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Weekend Estimates by Rogue Klady

So Mission: Impossible- Rogue Nation did a bit better over the weekend than expected, at least in estimates, which is good. Another $85m overseas… also good. Now the movie needs to do the work. The Fantastic Four numbers are going to be interesting. The two previous films opened in the high-50s, even with nasty reviews….

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Friday Estimates by Impossible Klady 5

Remember how Max Max: Fury Road‘s opening was a disappointment? This opening for Mission Impossible – Rogue Nation is pretty similar. This one will open to a few million more. But it’s that same kind of feeling… good movie… why aren’t more people leaping to get to the theater? I mean, San Andreas will out-open…

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Adjusted World-Wide Grosses Based On Estimated China Rental

In the last 2 years – so far… more to come – there are seven films that have grossed $100m or more of their worldwide total in China. Prior to 2014, it happened 3 times.

Here is a very rough estimation based on the Chinese gross returning 45% (or less) of what theatrical runs in other countries would return to distributors.

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Film Essent

Wilmington on Movies: Tomorrowland

Watching Tomorrowlan—a great big film hunk of love and optimism and confusion from the Walt Disney Studio—you sometimes get the idea that director-writer Brad Bird and company are trying not just to create a new movie but maybe to found a new movement; Dianetics for Disneyphiles, or Pessimists Anonymous or Worldmakers. (Just kidding.)

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Sundance 2015 Review: The Forbidden Room

Known for making trippy, weird stories that are both deeply personal explorations of philosophical ideas, Maddin works in layers of abstract visual poetry. Recline in your seat, breathe in, breathe out, and allow the imagery to flow into you as you try to take it all in; you’re peering directly into Maddin’s brain through the lens of his camera, and given the recurrence of the idea of “brain” throughout his work, that’s about as meta as you can get.

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Sundance 2015 Review: Advantageous

In Phang’s imaginary future, it’s pretty much the same-old, same-old: As men grow older and wiser, they morph into handsome “silver foxes” without losing stride on the career or social desirability fronts. As women grow older and wiser, though, their perceived worth diminishes while those aging men chase after younger, newer versions to upgrade to. Phang’s tale imagines a reality where a woman could choose to “upgrade” herself to a younger and thereby more desirable version. You don’t have to be a woman working in the film industry to relate to (or fear) such a thing, though Hollywood is perhaps closer to the future we see here than anywhere else and, sadly, populated by a lot of women who would quite likely line up around the block to take advantage of it.

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Frenzy On Blog

SNL Recap – Helen Mirren and Foo Fighters

If you’ve ever seen an interview with Helen Mirren, then you’d know that in addition to being a world-class actress, she also has a wicked sense of humor.  She has the twin traits of being both regal enough to play Queen Elizabeth II (The Queen) and versatile enough to play the proprietor of a Nevada…

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Come Back, Warren Beatty!

So I just finished reading Peter Biskind’s biography about Warren Beatty, “Star,” and I found it as enjoyable as all of Biskind’s other books about Hollywood.  He has a knack for finding people that are willing to speak their minds about subjects that are usually taboo and off-limits according to the modern-day PR machine.  Even…

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SNL Recap – Elton John

I mean, we all know that Elton John is a world-class singer/pianist and he’s crafted some of the greatest songs of all-time, but I’m curious to see if he’ll be able to entertain us when he’s not singing on SNL.  My guess is that there will probably be a lot of skits revolving around John…

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MCN Blogs

Quote Unquotesee all »

“At the moment, when you’re airing episode-by-episode, making those arguments is irrelevant. People are either digging the characters or they’re in it as an adventure or they’re watching it for what they’re getting—or they’re not. If you lose them, you lose them. We lost a lot of people on “Treme.” But to me, that story was as well-executed as anything I’ve ever done. I look at it, and I think: It’s on the shelf. We made it. We got to say a lot of what we intended to say, and we executed at a very high level. It’s there, thank God it’s there.  And it’s all you can do. I know I can’t write something that gets you an audience the moment I put it on, and especially if everyone is presumptive of what the reasons are for it from the very beginning. But what I can do is I can make a film. I can try to get from the beginning to the middle to the end. I can put it up on a shelf. I can hope that in the weird lending library that is modern television—that is HBOGo, that is Netflix—because it’s up on the shelf people will find it. If we’ve executed well, the story will eventually prevail and find a place.”
~ David Simon on television at this moment

“Film lived in a country or a land or a planet called reality and that is not the case today. There’s no reality anymore today. Everybody is reconciled with reality, that’s what happens today. I mean reality: tables, people walking, dogs, cars. You have to go back to the old days to see a door, a kitchen, a window, a small kid, some tears, things like that. I miss a world. I miss the kids, the dogs. I miss the street corners. I’m bored with realism today. You have to concentrate on the fight with reality. For me it’s a fight.” 
Pedro Costa And Thom Andersen In Conversation

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