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Tarantino Vs Gawker Dismissed

Tarantino Vs Gawker Dismissed

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Tribeca 2014 Announces Its Prizewinners

Tribeca 2014 Announces Its Prizewinners

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2014 TRIBECA FILM FESTIVAL ANNOUNCES AWARD WINNERS

* * * ZERO MOTIVATION, POINT AND SHOOT, MANOS SUCIAS, KEEP ON KEEPIN’ ON WIN TOP AWARDS IN JURIED WORLD COMPETITIONS PLUS CLOUDS WINS THE BOMBAY SAPPHIRE AWARD FOR TRANSMEDIA * * * ZERO MOTIVATION WINS SECOND ANNUAL NORA EPHRON PRIZE * * * FESTIVAL AWARDS $190,000 IN CASH PRIZES   [April 24, 2014 – New York, NY] – The 13th…

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Pre-Drone, Amazon Experimenting With “Last Mile” Delivery That Cuts Out UPS, FedEx

Pre-Drone, Amazon Experimenting With “Last Mile” Delivery That Cuts Out UPS, FedEx

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Champaign Bronze Of Ebert Has “Interactive” Seating

Champaign Bronze Of Ebert Has “Interactive” Seating

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Star Wars Fans On Why Chicago Should Foot Bill For George Lucas Presidential Museum

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Obama Seeks Succor Of Sushi From Jiro

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Netflix To Launch On Minor Players RCN, Grande And Atlantic Broadband Via TiVo Boxes

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“Why Do So Many People Describe Aereo ‘Complying’ With Copyright Law As The Company ‘Circumventing’ Copyright Law?”

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Journalist Alexandra Zawia On Losing Michael Glawogger

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Dennis Lim Remembers His Friend, Filmmaker Michael Glawogger

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“Comcast is not charging Netflix for transit service. It is charging Netflix for access to its subscribers. Comcast also charges its subscribers for access to Internet content providers like Netflix. In this way, Comcast is double dipping by getting both its subscribers and Internet content providers to pay for access to each other.”

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Putin Pledges To Preserve Russia From “CIA Project,” The Internet

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“Welcome To Comcast Country”: How One Company Dominated Philadelphia Politics And Became One Of The Major Contributors To National Politics

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“How Can The Nation’s Oldest Film Festival Survive? San Francisco Looks To The Future” By David D’Arcy

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MCN Videos

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Finding Vivian Maier with John Maloof & Charlie Siskel

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The Raid 2: Berandal, wr/dir Gareth Evans, star iko Uwais

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Richard Shepard on Dom Hemingway & Girls (Part 1 of 2)

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Cheap Thrills with Pat Healy

MCN Festivals

“Chicago is the geek capital of the world, we’re home to a vast collection of great thinkers and inventors. We’re a city of geeks and I believe we deserve the Lucas Cultural Arts Museum.”
Star Wars Fans On Why Chicago Should Foot Bill For George Lucas Presidential Museum

“Comcast is not charging Netflix for transit service. It is charging Netflix for access to its subscribers. Comcast also charges its subscribers for access to Internet content providers like Netflix. In this way, Comcast is double dipping by getting both its subscribers and Internet content providers to pay for access to each other.”
Netflix Tells Comcast They Don’t Understand How The Internet Works

NY Times

It’s “demeaning to elected officials to suggest that their support can be bought.” 
“Welcome To Comcast Country”: How One Company Dominates Philadelphia Politics

indie wire

“We’ve got to stop thinking along the lines of red carpets and premieres, and millions of dollars and what Harvey ate for breakfast.”
“How Can The Nation’s Oldest Film Festival Survive? San Francisco Looks To The Future” By David D’Arcy

Time, Perhaps World’s 125th Most Influential Magazine, Has Celeb Non-Journos Profile Megan EllisonAlfonso CuarónBenedict Cumberbatch, Christy Turlington BurnsJeff BezosSteve McQueenKerry WashingtonRobert RedfordAmy AdamsRobin WrightMatthew McConaugheyMiley Cyrus In Their TIME 100

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Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé