DP/30 Archive for December, 2011

DP/30: Tyrannosaur, actor Olivia Colman

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DP/30: I Tawt I Taw a Puddy Tat

Director Matthew O’Callaghan, Voice Talent (and living legend) June Foray, and Exec Producer Sam Register.

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DP/30: Drive, actor Albert Brooks

We are thrilled to be able to bring you a half hour chat with the legendary Albert Brooks. We shot this just yesterday, post-SAG, pre-Globes. The chat may be less often funny than you’d expect, but the man of ideas has always been there behind the laughs, which is why we all remember so much of what he’s written and said over these last 40 years.

Other recent interviews include the director of Drive, Nicolas Winding Refn, a pair of animated directors (Kung Fu Panda 2 and Rio), almost a full hour with the director and the writer of Tinker Tailor Soldier Spy, plus The Brothers Dardennes, whose The Kid With The Bike is grabbing awards and nominations all over the country.

But start with the Albert… you’ll be glad you did.

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“What Quibi trying to do is get to the next generation of film narrative. The first generation was movies, and they were principally two-hour stories that were designed to be watched in a single sitting in a movie theater [ED: After formats like the nickelodeon]. The next generation of film narrative was television, principally designed to be watched in one-hour chapters in front of a television set. I believe the third generation of film narrative will be a merging of those two ideas, which is to tell two-hour stories in chapters that are seven to ten minutes in length. We are actually doing long-form in bite-size.”
~ Jeffrey Katzenberg

“The important thing is: what makes the audience interested in it? Of course, I don’t take on any roles that don’t interest me, or where I can’t find anything for myself in it. But I don’t like talking about that. If you go into a restaurant and you have been served an exquisite meal, you don’t need to know how the chef felt, or when he chose the vegetables on the market. I always feel a little like I would pull the rug out from under myself if I were to I speak about the background of my work. My explanations would come into conflict with the reason a movie is made in the first place — for the experience of the audience — and that, I would not want.
~  Christoph Waltz