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misc Archive for October, 2009

Review: Amelia

MCN Review: Amelia is an old-fashioned, over-romantic movie, but likably so.  It’s true that director Mira Nair and writers Ron Bass and Anna Hamilton Phelan don‘t spring many surprises here, while telling us the story of the famed trailblazing aviatrix Amelia Earhart — an iconic American figure of the ‘20s and ‘30s who vanished over the Pacific while on…

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Review: Where the Wild Things Are

MCN Review: Some children’s stories work primarily for children. Some please both children and adults. But some are mostly for adults — and I think that may be the case with Spike Jonze’s new movie from Maurice Sendak‘s famous 1963 picture book Where the Wild Things Are. Jonze film takes Sendak’s spare little book, which…

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Review: Law Abiding Citizen

MCN Review: For sheer lunatic improbability and bad ideas (and even bad punctuation), Law Abiding Citizen will be hard to top. Even its social message (Don’t make bad court deals, but kill Clyde before he kills Philadelphia) is foolish. Writer Wimmer and director F. Gary Gray (Friday and The Negotiator) seem to be intent primarily…

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The Power of Film … Anne Frank

July 22 1941. The girl next door is getting married. Anne Frank is leaning out of the window of her house in Amsterdam to get a good look at the bride and groom. It is the only time Anne Frank has ever been captured on film. At the time of her wedding, the bride lived…

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MCN Review: Whip It!

MCN Review:  Whip It! Is it perfection? No. But it is a warm, funny, kind, smart, loving movie that girls, grrrrrls, women, and womyn will really enjoy. It is entertainment with ambition. And how does one say, “no” to that? (it’s a rhetorical question… one doesn’t.)  More>>

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“Oh it was just hellish. This is the worst thing that ever happened to me. It would be stupid for me to say that I didn’t know what I was getting into. It has taken me five years to decide on a first film and I always held out for something like this. The lesson to be learned is that you can’t take on an enterprise of this size and scope if you don’t have a movie like The Terminator or Jaws behind you. Because when everybody’s wringing their handkerchiefs and sweating and puking blood over the money, it’s very nice to be able to say, ‘This is the guy who directed the biggest grossing movie of all time, sit down, shut up and feel lucky that you’ve got him.’ It’s another thing when you are there and you’re going ‘Trust me, this is really what I believe in,’ and they turn round and say ‘Well, who the hell is this guy?’ If I make ten shitty movies, I’ll deserve the flak and if I go on to make 10 great ones, this’ll probably be looked upon as my first bungled masterpiece.”
~ David Fincher, 1992

 

“I was a brat back when I made Pootie Tang. I was dealing with people every day whose pressures I didn’t understand, and I wasn’t very nice about how I said no to them. I put myself in a position I didn’t have to be in. A lot of what makes this kind of stuff work is empathy. If you’re taking money from somebody, they have a right to look after it. It’s all just trying to be clear about the arrangement. That’s why when I set up ‘Louie,’ I just said, ‘This is what I’m comfortable doing, and if you don’t want to do it, I don’t blame you. But in exchange, I’ll take very little money.’ I was only getting $200,000 per show from them, which is insane, and it goes up just by tiny increments every year. The other part of the arrangement with FX is that if this stops working for them, they should just tell me and we’ll stop doing it. Contractually, FX has a right to demand that the scripts be filtered through them before I shoot them, just like any other show. But from the beginning, they haven’t read anything, and they like the show. If I start turning in shit, then they’re going to start asking to see scripts, and that’s perfectly fair.”
~ Louis C. K.

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