DP/30 Archive for October, 2011

DP/30: Anonymous, director Roland Emmerich

You know him as a destroyer of continents, from Independence Day to The Day After Tomorrow to 2012, he’s blown stuff up real good. But in Anonymous, Roland Emmerich takes on a complex drama based on fact and delivers an incredibly entertaining movie that also makes you think real hard. He taped this DP/30 at The Toronto Film Festival.

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DP/30: Martha Marcy May Marlene, actors Elizabeth Olsen, John Hawkes, Sarah Paulson, and writer/director Sean Durkin

The cast and writer/director of the Sundance sensation, about to arrive via Fox Searchlight.

And here’s the same crew (add Hugh Dancy) at Sundance 10 months ago…

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DP/30: The Ides of March, actor Evan Rachel Wood

Evan Rachel Wood plays the pivotal role in George Clooney’s new film, in which she shares most of her screen time with Ryan Gosling. Is this role a career changer? The now-24-year-old actress thinks so. She explains why and looks back over her long career.

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DP/30: The Skin I Live In, actors Antonio Banderas, Elena Anaya

Almodóvar’s latest epic of passion and surprise – his kinkiest in years – stars Antonio Banderas in his sixth film with the legendary filmmaker and Elena Anaya in her second, and first lead role. The conversation is filled with insights about working with Pedro… and SPOILERS. And this is a film you don’t want spoiled. So beware of watching too soon.

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DP/30: Tree of Life, Senior Visual Effects Supervisor Dan Glass

In honor of the release of the Blu-ray/DVD of The Tree of Life, here is a new interview about the film.

You can also find TOL interviews with two of the producers and the lovely & talent Jessica Chastain.

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DP/30 @ TIFF 2011: Crazy Horse, documentarian Frederick Wiseman

The legendary documentarian set his sights on an institution of a different color… a lot of color, really… and a lot of skin, Paris’ Crazy Horse, perhaps the longest running nude review in the world. Wiseman turned up for the latest reincarnation. The film is at NY’s Film Forum this week.

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DP/30

Quote Unquotesee all »

“Hollywood executives can rattle off the rules for getting a movie approved by Chinese censors: no sex (too unseemly); no ghosts (too spiritual). Among 10 prohibited plot elements are “disrupts the social order” and “jeopardizes social morality.” Time travel is frowned upon because of its premise that individuals can change history. U.S. filmmakers sometimes anticipate Chinese censors and alter movies before their release. The Oscar-winning alien-invasion drama “Arrival” was edited to make a Chinese general appear less antagonistic before the film’s debut in China this year. For “Passengers,” the space adventure starring Chris Pratt and Jennifer Lawrence, a scene showing Mr. Pratt’s bare backside was removed, and a scene of Mr. Pratt chatting in Mandarin with a robot bartender was added.”
~ “Hollywood’s New Script”

The race stuff blew up first. The second night we aired was the first time I met my boyfriend; we were on a blind date. I had been metabolizing the criticism all week, and I made a really, really dumb joke that I’m perfectly fine to repeat now ’cause I was fuckin’ 25. I said, ‘No one would be calling me a racist if they knew how badly I wanted to fuck Drake.’ He said, ‘Don’t say that in public; that’s not going to help you.’ I just didn’t get it. I was like, ‘I have the three most annoying white friends, and I’m making a TV show about it.'”
~ Lena Dunham