MCN Film Docket

Trailering Lincoln

Steven Spielberg directs two-time Academy Award® winner Daniel Day-Lewis in “Lincoln,” a revealing drama that focuses on the 16th President’s tumultuous final months in office. In a nation divided by war and the strong winds of change, Lincoln pursues a course of action designed to end the war, unite the country and abolish slavery. With the moral courage and fierce determination to succeed, his choices during this critical moment will change the fate of generations to come.

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Les Miserables: The Trailer

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The Art of The Avengers

Press Release: Marvel Studios announced today that Gallery1988 in Hollywood, Calif., will mount a show of art inspired by the Marvel Super Heroes featured in the highly anticipated, summer event movie “Marvel’s The Avengers.” The show, sponsored by Visa Signature, will run through the film’s opening weekend, from May 3 through May 6, 2012.

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Les Miserables – From the Set

Working its way around the net – from the set of Les Miserables.

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Trailering Tim Burton’s Dark Shadows

Te return of Barnabus Collins.

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The Care and Etiquette of Oscar

Sir Cecil Worthington (Mike Myers) takes Academy Award Winner Kevin Kline through an Oscar refresher course at the Academy safe house.

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The Best of 2011: Critics, Awards and Box Office

The Best of 2011 from two points of view – the critics who bestow awards and rank the best of the year. And Movie Goers – while box office doesn’t determine quality, it’s a measure of what the audience is willing to lay down (big) bucks to see.

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The Oscars Get A Trailer

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Academy “Celebrates the Movies” as Poster Art Kicks Off Oscar® Campaign

“Whether it’s a first date or a holiday gathering with friends or family, movies are a big part of our memory,” said Academy President Tom Sherak. “The Academy Awards not only honor the excellence of these movies, but also celebrate what they mean to us as a culture and to each of us individually.”

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The Hobbit Trailer

The joy of The Hobbit!

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MCN Enter to Win: Sherlock Homes – A Game of Shadows

    The Rules: Drawing January 20, 2012 from entries received no later 5:00 p.m. on Janaury 18, 2012. You may enter once per day. One prize per person.

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Enter to Win: New Year’s Eve

 Contest Rules: Drawing January 3, 2012 from entries received no later 5:00 p.m. on January 1, 2012. You may enter once per day. One prize per person.

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Enter to Win: Happy Feet Two

    The Rules Contest Rules: Drawing December 9, 2011 from entries received no later 5:00 p.m. on December 7, 2011 You may enter once per day. One prize per person.

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J. Edgar: Enter for a chance to win!

“J. Edgar” explores the personal and public life and relationships of a man who could distort the truth as easily as he upheld it during a life devoted to his own idea of justice, often swayed by the darker side of power. Enter to win prizes based on the film – including Clint Eastwood: 35 Films 35 Years DVD Set; a branded black messenger bag, DVDs or a J. Edgar baseball cap.

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J. Edgar Posters

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Trailering The Avengers

There was an idea to bring together a group of remarkable people so when we needed them they could fight the battle that we never could ….

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Puss in Boots: He is the Most Interesting Cat in the World

“Curiosity tried to kill him once, then apologized and politely left… Stay furry, my friends.”

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Old Time Ads for New Fangled Things

” Imagine if you were a citizen of the ’20s and suddenly you saw an ad for a cell phone. What would you think it was? “

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From the Archives ….

Short road safety instructional film which shows by a series of comic incidentsthe dangers of stepping off the footpath carelessly, of crossing the road at oblique angles, of “dithering” on the road, and of over-confidence. From the New Zealand National Film Unit – 1952.

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Quote Unquotesee all »

“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson