MCN Film Docket - Archives for October, 2010

Dwayne Johnson Goes Faster

After 10 years in prison, Driver has a singular focus — to avenge the murder of his brother during the botched bank robbery that led to his imprisonment. Now a free man with a deadly to-do list in hand, he’s finally on his mission…but with two men on his trail — a veteran cop just days from retirement, and a young egocentric hitman with a flair for the art of killing and newfound worthy opponent. The hunter is also the hunted. It’s a do or die race to the list’s finish as the mystery surrounding his brother’s murder deepens, and new details emerge along the way hinting that Driver’s list may be incomplete.

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I Love You Phillip Morris, And Your Trailer, Too

Steven Russell leads a seemingly average life — an organ player in the local church, happily married to Debbie, and a member of the local police force. That is until he has a severe car accident that leads him to the ultimate epiphany: he’s gay and he’s going to live life to the fullest –even if he has to break the law to do it. Taking on an extravagant lifestyle, Steven turns to cons and fraud to make ends meet and is eventually sent to the State Penitentiary where he meets the love of his life, a sensitive, soft-spoken man named Phillip Morris. His devotion to freeing Phillip from jail and building the perfect life together prompts him to attempt (and often succeed at) one impossible con after another.

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MCN Enter to Win: Due Date

Enter to win your own Due Date bingo set (no road trip is complete without it!), tees, hats and, of course, your own four legged road tripper.

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An Unknown Trailer

Dr. Martin Harris awakens after a car accident in Berlin to discover that his wife suddenly doesn’t recognize him and another man has assumed his identity. Ignored by disbelieving authorities and hunted by mysterious assassins, he finds himself alone, tired, and on the run.

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Posters in the Morning Glory

Diane Keaton and Harrison Ford as morning show anchors. Somehow works!

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Megamind: The First 5 Minutes

The fate of Metro City is threatened when a new villain arrives and chaos runs rampant, leaving everyone to wonder: Can the world’s biggest “mind” actually be the one to save the day?

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The World of Tron

The world of Tron in four tv spots – The World, Quorra, Clu and Light Cycle.

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Toy Story 3 Meets True Grit

kinda tough toy sherriff helps a stubborn young cowgirl track down her father’s murderer.

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A Tiny Furniture Trailer

A college grad returns home while she tries to figure out what to do with her life.

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Four Lions and a Trailer

Illuminating the war on terror through satire and farce. Four Lions proves that while terrorism may be about ideology, it’s also about idiots…

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Barney’s Version of a Trailer

The story of Barney Panofsky, a seemingly ordinary man who lives an extraordinary life. A candid confessional, told from Barney’s point of view, spanning four decades and two continents, taking us through his unusual history

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Trailering The Way Back

The based-on-fact story about soldiers who escaped from a Siberian gulag in 1940.

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It’s A Blue Valentine Trailer

The evolution of a failing marriage.

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Trailering The Tempest

In Julie Taymor’s version of ‘The Tempest,’ the gender of Prospero has been switched to Prospera. Going back to the 16th or 17th century, women practicing the magical arts of alchemy were often convicted of witchcraft. In Taymor’s version, Prospera is usurped by her brother and sent off with her four-year daughter on a ship. She ends up on an island; it’s a tabula rasa: no society, so the mother figure becomes a father figure to Miranda. This leads to the power struggle and balance between Caliban and Prospera; a struggle not about brawn, but about intellect.

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Postering 127 Hours

James Franco vs. boulder.

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Teasing The Next Three Days

Who wouldn’t love a guy willing to break his wife out of prison in order to get her out of a murder conviction….

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Trailering I Am Number Four

John is extraordinary. Three like him have already been killed … he is Number Four.

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Behind the Tangled Scenes: A Hair Raising Adventure

Would you like to know more?

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Quote Unquotesee all »

Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé