Interviews

A Conversation with Tamara Drewe Director Stephen Frears

Interview by Andrea Gronvall – We shot it late in the year–in September, not in mid-summer. By September the sun was starting to get low in the sky, so that’s when it looks especially beautiful. And this [the story] had to cover all of the seasons, so you wanted a time of the year that gave you the most possibilities.

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Digital Nation: Down Terrace

One of the knocks against portrayals of organized crime in American movies and television is that they tend to make criminality look like a reasonable career choice, until the bullets and subpoenas start flying, anyway. The same applies for the use of drugs, alcohol, tobacco and firearms. It’s fun until it isn’t. There’s nothing even…

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Digital Nation: Barry Munday

As red herrings go, it’s tough to beat castration. The title character of Chris D’Arienzo’s truly offbeat comedy, Barry Munday, undergoes just such an operation. It’s required after the father of a promiscuous teenager slams a trumpet into crotch of the two-bit, happy-hour lothario in a movie theater. Poor Barry didn’t even have time to…

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Catfish directors Henry Joost & Ariel Schulman, star Nev Schulman

DP/30 – The dynamic trio of filmmaker/subjects from the Sundance sensation Catfish talk with David Poland about how and why they made the film.

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Interview: The Savory Sound of Fatih Akin’s Soul Kitchen

Music is both architecture and pulse in Fatih Akin’s tasty, generous farcical food-com, “Soul Kitchen.” Music’s there from the start of writing the script, he tells me, as well as confessing a nasty addiction to something called “vinyl.”

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Bright Star, director Jane Campion, actor Ben Whishaw (TIFF ’09)

The complete version of this interview got lost in the shuffle. Apologies. Never too late, I guess.

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The Gronvall Files:Going the Distance from Fact to Fiction with Director Nanette Burstein

Change is good, although it’s not always easy to reinvent oneself. But New York filmmaker Nanette Burstein, a Best Documentary Feature Oscar nominee for On the Ropes (which she co-directed with Brett Morgen), doesn’t miss a step in her transition from nonfiction film to narrative features.

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The Gronvall Files, An Interview with Lisa Cholodenko, Director of The Kids Are All Right

Family Matters : An Interview with Lisa Cholodenko, Director of The Kids Are All Right We may only be halfway through the year, but one thing you can bet on: come the end of December, Lisa Cholodenko’s The Kids Are All Right will score among many 2010 Top Ten lists. The director made a huge…

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Mark Hopkins Director of Living in Emergency

In this podcast, Noah interviews Mark Hopkins, director of the documentary Living in Emergency: Stories of Doctors without Borders. They talk about real-life heroes, The Hurt Locker, Apocalypse Now, and the shocking reality of many non-Westerners’ lives. Listen to Noah Forrest Podcast with Mark Hopkins

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Interview with Juan Jose Campanella: The Eyes Have It

This year’s Oscar for Best Foreign Language Film went to an Argentine romantic crime thriller that few people beyond Academy voters and film festival goers were lucky enough to have seen: The Secret in Their Eyes (El Secreto de sus ojos), directed by Juan Jose Campanella, a filmmaker who calls both New York and Argentina home….

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James Gray Director of Two Lovers

Noah has a far-ranging conversation with Two Lovers director James Gray about Francis Ford Coppola, Italian neo-realism vs French New Wave, The 400 Blows, and his potential next film: The Lost City of Z starring Brad Pitt. Listen to Noah Forrest Podcast with James Gray

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Scott Z. Burns Screenwriter of The Informant

In this podcast, Noah talks to Scott Z. Burns, the screenwriter of The Informant! about working with Sodebergh and Damon, unreliable narrators, and Dog Day Afternoon. Listen to Noah Forrest Podcast with Scott Z. Burns

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Lukas Moodysson Director of Mammoth

This week Noah talks to one of his favorite filmmakers, Lukas Moodysson, about his new film Mammoth, working with Gael Garcia Bernal and Michelle Williams, globalization, and Margot at the Wedding. Listent to Noah Forest Podcast with Lukas Moodysson

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Michael Sucsy Director of Grey Gardens

This week Noah talks with Grey Gardens director Michael Sucsy about the Maysles Brothers original film, how silly it is to doubt Drew Barrymore and his next project, The Goree Girls. Listen to Noah Forrest Podcast with Michael Sucsy

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John Malkovich Star of Disgrace

This week Noah chats with the legendary John Malkovich about his new film Disgrace, working with the Coen Brothers and his affection for Napoleon Dynamite. Listen to Noah Forrest Podcast with John Malkovich

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Judi Krant Director of Made in China

This week Noah talks with Judi Krant, director of the film Made in China which won the Grand Jury Prize at SXSW. They talk about the difficulty of shooting in Shanghai, the relationship between art and commerce, the greatness of Sidney Lumet and the whimsy of Michel Gondry. Listen to Noah Forrest Podcast with Director…

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Elisabeth Shue and Thomas Haden Church

This week Noah talks to Elisabeth Shue and Thomas Haden Church about their new film Don McKay, working together and working apart, the wonder of Meryl Streep and Shue’s great work in Cocktail! Listen to Noah Forrest Podcast with Elisabeth Shue and Thomas Haden Church

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Wiley Wiggins Star of Sorry, Thanks

This week Noah talks to Wiley Wiggins about his new film, Sorry, Thanks, being in the cast of Dazed and Confused, mumblecore films, and great sci-fi films. Listen to Noah Forrest Podcast with Wiley Wiggins

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Mark Webber Director of Explicit Ills

This week Noah talks to actor turned writer/director Mark Webber about his new film Explicit Ills, working with Jim Jarmusch and Ethan Hawke, and starring in Nickelodeon’s Snow Day. Listen to Noah Forrest Podcast with Director Mark Webber

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Andy Fickman Director of Race to Witch Mountain

This week Noah talks to Race to Witch Mountain director Andy Fickman about action movies, the making of Anaconda and beating up The Rock. Listen to Noah Forrest Podcast with Director Andy Fickman

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Interviews

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“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork