misc Archive for July, 2011

Give to the Netflix Relief Fund …

This is literally the worst thing that has ever happened to white people … Tears are falling on MacBook Pros and Pier 1 Imports pillows across America …

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Posters, Posters, Posters

The Avengers each get their own poster, and Cowboys & Aliens have a few new looks for this week’s release. There’s Spider Man, a few Apes and some Happy Feet 2, plus a Tower Heist, Our Idiot Brother and The Ides of March.

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A Little Comic-Con So Far …

A Film Docket Special: Fans waited in line for days to see a panel on Breaking Dawn. New posters debut for The Avengers. Spielberg is surprised by Peter Jackson. Things go Haywire, and Guillermo Del Toro is happy, “Gigantic f—ing monsters. All day long.” It must be Comic-Con time again…

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The Hunger Games: Synopsis

In a not-too-distant future, North America has collapsed, weakened by drought, fire, famine, and war, to be replaced by Panem, a country divided into the Capitol and 13 districts. Each year, two young representatives from each district are selected by lottery to participate in The Hunger Games. Part entertainment, part brutal intimidation of the subjugated…

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The Hunger Games Gets A Motion Poster

Based on the young-adult series by Suzanne Collins. In the book, the Hunger Games are an annual televised event where the Capitol chooses one boy and one girl from each district to fight to the death.

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Enter to Win: Harry Potter and the Deathly Hallows: Part II

It is the epic and climactic battle between good and evil to save the wizarding world. Just in time for the end of it all – a great Harry Potter and the Deathly Hallows Grand Prize pack! Enter to win by August 6, 2011!

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Quote Unquotesee all »

“I don’t know, because I don’t know much about those cameras. I know that’s been a complaint, but I wouldn’t know. Film is what worked for this film. I have a fear of the unknown. I’ve spent a long time trying to learn one camera, and to fucking stop and try to learn another one… I would have to stop for 20 years! I’m a slow learner; I’d have to go through the manual, it would be starting over. So there’s that, too. It’s an issue for filmmakers, and it’s on people’s minds, and I have to say that it’s a lot more challenging and difficult just to kind of get somebody to show film or to print film. It’s far more challenging than it should be right now, and we’re just trying to keep it alive a little bit and create a little pocket where it can be shown that way in various places across the country right now.”
~ Paul Thomas Anderson To David Ehrlich On The Prospect Of Switching From Film

“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award