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Review: Detroit (no spoilers)

One of the excellent things about this film is that while non-blacks cannot fully feel the black experience of America, anyone can understand and identify with the experience of this group of victims under the control of that small number of law enforcement officers gone rogue. The threat of state authority is alive and unwell in countries all over this planet, enforced against and abused by people of all races, religions, genders, and ethnicities.

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Weekend Estimates by Len Dinghy

Dunkirk‘s opening is soooo Nolan. I get that it was above expectations. I know that the studio was thinking mid-30s. But with Inception‘s $63m opening and Interstellar‘s $48m opening, you wonder why Nolan didn’t do Inchon. Wait… no… I’ll go with three’s a trend in this case. No one else has delivered like this with…

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Friday Estimates by Beached Klady

A weirdly reflective Friday at the box office… The opening for Dunkirk is almost identical to the Wednesday-Thursday-Friday “opening day” of Interstellar. ($19 million) Valerian and the City of a Thousand Planets opened to almost the same number that The Fifth Element opened to in 1997. ($6.1 million) And Girls Trip is right around the…

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Film Essent

Wilmington on Movies: The Purge: Election Year

Back in the 1970s, when the paradigms for shows like this were being set down — by Roger Corman and other ballsy independent producers — this kind of picture would have been a low- budget job, and it probably would have been better for it. If they were going to spend more money on The Purge: Election Year, they might at least have played around more with the idea of an entire nation plunged into chaos.

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Wilmington on Movies: The Conjuring 2

People who like scary ghost horror movies, from Frankenstein to The Haunting, probably are partial, at least a little, to that awesome, icky sensation of being plunged into sucking swamps of cinematic dread, then rescued (maybe spuriously, maybe not) at the very last possible millisecond—a sensation you may feel quite a few times in The Conjuring 2.

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Wilmington on Movies: Tomorrowland

Watching Tomorrowlan—a great big film hunk of love and optimism and confusion from the Walt Disney Studio—you sometimes get the idea that director-writer Brad Bird and company are trying not just to create a new movie but maybe to found a new movement; Dianetics for Disneyphiles, or Pessimists Anonymous or Worldmakers. (Just kidding.)

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Frenzy On Blog

SNL Recap – Helen Mirren and Foo Fighters

If you’ve ever seen an interview with Helen Mirren, then you’d know that in addition to being a world-class actress, she also has a wicked sense of humor.  She has the twin traits of being both regal enough to play Queen Elizabeth II (The Queen) and versatile enough to play the proprietor of a Nevada…

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Come Back, Warren Beatty!

So I just finished reading Peter Biskind’s biography about Warren Beatty, “Star,” and I found it as enjoyable as all of Biskind’s other books about Hollywood.  He has a knack for finding people that are willing to speak their minds about subjects that are usually taboo and off-limits according to the modern-day PR machine.  Even…

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SNL Recap – Elton John

I mean, we all know that Elton John is a world-class singer/pianist and he’s crafted some of the greatest songs of all-time, but I’m curious to see if he’ll be able to entertain us when he’s not singing on SNL.  My guess is that there will probably be a lot of skits revolving around John…

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Movie City Indie

Jonathan Demme in the Modern World: On MANCHURIAN CANDIDATE (2004)

Unlike his actors, Demme saw John Frankenheimer’s film on its first release. “I saw the original when I was a teenager,” he tells me. “I was an avid moviegoer, I saw everything,” he says, hardly taking a breath. DEMME: Everything, everything. I was really hooked on movies at a very young age. The Manchurian Candidate,…

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MCN Blogs

Quote Unquotesee all »

“It’s a film festival’s job—and increasingly so—to create moments of recognition, of enjoyment, of shock, of learning. Not of consumerism. Not of implementing cultural policy. But moments without pretence, unclouded by vested interests, by intervention, by cynicism, by everyday business. Committed to nothing but the thing itself. Under obligation to nothing, to no one, not even to the filmmakers themselves. To basically seek access to a form that does not yet exist, a place no one has been to, a time that has not yet come. ’A form that thinks, and a thought that forms,’ as Jean-Luc Godard has it.”
~ Hans Hurch, late director of the Viennale

“There’s a mass belief that if you’re texting, you’re somehow not interrupting the conversation—you’re not being rude. It’s an illusion of multitasking. I started filmmaking when people didn’t expect to have a phone on set, when it would’ve been seen as unprofessional to pull out a phone. Phones have become a huge distraction, and people work much better without them. At first it causes difficulty, but it really allows them to concentrate on what they’re doing. Everybody understands. I’ve had a lot of crews thank me. With a set, we’re trying to create a bubble of alternate reality.”
~ Christopher Nolan