Festivals Archive for July, 2010

CELEBRATED ACTORS AND FILMMAKERS TAKE CENTRE STAGE AS TIFF ANNOUNCES STELLAR LINEUP OF GALAS AND SPECIAL PRESENTATIONS

Toronto – The Toronto International Film Festival® rolls out the red carpet with a selection of 15 Galas and 35 Special Presentations for this year‟s Festival, including 25 World Premieres.

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Has The Kids Are All Right Snapped The Big-Buy “Sundance Curse”?

Has The Kids Are All Right Snapped The Big-Buy “Sundance Curse”?

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Hoser Hoedown: Toronto Int’l To Open With Olivia Newton-John Hockey Musical

Hoser Hoedown: Toronto Int’l To Open With Olivia Newton-John Hockey Musical

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Regional View: How Georgia’s Film Fests Are Holding Up

Regional View: How Georgia’s Film Fests Are Holding Up

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Eug On The Film Society Of Lincoln Center Shake-Up

Eug On The Film Society Of Lincoln Center Shake-Up

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Rose Kuo New Exec Director Of Film Society Of Lincoln Center, Succeeding Mara Manus, Out After 2 Years

Rose Kuo New Exec Director Of Film Society Of Lincoln Center, Succeeding Mara Manus, Out After 2 Years

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Indie Filmmaker Still Recovering From LAFF’s “Seize The Power” Symposium

Indie Filmmaker Still Recovering From LAFF’s “Seize The Power” Symposium

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Fincher’s Facebook Foursquared Away As NY Film Fest Opener

Fincher’s Facebook Foursquared Away As NY Film Fest Opener

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Noah Cowan On Fave Pieces From Inaugural Bell Lightbox Exhibits, From Maddin, Hitch And DeNiro’s Hack License From Taxi Driver

Noah Cowan On Fave Pieces From Inaugural Bell Lightbox Exhibits, From Maddin, Hitch And DeNiro’s Hack License From Taxi Driver

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Toronto FF’s Inaugural Bell Lightbox Gallery Exhibitions Include Work By Maddin, Egoyan

Toronto FF’s Inaugural Bell Lightbox Gallery Exhibitions Include Work By Maddin, Egoyan

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Festivals

allgemeine kreditversicherung aktiengesellschaft on: Cannes 2014: Opening Day

http://www.abelduarte.com/ on: Cannes 2014: Opening Day

Alex on: Sundance Reviews: Cutie and the Boxer, Fallen City

10 More Clash of Clans Strategies, Tactics, and Tricks ... on: Never Let Me Go actors Carey Mulligan & Andrew Garfield

Stella's Boy on: Wrapping TIFF 2014

David Poland on: Wrapping TIFF 2014

David on: Wrapping TIFF 2014

movieman on: 31 Weeks To Oscar: Telluride, Toronto & New York

PatrickP on: 31 Weeks To Oscar: Telluride, Toronto & New York

Ray Pride on: 31 Weeks To Oscar: Telluride, Toronto & New York

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“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson