DP/30 Archive for October, 2011

DP/30: Anonymous, director Roland Emmerich

You know him as a destroyer of continents, from Independence Day to The Day After Tomorrow to 2012, he’s blown stuff up real good. But in Anonymous, Roland Emmerich takes on a complex drama based on fact and delivers an incredibly entertaining movie that also makes you think real hard. He taped this DP/30 at The Toronto Film Festival.

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DP/30: Martha Marcy May Marlene, actors Elizabeth Olsen, John Hawkes, Sarah Paulson, and writer/director Sean Durkin

The cast and writer/director of the Sundance sensation, about to arrive via Fox Searchlight.

And here’s the same crew (add Hugh Dancy) at Sundance 10 months ago…

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DP/30: The Ides of March, actor Evan Rachel Wood

Evan Rachel Wood plays the pivotal role in George Clooney’s new film, in which she shares most of her screen time with Ryan Gosling. Is this role a career changer? The now-24-year-old actress thinks so. She explains why and looks back over her long career.

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DP/30: The Skin I Live In, actors Antonio Banderas, Elena Anaya

Almodóvar’s latest epic of passion and surprise – his kinkiest in years – stars Antonio Banderas in his sixth film with the legendary filmmaker and Elena Anaya in her second, and first lead role. The conversation is filled with insights about working with Pedro… and SPOILERS. And this is a film you don’t want spoiled. So beware of watching too soon.

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DP/30: Tree of Life, Senior Visual Effects Supervisor Dan Glass

In honor of the release of the Blu-ray/DVD of The Tree of Life, here is a new interview about the film.

You can also find TOL interviews with two of the producers and the lovely & talent Jessica Chastain.

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DP/30 @ TIFF 2011: Crazy Horse, documentarian Frederick Wiseman

The legendary documentarian set his sights on an institution of a different color… a lot of color, really… and a lot of skin, Paris’ Crazy Horse, perhaps the longest running nude review in the world. Wiseman turned up for the latest reincarnation. The film is at NY’s Film Forum this week.

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DP/30

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“Dude, I don’t like the way you talk, bro. How can you tell me that it’s going to be hard? Do you see a lot of people like you writing stories? Give me a break, bro. That’s your strength, that you’re not like us. Go out there and tell your stories. Don’t go out there and try to be like Quentin or me or anybody else. We need you. Tell me what makes you angry, why you’re arrogant, or fearful, whatever it is. Don’t hide anything. Be honest. What is that thing that bothers you and makes you distinct? Everyone’s looking for you. A Mexican point-of-view to tell a story right now? I’m telling you, everybody wants that right now. I desperately need you to tell your story in your way. You are essential.”
~ M. Night Shyamalan

“My films are always brought to life from an idea, a coincidence, or a dreamlike magic. An ephemeral moment that settles in my mind and starts to bloom. The plot slowly appears before my eyes, and there’s nothing left but to write it. I actually do use a mood board. And location scouting is essential to the realization of the film. I’m inspired by architecture — the beauty of certain neighborhoods, the mystery in odd buildings, or streets that suggest psychoanalytic theories. I only choose my actors after I write the script.”
~ Dario Argento