Interviews Archive for August, 2012

The Gronvall Files: Director Alison Klayman On Ai Weiwei: Never Sorry

Acclaimed internationally for sculptures and installations that have been exhibited in western cities from Munich to London to New York, to name a few, Ai Weiwei is also a culture hero to millions of Chinese, not only for his trenchant and yet often playful art works, but also for his populism and activism, which he has advanced through blogging and social media like Twitter. His protests against injustice, corruption, and propaganda (he publicly criticized the 2008 Beijing Olympics) occasionally landed him in hot water with authorities (he was beaten up and seriously injured in Chengdu), and in 2011 led to an 81-day-long government detention.

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‘Nuit #1′ explores love, sex and despair in Montreal’s lost generation

It all happens in a flash. No sooner do Emond’s lovers kick the door of his apartment shut than they’re groping each other and striping off their clothes. The cherry is added to the sundae when Nikolai apologizes for having to ask Clara what her name is. The same thing happened in Rod Stewart’s “Stay With Me,” another song about sex without love, intimacy without passion. “There’s a lot of me in ‘Nuit #1,’ of course,” the first-time writer/director allows. “I know how it feels to be 30 and lost.”

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“I remember very much the iconography and the images and the statues in church were very emotional for me. Just the power of that, and even still — just seeing prayer card, what that image can evoke. I have a lot of friends that are involved in the esoteric, and I know some girls in New York that are also into the supernatural. I don’t feel that I have that gift. But I am leaning towards mysticism… Maybe men are more practical, maybe they don’t give into that as much… And then also, they don’t convene in the same way that women do. But I don’t know, I am not a man, I don’t want to speak for men. For me, I tend to gravitate towards people who are open to those kinds of things. And the idea for my film, White Echo, I guess stemmed from that — I find that the girls in New York are more credible. What is it about the way that they communicate their ideas with the supernatural that I find more credible? And that is where it began. All the characters are also based on friends of mine. I worked with Refinery29 on that film, and found that they really invest in you which is so rare in this industry.”
Chloë Sevigny

“The word I have fallen in love with lately is ‘Hellenic.’ Greek in its mythology. So while everyone is skewing towards the YouTube generation, here we are making two-and-a-half-hour movies and trying to buck the system. It’s become clear to me that we are never going to be a perfect fit with Hollywood; we will always be the renegade Texans running around trying to stir the pot. Really it’s not provocation for the sake of being provocative, but trying to make something that people fall in love with and has staying power. I think people are going to remember Dragged Across Concrete and these other movies decades from now. I do not believe that they will remember some of the stuff that big Hollywood has put out in the last couple of years. You’ve got to look at the independent space to find the movies that have been really special recently. Even though I don’t share the same world-view as some of my colleagues, I certainly respect the hell out of their movies which are way more fascinating than the stuff coming out of the studio system.”
~ Dallas Sonnier