misc Archive for October, 2009

Review: Amelia

MCN Review: Amelia is an old-fashioned, over-romantic movie, but likably so.  It’s true that director Mira Nair and writers Ron Bass and Anna Hamilton Phelan don‘t spring many surprises here, while telling us the story of the famed trailblazing aviatrix Amelia Earhart — an iconic American figure of the ‘20s and ‘30s who vanished over the Pacific while on…

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Review: Where the Wild Things Are

MCN Review: Some children’s stories work primarily for children. Some please both children and adults. But some are mostly for adults — and I think that may be the case with Spike Jonze’s new movie from Maurice Sendak‘s famous 1963 picture book Where the Wild Things Are. Jonze film takes Sendak’s spare little book, which…

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Review: Law Abiding Citizen

MCN Review: For sheer lunatic improbability and bad ideas (and even bad punctuation), Law Abiding Citizen will be hard to top. Even its social message (Don’t make bad court deals, but kill Clyde before he kills Philadelphia) is foolish. Writer Wimmer and director F. Gary Gray (Friday and The Negotiator) seem to be intent primarily…

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The Power of Film … Anne Frank

July 22 1941. The girl next door is getting married. Anne Frank is leaning out of the window of her house in Amsterdam to get a good look at the bride and groom. It is the only time Anne Frank has ever been captured on film. At the time of her wedding, the bride lived…

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MCN Review: Whip It!

MCN Review:  Whip It! Is it perfection? No. But it is a warm, funny, kind, smart, loving movie that girls, grrrrrls, women, and womyn will really enjoy. It is entertainment with ambition. And how does one say, “no” to that? (it’s a rhetorical question… one doesn’t.)  More>>

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Quote Unquotesee all »

“TIFF doesn’t make attendance numbers for its Lightbox screenings publicly available, so it’s difficult to gauge exactly how many filmgoers the Lightbox is attracting (or how much money it’s bringing in). But the King Street West venue hasn’t become a significant draw for film enthusiasts. The Lightbox’s attendance has plunged – 49,000 fewer visitors last year, a drop of 27 per cent, according to figures recently reported in the Toronto Star. Its gallery space – designed to showcase the visions of cinema’s most iconic filmmakers – saw most of its exhibitions staff quietly axed this past fall. And its marketing barely escapes the Lightbox’s walls. Unless you are a TIFF member or one of the city’s most avid filmgoers, you could walk by the Lightbox and remain blissfully unaware of a single thing that goes on inside. TIFF “still has a world-class brand,” said Barry Avrich, a filmmaker and former board member, “but it’s going to take some fresh vision from retail, consumer programming and marketing experts, given how the lines have become intensely blurred when it comes to how people watch film. They will have to experiment with programming to find the right blend of function and relevance.”
~ Globe & Mail Epic On State of Toronto Int’l (paywalled)

“I’m 87 years old… I only eat so I can smoke and stay alive… The only fear I have is how long consciousness is gonna hang on after my body goes. I just hope there’s nothing. Like there was before I was born. I’m not really into religion, they’re all macrocosms of the ego. When man began to think he was a separate person with a separate soul, it created a violent situation.

“The void, the concept of nothingness, is terrifying to most people on the planet. And I get anxiety attacks myself. I know the fear of that void. You have to learn to die before you die. You give up, surrender to the void, to nothingness.

“Anybody else you’ve interviewed bring these things up? Hang on, I gotta take this call… Hey, brother. That’s great, man. Yeah, I’m being interviewed… We’re talking about nothing. I’ve got him well-steeped in nothing right now. He’s stopped asking questions.”
~ Harry Dean Stanton