MCN Blogs

The Hot Blog

Cannes: After Lucia (Despues de Lucia)

I still can’t quite catch my breath. It is the ultimate nightmare of a parent – even of a 2 year old – to think they will be victims, victimizers, or perhaps worse, silent witnesses to the abuse of others when standing up for honor is only dangerous as a social abstraction.

Read the full article »

“The Hunt” Hits The Bullseye At Cannes

Thomas Vinterberg made what is still my favorite of the Dogma 95 movies, The Celebration. The film combined 50s style kitchen sink drama with a modern tone of brutal, brutal honesty. The Hunt is not quite as shocking a film experience. In an odd way, the two films are connected at child abuse. In the…

Read the full article »

Cannes iPhone Review: Rust & Bone

Yeah… you’ve seen this logline before. In fact, the awards season looks to be clogged with some of this. But you have never seen it done through Jacques Audiard’s pitiless, demanding, unrelenting eyes. The pair at the center of this journey are an impulsive muscle-head with no money with a 5-year-old he’s taken from his…

Read the full article »

Film Essent

SIFF 2012 Dispatch: Opening Gala, Tibetan Protesters … and Oh Yes, Some Films

The Seattle International Film Festival kicked off last week, with a schedule that looks to be maybe the best overall I’ve seen for this fest — which is saying quite a lot. One of the recurrent themes of this year’s fest is the Washington state film initiative, which the film community here united en masse…

Read the full article »

SIFF 2012: SIFF Visitors Guide to Coffee, Eats and Happy Hours

If you’re coming Seattle for a few days for the Seattle International Film Festival, whether as a filmmaker, or press, or just to enjoy the outstanding programming our fest offers, you need to know where to get the best food, the best coffee, and the best happy hours, right? Seattle’s got a wide variety of…

Read the full article »

SIFF 2012: Opening Weekend Preview

Because Seattle’s fest is so sprawling — we’re talking 25 days of movies here, folks — I’ve decided to try something a little different this year and do weekend previews of what’s coming up at the fest and my picks each week. I’m hoping that this will allow me to focus a little more on talking up films I’m excited about seeing and what you might want to check out at the fest as it rolls along.

Read the full article »

Frenzy On Blog

SNL Recap – Helen Mirren and Foo Fighters

If you’ve ever seen an interview with Helen Mirren, then you’d know that in addition to being a world-class actress, she also has a wicked sense of humor.  She has the twin traits of being both regal enough to play Queen Elizabeth II (The Queen) and versatile enough to play the proprietor of a Nevada…

Read the full article »

Come Back, Warren Beatty!

So I just finished reading Peter Biskind’s biography about Warren Beatty, “Star,” and I found it as enjoyable as all of Biskind’s other books about Hollywood.  He has a knack for finding people that are willing to speak their minds about subjects that are usually taboo and off-limits according to the modern-day PR machine.  Even…

Read the full article »

SNL Recap – Elton John

I mean, we all know that Elton John is a world-class singer/pianist and he’s crafted some of the greatest songs of all-time, but I’m curious to see if he’ll be able to entertain us when he’s not singing on SNL.  My guess is that there will probably be a lot of skits revolving around John…

Read the full article »
Z

Quote Unquotesee all »

“I’m in Locarno, my movie is premiering for 1,000 people, which is nuts. A huge-ass screening, second day of the festival, 7:30pm in the sidebar competition. It’s comparable to Un Certain Regard or Director’s Fortnight. Every movie I saw in that section was fun, brilliant movies from around the world. The main competition was like Aza Jacobs and Mia Hansen-Løve, people who have been around. And I was like, “This is crazy. What am I doing inside the bloodstream of this establishment? I’m 27. I don’t belong here.” Every person I talked to there couldn’t believe what the movie cost, and then couldn’t believe when I told them what other American movies cost. We were the cheapest movie there by 65%. The next cheapest movie cost I think three times as much as we did. And they were just like, “You can’t make movies for what you’re telling us your movie cost.” And I told them, “Well, I can, I’m here, I’m in the same section as you are, so you are wrong. People think I’m lying when I tell them my budget. And also everyone likes it. I’m having a great time and people are being very responsive. Maurice Pialat’s widow was like, “I heard your movie’s good, I want a copy of it.” I’m like, “Well this is f**kin’ crazy.” Pedro Costa saw it there and really liked it and I’m like, What am I doing? I had gone in two months from screening at BAM for a lot of friends to Pedro Costa? This is the exact sentence: “Pedro Costa saw your movie. He’s a huge Jerry Lewis fan. He wants to talk to you about your movie and also Jerry Lewis.” And I thought, “I’m out of my element. I cannot have that conversation because that’s ridiculous.” Because his retrospective was happening at Anthology when I worked at Kim’s, and his Criterion box set came out when I was working at Kim’s. He can’t want to talk to me. That’s not possible. That’s not allowed. There is no world where that makes any sense!”  Or like when you wrote me to say that David Gordon Green wrote you to say, “I’m watching The Color Wheel and then I’m going to see Tree of Life.” There is no world where this is allowed! Again, somebody whose DVDs I was putting on the shelf, as, like, a hero. And it’s just like, “Oh, I’ll watch this movie.” There’s just a very fuzzy area in the middle there and it happened very quickly and I don’t understand why.  I still have a voice-mail from Sean [Price Williams, cinematographer]. I wish he was here to talk about it, but the voice-mail is a long pause and he’s just like, “I don’t want to tell you this, because it’s gonna make you so insufferable. I hate having to tell you this, but Leos Carax watched your movie and he really loves it, and he wants to meet you when he comes to New York.” I can’t live in a world where Leos Carax knows who I am, watches my movie, likes it, and thinks, “I wanna meet that guy.”
~ It’s Alex Ross Perry’s World

“I don’t know. It’s been a lot harder than I thought it was going to be to make the films I really dream of making. I was in Italy a few years ago scouting for this very beautiful film I wanted to make with Richard Linklater. We worked really hard on the script for a couple of years and couldn’t get the money together. It was an expensive idea. It’s heartbreaking when that happens over and over again and then the movies that do get made are ones that have lots of women being beaten up or zombies being killed. It’s all fine, it’s all okay, but it’s hard. I remember when River Phoenix died, he was ahead of me on this curve. He kind of realized how hard it was to make serious movies. People like Sidney Lumet figured out how to walk that line, but it’s hard. And it requires patience. It’s a life’s work and I wonder if I’m up to the task.”
~ Weary, Wary Ethan Hawke

Z Z