I’m really loving painting these days. So there’s nothin’ on the burner right now.”
David Lynch? He Still Says “I Prefer Not To.”

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Quote Unquotesee all »

A statement from David Chase’s representative, Leslee Dart:

A journalist for Vox misconstrued what David Chase said in their interview. To simply quote David as saying,“ Tony Soprano is not dead,” is inaccurate. There is a much larger context for that statement and as such, it is not true. As David Chase has said numerous times on the record, “Whether Tony Soprano is alive or dead is not the point.” To continue to search for this answer is fruitless. The final scene of THE SOPRANOS raises a spiritual question that has no right or wrong answer.
~ David Chase Refutes Vox Writer

“By the time the sounds of the Von Trapp children warbling ‘Silent Night’ drift through The Giver, you may find yourself wondering what fresh movie hell this is. In truth, the enervating hash of dystopian dread, vague religiosity and commercial advertising-style uplift is nothing if not stale. Adapted from Lois Lowry’s book for young readers, the story involves an isolated society that, with its cubistic dwellings, mindless smiles, monochromatic environs and nebulous communitarianism, seem modeled on a Scandinavian country or an old Mentos commercial.”
~ Manohla Dargis’ Deadly Lede For Review Of The Giver