misc Archive for January, 2010

“Alice (Underground)”

Avril Lavigne’s new song, from the end credits of Alice in Wonderland.  Tripping out, spinning around I’m underground, I felt down, I felt down I’m freaking out to all am I now upside down and I can’t stop it now it can’t stop me now I’ll, I’ll get by I’ll, I’ll survive while the worlds…

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2010 Paramount Preview

Shutter Island –  Feb 19 Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley, Michelle Williams, Max von Sydow U.S. Marshal Teddy Daniels is investigating the disappearance of a murderess who escaped from a hospital for the criminally insane and is presumed to be hiding on the remote Shutter Island. _________________________________________________ She’s Out of My League – March…

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Disney’s 2010 Preview

When in Rome – Jan 29 Kristen Bell, Josh Duhamel, Will Arnett, Alexis Dziena, Jon Heder, Dax Shepard, Kate Micucci, Bobby Moynihan, with Danny DeVito and Anjelica Huston An ambitious young New Yorker, disillusioned with romance, takes a whirlwind trip to Rome, where she defiantly plucks magic coins from a fountain of love, inexplicably igniting the…

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Avatar: 22 Minutes Behind The Scenes

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A Look at 2010 From Warner Bros.

Book of Eli – Jan 15 Denzel Washington, Gary Oldman, Mila Kunis, Ray Stevenson, Jennifer Beals, Frances de la Tour, Michael Gambon, Evan Jones, Joe Pingue, Tom Waits Action Adventure. In the not-too-distant future, across the wasteland of what was once America, a lone warrior must fight to bring civilization the knowledge that could be…

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In Honor of Martin Luther King, Jr.

I Have A Dream .. His Last Speech … And Walter Cronkite reports his assassination.  

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Poland v. Faraci on Avatar

MCN’s David Poland and CHUD’s Devin Faraci debate Avatar on G4.  Here’s the clip .. Video Games – E3 2010 – The Loop

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Prince of Persia: The Ability to Turn Back Time

“The holder of the dagger is the only person who can see the time go backwards …” Jerry Bruckheimer and Jake Gyllenhaal talk about sands and daggers.

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Quote Unquotesee all »

“One of my favorite things in watching any performance on film is when there isn’t a lot of cutting going on and when you get a chance to become really absorbed in the artist in hand. The same way we do, hopefully, at a concert, when we get a chance to really trip in to something that’s happening on stage. Whether the singer’s singing, or one of the other musicians is playing, we sort of stay there instead of cutting round with our eyes a lot.”
~ Jonathan Demme

“We’ve talked about this before in the past, my obsession with the Shakespearean histories having the ideal combination of the sweet and the sour. In ‘Henry IV, Part II’ which we’ve discussed before, in the end of that story it’s very complex and haunting because Prince Hal becomes Henry the King, and he has transcended his hoodlum days and at the ceremony is Falstaff, his good friend with whom he has really fucked around and been a loser with, and Falstaff comes up to him and says, ‘Now that you’re king we can really party,’ and the king famously says, ‘I know thee not, old man.’ It becomes Henry IV’s anointment and Falstaff’s catastrophe. That’s life. I have experienced very little unfettered triumph. There are moments, such as when my children are born, but even that comes with new fears and anxieties. In a sense the better you can communicate that life is both at once, the more powerful over time something becomes. One strives for something where the threads are there because it lasts in way that is very palpable. The idea of a tragedy is powerful in literature and theater, but in cinema it doesn’t work, certainly not commercially, and less so critically. Why is that? I think it has to do with how movies are so close to us.”
~ James Gray