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Alice Drummond, 88, B’way Regular Turned Character Actress In Movies Like Ghostbusters, Awakenings, Doubt, Where’s Poppa?

“Dan Marino should die of gonorrhea and rot in hell. Would you like a cookie, son?” Alice Drummond, 88, B’way Regular Turned Character Actress In Movies Like Ghostbusters, Awakenings, Doubt, Where’s Poppa?, Ace Ventura: Pet Detective

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Austin Statesman Slashes Last Fulltime Arts Writer

Austin Statesman Slashes Last Fulltime Arts Writer

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D. T. Max On The Evolution Of Almodóvar

D. T. Max On The Evolution Of Almodóvar

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Second Round Of Dreamworks Animation Layoffs Includes Production And Animation Among The 170 Losing Jobs

Second Round Of Dreamworks Animation Layoffs Includes Production And Animation Among The 170 Losing Jobs

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Jackie Kennedy’s White House Tour 53’42”

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Miriam Bale Says Isabelle Huppert Takes Control As Actress And Auteur In Elle

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2013 Video Surfaces Of Bertolucci Claiming Last Tango In Paris “Butter Scene” Was Rape

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Kaleb Horton In Hell Or High Water Country

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Obama Looks Toward Digital Media Career According To Unsourced Report On Mic Website

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J. Hoberman On Donald J.

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Trump FCC Will Oppose Net Neutrality, Open Internet

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Disney’s Iger Joins Trump Advisory Committee

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ABC Entertainment President Indicates Opportunity To Shift Programming Toward “Everyday Americans” After Huge Trump Popular Vote Loss

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Boss Of UK Channel 4 Broadcaster Decries Gov’t Interference

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Owner May Dump Daily Mail Titles As Income Nosedives

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MCN Videos

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A Monster Calls, Felicity Jones

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Manchester By The Sea, Casey Affleck

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Pablo Larrain, Jackie (and Neruda)

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The Edge of Seventeen, Hailee Steinfeld

MCN Festivals

“In a crucial scene, Michèle literally unmasks her attacker, stares him in the eye, challenging him, unblinking—her rapist is someone she knows. It’s an all-too-familiar paradox: that someone can be friend and rapist, lover and rapist, relative and rapist. Michèle refuses to let her attacker escape this contradiction by being one role or the other. She forces him to be both at once.”
Miriam Bale Says Isabelle Huppert Takes Control As Actress And Auteur In Elle

“We almost never get the chance to see these towns for what they are, without decoration. Hell Or High Water does this with shocking grace and civility. By showing without underlining, it makes you feel the desperation of these places.”
Kaleb Horton In Hell Or High Water Country

variety

 “While the president will remain actively engaged in inspiring young people and he is interested in the changing ways people consume information, he has no plans to get into the media business after he leaves office.”
Unsourced Report On Mic Website Claims Obama Looking To Digital Media Career

“Donald J. Trump is not the first professional entertainer or pitchman to be elected president of the United States but, however he may refuse to break character or take an adjustment, he is not Ronald Reagan.”
J. Hoberman On Donald J.

variety

“I welcome the chance to be part of the important discussions about the most effective ways to grow jobs and expand economic opportunity in America.”
Disney’s Iger Joins Trump Advisory Committee

“I’m not much of a fan of biopics. I don’t think these films are biopics. They’re approximations of a specific sensibility—a moment of crisis in which someone is transformed by their surroundings, has to confront it, and in the end can lecture the person they once were. These are people that, filtered through the unique elements of film, are filled with the arbitrary and the fictional.”
Pablo Larrain On How He Got To Neruda And Jackie

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Kyle Buchanan: I think the deal with a lot of white, male critics is there’s a very empirical way that they write that they write their movie reviews that always puzzled me. Movies are such subjective things. Back in the day, I used to be the film critic for The Advocate, and it was really striking to me when I would go into screening rooms and I was by far the youngest. They were filled with old white men. And when you watch a film like Black Snake Moan, that’s playing with a whole lot of gender and race issues, I was like, Are like 70-year-old white men like really the sole voices that I want to hear on this movie? It just didn’t feel right.

Jen Yamato I’ve been very pleasantly surprised to see the receptions Moonlight has gotten. But one of the films that I was disappointed to see not get more traction was American Honey. I distinctly remember sitting in a screening room full of mostly older white guys and thinking during the film, How are any of them going to relate to this movie?

~ Taking On The “Old White Guys”

“I was frustrated, a bit angry even. There should be no need for winning in the arts. Awards condition people into thinking that art is a competition, that good cinema is prize-winning … that a filmmaker must win an award or two to be considered finance-worthy. It enables the slow death of many and lack of support for most. My films do not ask to be liked. In fact, my films actively seek to be disliked. It seems that I have failed at this goal. What does it mean to be political in the time of Trump… in the country of Duterte? I dedicate the film to all the outsiders of the world: kids, midgets, freaks, paralytics, prostitutes, scoundrels. These are my people. I make outsider films that talk about the pain and joy of not belonging, of always being on the outside peering in.”
~ Prolific Philippines Filmmaker Khavn de la Cruz On Getting A Prize From Geneva Int’l Film Fest