MCN Film Docket - Archives for October, 2010

Dwayne Johnson Goes Faster

After 10 years in prison, Driver has a singular focus — to avenge the murder of his brother during the botched bank robbery that led to his imprisonment. Now a free man with a deadly to-do list in hand, he’s finally on his mission…but with two men on his trail — a veteran cop just days from retirement, and a young egocentric hitman with a flair for the art of killing and newfound worthy opponent. The hunter is also the hunted. It’s a do or die race to the list’s finish as the mystery surrounding his brother’s murder deepens, and new details emerge along the way hinting that Driver’s list may be incomplete.

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I Love You Phillip Morris, And Your Trailer, Too

Steven Russell leads a seemingly average life — an organ player in the local church, happily married to Debbie, and a member of the local police force. That is until he has a severe car accident that leads him to the ultimate epiphany: he’s gay and he’s going to live life to the fullest –even if he has to break the law to do it. Taking on an extravagant lifestyle, Steven turns to cons and fraud to make ends meet and is eventually sent to the State Penitentiary where he meets the love of his life, a sensitive, soft-spoken man named Phillip Morris. His devotion to freeing Phillip from jail and building the perfect life together prompts him to attempt (and often succeed at) one impossible con after another.

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MCN Enter to Win: Due Date

Enter to win your own Due Date bingo set (no road trip is complete without it!), tees, hats and, of course, your own four legged road tripper.

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An Unknown Trailer

Dr. Martin Harris awakens after a car accident in Berlin to discover that his wife suddenly doesn’t recognize him and another man has assumed his identity. Ignored by disbelieving authorities and hunted by mysterious assassins, he finds himself alone, tired, and on the run.

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Posters in the Morning Glory

Diane Keaton and Harrison Ford as morning show anchors. Somehow works!

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Megamind: The First 5 Minutes

The fate of Metro City is threatened when a new villain arrives and chaos runs rampant, leaving everyone to wonder: Can the world’s biggest “mind” actually be the one to save the day?

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The World of Tron

The world of Tron in four tv spots – The World, Quorra, Clu and Light Cycle.

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Toy Story 3 Meets True Grit

kinda tough toy sherriff helps a stubborn young cowgirl track down her father’s murderer.

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A Tiny Furniture Trailer

A college grad returns home while she tries to figure out what to do with her life.

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Four Lions and a Trailer

Illuminating the war on terror through satire and farce. Four Lions proves that while terrorism may be about ideology, it’s also about idiots…

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Barney’s Version of a Trailer

The story of Barney Panofsky, a seemingly ordinary man who lives an extraordinary life. A candid confessional, told from Barney’s point of view, spanning four decades and two continents, taking us through his unusual history

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Trailering The Way Back

The based-on-fact story about soldiers who escaped from a Siberian gulag in 1940.

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It’s A Blue Valentine Trailer

The evolution of a failing marriage.

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Trailering The Tempest

In Julie Taymor’s version of ‘The Tempest,’ the gender of Prospero has been switched to Prospera. Going back to the 16th or 17th century, women practicing the magical arts of alchemy were often convicted of witchcraft. In Taymor’s version, Prospera is usurped by her brother and sent off with her four-year daughter on a ship. She ends up on an island; it’s a tabula rasa: no society, so the mother figure becomes a father figure to Miranda. This leads to the power struggle and balance between Caliban and Prospera; a struggle not about brawn, but about intellect.

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Postering 127 Hours

James Franco vs. boulder.

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Teasing The Next Three Days

Who wouldn’t love a guy willing to break his wife out of prison in order to get her out of a murder conviction….

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Trailering I Am Number Four

John is extraordinary. Three like him have already been killed … he is Number Four.

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Behind the Tangled Scenes: A Hair Raising Adventure

Would you like to know more?

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Quote Unquotesee all »

“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson