Festivals Archive for July, 2010

CELEBRATED ACTORS AND FILMMAKERS TAKE CENTRE STAGE AS TIFF ANNOUNCES STELLAR LINEUP OF GALAS AND SPECIAL PRESENTATIONS

Toronto – The Toronto International Film Festival® rolls out the red carpet with a selection of 15 Galas and 35 Special Presentations for this year‟s Festival, including 25 World Premieres.

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Has The Kids Are All Right Snapped The Big-Buy “Sundance Curse”?

Has The Kids Are All Right Snapped The Big-Buy “Sundance Curse”?

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Hoser Hoedown: Toronto Int’l To Open With Olivia Newton-John Hockey Musical

Hoser Hoedown: Toronto Int’l To Open With Olivia Newton-John Hockey Musical

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Regional View: How Georgia’s Film Fests Are Holding Up

Regional View: How Georgia’s Film Fests Are Holding Up

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Eug On The Film Society Of Lincoln Center Shake-Up

Eug On The Film Society Of Lincoln Center Shake-Up

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Rose Kuo New Exec Director Of Film Society Of Lincoln Center, Succeeding Mara Manus, Out After 2 Years

Rose Kuo New Exec Director Of Film Society Of Lincoln Center, Succeeding Mara Manus, Out After 2 Years

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Indie Filmmaker Still Recovering From LAFF’s “Seize The Power” Symposium

Indie Filmmaker Still Recovering From LAFF’s “Seize The Power” Symposium

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Fincher’s Facebook Foursquared Away As NY Film Fest Opener

Fincher’s Facebook Foursquared Away As NY Film Fest Opener

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Noah Cowan On Fave Pieces From Inaugural Bell Lightbox Exhibits, From Maddin, Hitch And DeNiro’s Hack License From Taxi Driver

Noah Cowan On Fave Pieces From Inaugural Bell Lightbox Exhibits, From Maddin, Hitch And DeNiro’s Hack License From Taxi Driver

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Toronto FF’s Inaugural Bell Lightbox Gallery Exhibitions Include Work By Maddin, Egoyan

Toronto FF’s Inaugural Bell Lightbox Gallery Exhibitions Include Work By Maddin, Egoyan

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Festivals

allgemeine kreditversicherung aktiengesellschaft on: Cannes 2014: Opening Day

http://www.abelduarte.com/ on: Cannes 2014: Opening Day

Alex on: Sundance Reviews: Cutie and the Boxer, Fallen City

10 More Clash of Clans Strategies, Tactics, and Tricks ... on: Never Let Me Go actors Carey Mulligan & Andrew Garfield

Stella's Boy on: Wrapping TIFF 2014

David Poland on: Wrapping TIFF 2014

David on: Wrapping TIFF 2014

movieman on: 31 Weeks To Oscar: Telluride, Toronto & New York

PatrickP on: 31 Weeks To Oscar: Telluride, Toronto & New York

Ray Pride on: 31 Weeks To Oscar: Telluride, Toronto & New York

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What’s up with your people mover shot, where it seems like people are kind of floating along?
Oh, my signature shot? That’s just a new way for people to move! It’s really become my Alfred Hitchcock cameo. I did not invent that shot, but Ernest and I did it on the set of Mo Better Blues, when Shorty had to walk [through the park], and I thought, “Let’s try it.” But after that, we tried to have a reason for it. For example, that wonderful sequence in Malcolm X where you hear the great song, “A Change Is Gonna Come.” The final scene is like that, Malcolm floating along to his destiny. In 25th Hour, after Philip Seymour Hoffman has kissed Anna Paquin, we did a shot like that, and it shows his state of mind. In Inside Man, after Denzel thinks he’s witnessed the murder of a hostage, we did the floating shot there.

So you just like the way it looks?
Yeah!
~ Spike Lee To Matt Zoller Seitz

“I never accepted the term contrarian. I think that’s offensive, frankly. And my response to that is: if I’m a contrarian, what are other reviewers? What I strive to do is be a good critic, not somebody who simply accepts the product put in front of me. I guess it scares people to think that they don’t have any originality; that they don’t have the capacity to think for themselves.

“There’s a line a lot of reviewers use that I don’t like at all. They say ‘accept the film on its own terms.’ What that really means is, ‘accept the film as it is advertised.’ That’s got nothing to do with criticism. Nothing to do with having a response as a film watcher. A thinking person has to analyze what’s on screen, not simply rubber-stamp it or kowtow to marketing.”m

“To me, everything does have a political component and I think it’s an interesting way to look at art. It’s one way that makes film reviewing, I think, a politically relevant form of journalism. We do live in a political world, and we bring our political sense to the movies with us – unless you’re the kind of person who goes to the movies and shuts off the outside world. I’m not that kind of person.”
~ Armond White to Luke Buckmaster