Interviews Archive for September, 2010

Digital Nation: Barry Munday

As red herrings go, it’s tough to beat castration. The title character of Chris D’Arienzo’s truly offbeat comedy, Barry Munday, undergoes just such an operation. It’s required after the father of a promiscuous teenager slams a trumpet into crotch of the two-bit, happy-hour lothario in a movie theater. Poor Barry didn’t even have time to…

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Catfish directors Henry Joost & Ariel Schulman, star Nev Schulman

DP/30 – The dynamic trio of filmmaker/subjects from the Sundance sensation Catfish talk with David Poland about how and why they made the film.

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Interview: The Savory Sound of Fatih Akin’s Soul Kitchen

Music is both architecture and pulse in Fatih Akin’s tasty, generous farcical food-com, “Soul Kitchen.” Music’s there from the start of writing the script, he tells me, as well as confessing a nasty addiction to something called “vinyl.”

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Bright Star, director Jane Campion, actor Ben Whishaw (TIFF ’09)

The complete version of this interview got lost in the shuffle. Apologies. Never too late, I guess.

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The Gronvall Files:Going the Distance from Fact to Fiction with Director Nanette Burstein

Change is good, although it’s not always easy to reinvent oneself. But New York filmmaker Nanette Burstein, a Best Documentary Feature Oscar nominee for On the Ropes (which she co-directed with Brett Morgen), doesn’t miss a step in her transition from nonfiction film to narrative features.

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Interviews

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What about replacing Mr. Spacey with another actor? Mr. Plummer, perhaps.
“That would theoretically be fantastic,” Mr. Rothman said he responded. “But I have supervised 450 movies over the course of my career. And what you are saying is impossible. There is not enough time.”
~ Publicizing Sir Ridley’s Deadline Dash

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris