Interviews Archive for August, 2012

The Gronvall Files: Director Alison Klayman On Ai Weiwei: Never Sorry

Acclaimed internationally for sculptures and installations that have been exhibited in western cities from Munich to London to New York, to name a few, Ai Weiwei is also a culture hero to millions of Chinese, not only for his trenchant and yet often playful art works, but also for his populism and activism, which he has advanced through blogging and social media like Twitter. His protests against injustice, corruption, and propaganda (he publicly criticized the 2008 Beijing Olympics) occasionally landed him in hot water with authorities (he was beaten up and seriously injured in Chengdu), and in 2011 led to an 81-day-long government detention.

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‘Nuit #1′ explores love, sex and despair in Montreal’s lost generation

It all happens in a flash. No sooner do Emond’s lovers kick the door of his apartment shut than they’re groping each other and striping off their clothes. The cherry is added to the sundae when Nikolai apologizes for having to ask Clara what her name is. The same thing happened in Rod Stewart’s “Stay With Me,” another song about sex without love, intimacy without passion. “There’s a lot of me in ‘Nuit #1,’ of course,” the first-time writer/director allows. “I know how it feels to be 30 and lost.”

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Interviews

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“The worst thing that we have in today’s movie culture is Rotten Tomatoes. It’s the destruction of our business. I have such respect and admiration for film criticism. When I was growing up film criticism was a real art. And there was intellect that went into that. And you would read Pauline’s Kael’s reviews, or some others, and that doesn’t exist anymore. Now it’s about a number. A compounded number of how many positives vs. negatives. Now it’s about, ‘What’s your Rotten Tomatoes score?’ And that’s sad, because the Rotten Tomatoes score was so low on Batman v Superman I think it put a cloud over a movie that was incredibly successful. People don’t realize what goes into making a movie like that. It’s mind-blowing. It’s just insane, it’s hurting the business, it’s getting people to not see a movie. In Middle America it’s, ‘Oh, it’s a low Rotten Tomatoes score so I’m not going to go see it because it must suck.’ But that number is an aggregate and one that nobody can figure out exactly what it means, and it’s not always correct. I’ve seen some great movies with really abysmal Rotten Tomatoes scores. What’s sad is film criticism has disappeared. It’s really sad.”
~ Brett Ratner Has A Sad

“The loss of a local newspaper critic is a real loss. People who know the local audience and know the local cultural scene are very important resources. You can’t just substitute the stuff that comes in from nowhere through syndication or the wire. I think at the same time, some of the newer outlets have really beefed up and improved their coverage and made room for criticism. The real problem is in the more specialized art forms — fine arts, classical music, dance and jazz, say. There is a real slowing of critical voices, partly because those art forms have smaller audiences. Newspapers and magazines can say that doesn’t get enough traffic, so we don’t have room for that. To me, that’s especially worrisome. This is the opposite of what newspapers are supposed to do, which is not to try to figure out what people are already interested in and recite that back to them, but to hopefully guide them to something that they should be interested in, connecting potential audiences with more interesting work.

“Then again, not everyone needs a critic. People have been going to movies for more than 100 years now, and probably the vast majority of those people have not read movie reviews or cared what critics thought. But there has always been an important subset that wants to know more, that wants to think about what they’ve seen and what they’re going to see, and wants someone to think along with. I think critics are important, not just as dispensers of consumer advice — though that’s certainly part of it, too — but as trusted voices and companions for people to argue with in your head when you’re going to movies or afterwards.”
~ A. O. Scott