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misc Archive for July, 2011

Give to the Netflix Relief Fund …

This is literally the worst thing that has ever happened to white people … Tears are falling on MacBook Pros and Pier 1 Imports pillows across America …

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Posters, Posters, Posters

The Avengers each get their own poster, and Cowboys & Aliens have a few new looks for this week’s release. There’s Spider Man, a few Apes and some Happy Feet 2, plus a Tower Heist, Our Idiot Brother and The Ides of March.

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A Little Comic-Con So Far …

A Film Docket Special: Fans waited in line for days to see a panel on Breaking Dawn. New posters debut for The Avengers. Spielberg is surprised by Peter Jackson. Things go Haywire, and Guillermo Del Toro is happy, “Gigantic f—ing monsters. All day long.” It must be Comic-Con time again…

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The Hunger Games: Synopsis

In a not-too-distant future, North America has collapsed, weakened by drought, fire, famine, and war, to be replaced by Panem, a country divided into the Capitol and 13 districts. Each year, two young representatives from each district are selected by lottery to participate in The Hunger Games. Part entertainment, part brutal intimidation of the subjugated…

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The Hunger Games Gets A Motion Poster

Based on the young-adult series by Suzanne Collins. In the book, the Hunger Games are an annual televised event where the Capitol chooses one boy and one girl from each district to fight to the death.

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Enter to Win: Harry Potter and the Deathly Hallows: Part II

It is the epic and climactic battle between good and evil to save the wizarding world. Just in time for the end of it all – a great Harry Potter and the Deathly Hallows Grand Prize pack! Enter to win by August 6, 2011!

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Quote Unquotesee all »

“We don’t defy the laws of physics: There are no flying men or cars in this movie. So it made sense to do it old-school: real vehicles and real human beings in the desert. We shot the movie more or less in continuity, because the cars and the characters get really banged up along the way. The biggest benefit of digital technology for me was that the cameras were smaller and much more agile, so you could put them anywhere. We also spent a huge amount of time on spatial awareness—making sure the viewer could follow the action and understand what was happening. There has to be a strong causal connection from one shot to the next, just the same way that in music, there has to be a connection from one note to the next. Otherwise it’s just noise. Too often, if you just cram a lot of stuff into the frame, you get the illusion of a fast pace. But there’s no coherence. It doesn’t flow. It comes off as headbanging music, and it can be exhausting. We storyboarded the movie before we had a script: We had 3,500 boards, which helps the cast and crew understand how everything is going to fit together. Movies are getting faster and faster. The Road Warrior had 1,200 cuts. This one has 2,700 cuts. You have to treat it like a symphony.”
~ George Miller

“I was having issues with my script for It’s All About Love, so I called Ingmar Bergman and we ended up talking about everything but the script. He said, “Well, Festen is a masterpiece, so what are you going to do now?” At that point, I had not decided if I was going to make It’s All About Love, so I answered, “Hmmm, I don’t know. Maybe this, maybe that.” There was just a long pause, and then he said, “You’re fucked.” I said, “Well, how can you know?” “Well, Thomas, you always have to decide your next movie before the movie you’re doing presently opens.” And I said, “Why is that?” “Well, two things can happen. One thing is that you fail, and then you’ll feel scared and humiliated. It’ll get into your head. Second, and even worse, you have success, and then you’ll want more of it, or you’ll want to maintain it. But if you decide on your next film while you’re in the middle of editing, it becomes a very nonchalant choice. And then it’s shorter from the heart to the hand.”
~ Thomas Vinterberg

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