MCN Film Docket

Trailering Lincoln

Steven Spielberg directs two-time Academy Award® winner Daniel Day-Lewis in “Lincoln,” a revealing drama that focuses on the 16th President’s tumultuous final months in office. In a nation divided by war and the strong winds of change, Lincoln pursues a course of action designed to end the war, unite the country and abolish slavery. With the moral courage and fierce determination to succeed, his choices during this critical moment will change the fate of generations to come.

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Les Miserables: The Trailer

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The Art of The Avengers

Press Release: Marvel Studios announced today that Gallery1988 in Hollywood, Calif., will mount a show of art inspired by the Marvel Super Heroes featured in the highly anticipated, summer event movie “Marvel’s The Avengers.” The show, sponsored by Visa Signature, will run through the film’s opening weekend, from May 3 through May 6, 2012.

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Les Miserables – From the Set

Working its way around the net – from the set of Les Miserables.

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Trailering Tim Burton’s Dark Shadows

Te return of Barnabus Collins.

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The Care and Etiquette of Oscar

Sir Cecil Worthington (Mike Myers) takes Academy Award Winner Kevin Kline through an Oscar refresher course at the Academy safe house.

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The Best of 2011: Critics, Awards and Box Office

The Best of 2011 from two points of view – the critics who bestow awards and rank the best of the year. And Movie Goers – while box office doesn’t determine quality, it’s a measure of what the audience is willing to lay down (big) bucks to see.

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The Oscars Get A Trailer

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Academy “Celebrates the Movies” as Poster Art Kicks Off Oscar® Campaign

“Whether it’s a first date or a holiday gathering with friends or family, movies are a big part of our memory,” said Academy President Tom Sherak. “The Academy Awards not only honor the excellence of these movies, but also celebrate what they mean to us as a culture and to each of us individually.”

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The Hobbit Trailer

The joy of The Hobbit!

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MCN Enter to Win: Sherlock Homes – A Game of Shadows

    The Rules: Drawing January 20, 2012 from entries received no later 5:00 p.m. on Janaury 18, 2012. You may enter once per day. One prize per person.

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Enter to Win: New Year’s Eve

 Contest Rules: Drawing January 3, 2012 from entries received no later 5:00 p.m. on January 1, 2012. You may enter once per day. One prize per person.

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Enter to Win: Happy Feet Two

    The Rules Contest Rules: Drawing December 9, 2011 from entries received no later 5:00 p.m. on December 7, 2011 You may enter once per day. One prize per person.

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J. Edgar: Enter for a chance to win!

“J. Edgar” explores the personal and public life and relationships of a man who could distort the truth as easily as he upheld it during a life devoted to his own idea of justice, often swayed by the darker side of power. Enter to win prizes based on the film – including Clint Eastwood: 35 Films 35 Years DVD Set; a branded black messenger bag, DVDs or a J. Edgar baseball cap.

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J. Edgar Posters

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Trailering The Avengers

There was an idea to bring together a group of remarkable people so when we needed them they could fight the battle that we never could ….

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Puss in Boots: He is the Most Interesting Cat in the World

“Curiosity tried to kill him once, then apologized and politely left… Stay furry, my friends.”

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Old Time Ads for New Fangled Things

” Imagine if you were a citizen of the ’20s and suddenly you saw an ad for a cell phone. What would you think it was? “

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From the Archives ….

Short road safety instructional film which shows by a series of comic incidentsthe dangers of stepping off the footpath carelessly, of crossing the road at oblique angles, of “dithering” on the road, and of over-confidence. From the New Zealand National Film Unit – 1952.

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Quote Unquotesee all »

Julian Schnabel: Years ago, I was down there with my cousin’s wife Corky. She was wild — she wore makeup on her legs, and she had a streak in her hair like Yvonne De Carlo in “The Munsters.” She liked to paint. I had overalls on with just a T-shirt and looked like whatever. We were trying to buy a bunch of supplies with my cousin Jesse’s credit card. They looked at the credit card, and then they looked at us and thought maybe we stole the card, so they called Jesse up. He was a doctor who became the head of trauma at St. Vincent’s. They said, “There’s somebody here with this credit card and we want to know if it belongs to you.”

He said, “Well, does the woman have dyed blonde hair and fake eyelashes and look like she stepped out of the backstage of some kind of silent movie, and is she with some guy who has wild hair and is kind of dressed like a bum?”

“Yeah, that’s them.”

“Yeah, that’s my cousin and my wife. It’s okay, they can charge it on my card.”
~ Julian Schnabel Remembers NYC’s Now-Shuttered Pearl Paint

MB Cool. I was really interested in the aerial photography from Enter the Void and how one could understand that conceptually as a POV, while in fact it’s more of an objective view of the city where the story takes place. So it’s an objective and subjective camera at the same time. I know that you’re interested in Kubrick. We’ve talked about that in the past because it’s something that you and I have in common—

GN You’re obsessed with Kubrick, too.

MB Does he still occupy your mind or was he more of an early influence?

GN He was more of an early influence. Kubrick has been my idol my whole life, my own “god.” I was six or seven years old when I saw 2001: A Space Odyssey, and I never felt such cinematic ecstasy. Maybe that’s what brought me to direct movies, to try to compete with that “wizard of Oz” behind the film. So then, years later, I tried to do something in that direction, like many other directors tried to do their own, you know, homage or remake or parody or whatever of 2001. I don’t know if you ever had that movie in mind for your own projects. But in my case, I don’t think about 2001 anymore now. That film was my first “trip” ever. And then I tried my best to reproduce on screen what some drug trips are like. But it’s very hard. For sure, moving images are a better medium than words, but it’s still very far from the real experience. I read that Kubrick said about Lynch’s Eraserhead, that he wished he had made that movie because it was the film he had seen that came closest to the language of nightmares.

Matthew Barney and Gaspar Noé