misc Archive for January, 2010

“Alice (Underground)”

Avril Lavigne’s new song, from the end credits of Alice in Wonderland.  Tripping out, spinning around I’m underground, I felt down, I felt down I’m freaking out to all am I now upside down and I can’t stop it now it can’t stop me now I’ll, I’ll get by I’ll, I’ll survive while the worlds…

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2010 Paramount Preview

Shutter Island –  Feb 19 Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley, Michelle Williams, Max von Sydow U.S. Marshal Teddy Daniels is investigating the disappearance of a murderess who escaped from a hospital for the criminally insane and is presumed to be hiding on the remote Shutter Island. _________________________________________________ She’s Out of My League – March…

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Disney’s 2010 Preview

When in Rome – Jan 29 Kristen Bell, Josh Duhamel, Will Arnett, Alexis Dziena, Jon Heder, Dax Shepard, Kate Micucci, Bobby Moynihan, with Danny DeVito and Anjelica Huston An ambitious young New Yorker, disillusioned with romance, takes a whirlwind trip to Rome, where she defiantly plucks magic coins from a fountain of love, inexplicably igniting the…

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Avatar: 22 Minutes Behind The Scenes

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A Look at 2010 From Warner Bros.

Book of Eli – Jan 15 Denzel Washington, Gary Oldman, Mila Kunis, Ray Stevenson, Jennifer Beals, Frances de la Tour, Michael Gambon, Evan Jones, Joe Pingue, Tom Waits Action Adventure. In the not-too-distant future, across the wasteland of what was once America, a lone warrior must fight to bring civilization the knowledge that could be…

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In Honor of Martin Luther King, Jr.

I Have A Dream .. His Last Speech … And Walter Cronkite reports his assassination.  

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Poland v. Faraci on Avatar

MCN’s David Poland and CHUD’s Devin Faraci debate Avatar on G4.  Here’s the clip .. Video Games – E3 2010 – The Loop

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Prince of Persia: The Ability to Turn Back Time

“The holder of the dagger is the only person who can see the time go backwards …” Jerry Bruckheimer and Jake Gyllenhaal talk about sands and daggers.

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Quote Unquotesee all »

Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé