10 Days of Sundance Archive for January, 2011

Sundance Dispatch: It’s a Wrap

Another Sundance Film Festival has wrapped, and I have to say, it was a helluva good year to be in Park City. The logistical nightmare of the P&I line the first five or so days of the fest was a serious pain in the ass, but overall I’d have to say this year’s Sundance programming…

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Sundance Review: The Future

What do you do when you’re paralyzed by fear of failing, of moving forward into the future, of getting older? Of facing the fact that you have a finite amount of time to do everything you ever wanted to do, or thought you would do with your life, but realizing suddenly that you’re nearing the…

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Sundance Review: The Catechism Cataclysm and Septien

The Catechism Cataclysm One of the weirdest — and funniest — films I saw at Sundance was The Catechism Cataclysm. I’m not sure it’s even possible to discuss this film in a way that makes sense, because I’m not sure the film itself even does make sense, but it sure as hell made me laugh…

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Sundance Reviews: Vampire and Codependent Lesbian Space Alien Seeks Same

Simon’s not a vampire, not really. He’s just a guy who digs the taste of blood, who’s drawn to killing girls in this particular way, and in particular, he’s very invested in the idea that he is not a bad guy, but a good one. He’s helping these girls, not hurting them — even though he knows on the other hand that’s not exactly what you might call “objectively true.”

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Sundance Review: The Lie

Josh Leonard’s adaptation of The Lie, T. Coraghessan Boyle’s 2008 New Yorker short story, is an excellent take on the tale of an idealistic young couple whose lives have veered away from the values they had when they first met, after an unexpected pregnancy forces them to shoulder the responsibility of parenthood.

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Searchlight Lands On Another Earth

Searchlight Lands On Another Earth

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Sundance Dispatch: Homework and Hell and Back Again

We’re officially over the halfway point at Sundance, and already I’m feeling a little glumness trickling in at the thought of this year’s Sundance nearing its end.This morning, of course, were the Oscar noms, and along with most everyone here for Sundance I dragged my bleary-eyed self out of bed at the asscrack of dawn…

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Sundance Review: Pariah

The most gut-wrenching-yet-uplifting film I’ve seen so far at Sundance this year so far is Pariah, which has been getting some mixed buzz. Yes, yes, I know that gut-wrenching-yet-uplifting is practically its own genre here at Sundance, but like many cliches there’s some truth in the stereotype. And Pariah is so moving, so remarkably acted…

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Sundance Dispatch: Rants and Raves

It’s officially Day Four for me here at the Sundance Film Festival, and so far I have yet to see a film I actively dislike at the fest — which, if you’ve ever been to Sundance, you know is a bit of a minor miracle. Granted, I’ve been cherry-picking those films that I think have…

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Sundance Review: POM Wonderful Presents: The Greatest Movie Ever Sold

I’ll say this about Morgan Spurlock: there’s no one quite like him. Especially when he’s wearing comfy Merrell shoes (hey, they have great arch support) while feeling Ban fresh!, and driving a stylish Mini-Cooper plastered with ads while sipping some refreshing POM Pomegranate juice on his way to catch a fight on JetBlue Airlines.

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Sundance Review: Martha Marcy May Marlene

Martha Marcy May Marlene explores the aftermath of a young girl’s involvement with a cult living on an isolated farm in the Catskills. The thoughtful script by writer/director Sean Durkin is a character study crafted as a deliberately paced psychological thriller, with Elizabeth Olsen (younger sister of Mary-Kate and Ashley, and an accomplished theatrical actress…

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Sundance Review: Project Nim

With Man on Wire, director James Marsh took a story that necessitated being pieced together with reflective interviews and archival footage of past events and wove it all together into a cohesive whole that resonated powerfully as it told the history of Phillipe Petit, a daredevil who pulled off a number of dangerous and unbelievable…

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Sundance Review: Kaboom

I’ll say this up front: Gregg Araki’s Kaboom is not for everyone. If, however, you enjoy completely crazy, immensely creative tales (and I mean crazy in the best Donnie Darko sense), and you’re neither homophobic nor averse to graphic sexual scenes (both hetero and homo), and you’re willing to forgive a few plot twists that,…

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Sundance Review: Silent House

I admit to being a bit paranoid about big spooky houses and things that go bump in the night. I can’t imagine that I would ever choose to live in a big, rambling old house so isolated from civilization that my cell phone wouldn’t work in an emergency. That’s just asking for trouble. And if…

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Sundance Dispatch: Good News, Bad News

The good news was, I flew Southwest, where Bags Fly Free!(tm) So I was able to bring two bags. Major bonus, because that meant I could bring more boots! And a stash of food cheaper than it would cost me at The Market Formerly Known As Albertsons. The bad news was, my flight was delayed…

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Quote Unquotesee all »

“We don’t have any idea what the universe is. Wise people have always told us that this is proof you shouldn’t think, because thinking leads you nowhere. You just build over this huge construction of misunderstanding, which is culture. The history of culture is the history of the misunderstandings of great thinkers. So we always have to go back to zero and begin differently. And maybe in that way you have a chance not to understand but at least not to have further misunderstandings. Because this is the other side of this question—Am I really so brave to cancel all human culture? To stop admiring the beauty in human production? It’s very difficult to say no.”
~ László Krasznahorkai

“I have a license to carry in New York. Can you believe that? Nobody knows that, [Applause] somebody attacks, somebody attacks me, oh, they’re gonna be shot. Can you imagine? Somebody says, oh, it is Trump, he’s easy pickings what do you say? Right? Oh, boy. What was the famous movie? No. Remember, no remember where he went around and he sort of after his wife was hurt so badly and kill. What?  I — Honestly, Yeah, right, it’s true, but you have many of them. Famous movie. Somebody. You have many of them. Charles Bronson right the late great Charles Bronson name of the movie come on.  , remember that? Ah, we’re gonna cut you up, sir, we’re gonna cut you up, uh-huh.

Bing!

One of the great movies. Charles Bronson, great, Charles Bronson. Great movies. Today you can’t make that movie because it’s not politically correct, right? It’s not politically correct. But could you imagine with Trump? Somebody says, oh, all these big monsters aren’t around he’s easy pickings and then shoot.”
~ Donald Trump