misc Archive for November, 2009

Making Avatar

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Happy Thanksgiving!

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Avatar Does 60 Minutes

Watch CBS News Videos Online

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New Featurette: Avatar

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Twilight: New Moon

MCN Review: Like its heroine, Kristen Stewart – once again playing the central character of tormented, horror-smitten high school outsider Bella Swan — it’s moody and pretty, and constantly in the throes of a wild supernatural crush. But I didn’t like it much. And the fact that audiences are coming in droves didn’t reassure me. Trailers & Images…

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Behind The Road

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Star Trek’s on DVD Today!

MCN Review by Kim Voynar:  Having seen the new Star Trek now, I must admit that I was wrong, because J.J. Abrams, boldly going where others have gone before (and frequently failed), successfully reboots the franchise in this action-packed tweaking of the Trek universe. MCN Review by David Poland: My central problem with the film…

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The Story Behind The Blind Side

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Nine: The Music Video

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Quote Unquotesee all »

“I don’t know, because I don’t know much about those cameras. I know that’s been a complaint, but I wouldn’t know. Film is what worked for this film. I have a fear of the unknown. I’ve spent a long time trying to learn one camera, and to fucking stop and try to learn another one… I would have to stop for 20 years! I’m a slow learner; I’d have to go through the manual, it would be starting over. So there’s that, too. It’s an issue for filmmakers, and it’s on people’s minds, and I have to say that it’s a lot more challenging and difficult just to kind of get somebody to show film or to print film. It’s far more challenging than it should be right now, and we’re just trying to keep it alive a little bit and create a little pocket where it can be shown that way in various places across the country right now.”
~ Paul Thomas Anderson To David Ehrlich On The Prospect Of Switching From Film

“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award