Interviews Archive for June, 2012

The Gronvall Files: Lynn Shelton

“With ‘Your Sister’s Sister’ I had a script, I had dialogue written out, but I asked the actors not to memorize it. Sometimes they would just slightly alter a line, or sometimes they would change a whole line. Maybe 25 percent of the movie is from lines that I wrote, so the vast majority of it is not. But there’s a very specific trajectory that needs to be followed, and so even though the dialogue itself may be improvised, the movie is not, if that makes sense.”

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The Gronvall Files: Safety Not Guaranteed’s Colin Trevorrow

I write studio films, and you’re not allowed to do that anymore, you’ve got to keep the plot going. And we took like a 15-minute break from the plot in this movie, and just let these characters hang out and fall in love and discover things. I guess that’s where maybe the hipster side comes in: “hipster quirky,” or whatever the label. I don’t even know what hipster means anymore. But I can’t apologize for wanting to spend time with these characters and learn what’s really going on with them, outside of this cool time travel story.

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain