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Friday Estimates by War Room (???) Klady

What can one say about the last week of August? IT SUCKS. There have been exceptions. Focus, for a while, carved out nice adult/awards business with films like The Constant Gardener and The American. Then there was Inglourious Basterds. There have been horror and boy action movies (a new Transporter is coming next weekend, for…

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Film Essent

Wilmington on Movies: Tomorrowland

Watching Tomorrowlan—a great big film hunk of love and optimism and confusion from the Walt Disney Studio—you sometimes get the idea that director-writer Brad Bird and company are trying not just to create a new movie but maybe to found a new movement; Dianetics for Disneyphiles, or Pessimists Anonymous or Worldmakers. (Just kidding.)

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Sundance 2015 Review: The Forbidden Room

Known for making trippy, weird stories that are both deeply personal explorations of philosophical ideas, Maddin works in layers of abstract visual poetry. Recline in your seat, breathe in, breathe out, and allow the imagery to flow into you as you try to take it all in; you’re peering directly into Maddin’s brain through the lens of his camera, and given the recurrence of the idea of “brain” throughout his work, that’s about as meta as you can get.

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Sundance 2015 Review: Advantageous

In Phang’s imaginary future, it’s pretty much the same-old, same-old: As men grow older and wiser, they morph into handsome “silver foxes” without losing stride on the career or social desirability fronts. As women grow older and wiser, though, their perceived worth diminishes while those aging men chase after younger, newer versions to upgrade to. Phang’s tale imagines a reality where a woman could choose to “upgrade” herself to a younger and thereby more desirable version. You don’t have to be a woman working in the film industry to relate to (or fear) such a thing, though Hollywood is perhaps closer to the future we see here than anywhere else and, sadly, populated by a lot of women who would quite likely line up around the block to take advantage of it.

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Frenzy On Blog

SNL Recap – Helen Mirren and Foo Fighters

If you’ve ever seen an interview with Helen Mirren, then you’d know that in addition to being a world-class actress, she also has a wicked sense of humor.  She has the twin traits of being both regal enough to play Queen Elizabeth II (The Queen) and versatile enough to play the proprietor of a Nevada…

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Come Back, Warren Beatty!

So I just finished reading Peter Biskind’s biography about Warren Beatty, “Star,” and I found it as enjoyable as all of Biskind’s other books about Hollywood.  He has a knack for finding people that are willing to speak their minds about subjects that are usually taboo and off-limits according to the modern-day PR machine.  Even…

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SNL Recap – Elton John

I mean, we all know that Elton John is a world-class singer/pianist and he’s crafted some of the greatest songs of all-time, but I’m curious to see if he’ll be able to entertain us when he’s not singing on SNL.  My guess is that there will probably be a lot of skits revolving around John…

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INTERVIEWER
Do you outline plays before you start to write them?

PINTER
Not at all. I don’t know what kind of characters my plays will have until they…well, until they are. Until they indicate to me what they are. I don’t conceptualize in any way. Once I’ve got the clues I follow them—that’s my job, really, to follow the clues.

INTERVIEWER
What do you mean by clues? Can you remember how one of your plays developed in your mind—or was it a line-by-line progression?

PINTER
Of course I can’t remember exactly how a given play developed in my mind. I think what happens is that I write in a very high state of excitement and frustration. I follow what I see on the paper in front of me—one sentence after another. That doesn’t mean I don’t have a dim, possible overall idea—the image that starts off doesn’t just engender what happens immediately, it engenders the possibility of an overall happening, which carries me through. I’ve got an idea of what might happen—sometimes I’m absolutely right, but on many occasions I’ve been proved wrong by what does actually happen. Sometimes I’m going along and I find myself writing “C. comes in” when I didn’t know that he was going to come in; he had to come in at that point, that’s all.
~ Harold Pinter

“I love Los Angeles. Have I said that? I love it all. The earnestness. The artifice. The blowsy, sunny beauty. The bland, bland, pleasant weather.  The drama of traffic. I love that people don’t know how to make conversation and can’t recognize a joke at a hundred paces. I love that people care about silly things and embrace ridiculousness wholeheartedly. I had a serious conversation with a good friend about his fascination with channeling, for example. Channeling. “I don’t think you’re patient enough for it,” he said and all I could think about was Shirley MacLaine with ectoplasm coming out of her head. Of course I’m fucking patient I thought. I’m fucking spiritual. Shove that up your namaste. Ha ha ha. I love that I’ve become desperately un-English, in the immortal words of my friend Giles, and yet not quite American.”
~ Bumble Ward In The Present Los Angeles Moment

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