misc Archive for July, 2011

Give to the Netflix Relief Fund …

This is literally the worst thing that has ever happened to white people … Tears are falling on MacBook Pros and Pier 1 Imports pillows across America …

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Posters, Posters, Posters

The Avengers each get their own poster, and Cowboys & Aliens have a few new looks for this week’s release. There’s Spider Man, a few Apes and some Happy Feet 2, plus a Tower Heist, Our Idiot Brother and The Ides of March.

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A Little Comic-Con So Far …

A Film Docket Special: Fans waited in line for days to see a panel on Breaking Dawn. New posters debut for The Avengers. Spielberg is surprised by Peter Jackson. Things go Haywire, and Guillermo Del Toro is happy, “Gigantic f—ing monsters. All day long.” It must be Comic-Con time again…

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The Hunger Games: Synopsis

In a not-too-distant future, North America has collapsed, weakened by drought, fire, famine, and war, to be replaced by Panem, a country divided into the Capitol and 13 districts. Each year, two young representatives from each district are selected by lottery to participate in The Hunger Games. Part entertainment, part brutal intimidation of the subjugated…

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The Hunger Games Gets A Motion Poster

Based on the young-adult series by Suzanne Collins. In the book, the Hunger Games are an annual televised event where the Capitol chooses one boy and one girl from each district to fight to the death.

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Enter to Win: Harry Potter and the Deathly Hallows: Part II

It is the epic and climactic battle between good and evil to save the wizarding world. Just in time for the end of it all – a great Harry Potter and the Deathly Hallows Grand Prize pack! Enter to win by August 6, 2011!

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Quote Unquotesee all »

“One of my favorite things in watching any performance on film is when there isn’t a lot of cutting going on and when you get a chance to become really absorbed in the artist in hand. The same way we do, hopefully, at a concert, when we get a chance to really trip in to something that’s happening on stage. Whether the singer’s singing, or one of the other musicians is playing, we sort of stay there instead of cutting round with our eyes a lot.”
~ Jonathan Demme

“We’ve talked about this before in the past, my obsession with the Shakespearean histories having the ideal combination of the sweet and the sour. In ‘Henry IV, Part II’ which we’ve discussed before, in the end of that story it’s very complex and haunting because Prince Hal becomes Henry the King, and he has transcended his hoodlum days and at the ceremony is Falstaff, his good friend with whom he has really fucked around and been a loser with, and Falstaff comes up to him and says, ‘Now that you’re king we can really party,’ and the king famously says, ‘I know thee not, old man.’ It becomes Henry IV’s anointment and Falstaff’s catastrophe. That’s life. I have experienced very little unfettered triumph. There are moments, such as when my children are born, but even that comes with new fears and anxieties. In a sense the better you can communicate that life is both at once, the more powerful over time something becomes. One strives for something where the threads are there because it lasts in way that is very palpable. The idea of a tragedy is powerful in literature and theater, but in cinema it doesn’t work, certainly not commercially, and less so critically. Why is that? I think it has to do with how movies are so close to us.”
~ James Gray