DP/30 Archive for September, 2011

DP/30: Melancholia, actors Alexander Skarsgard, Kiefer Sutherland

Lars von Trier’s Melancholia is rolling on to the NY Film Festival in the next week. We chatted with two of the stars, Alexander Skarsgard and Kiefer Sutherland, about working with Lars, pushing the envelope as actors, and the film’s amazing cast.

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DP/30 @ TIFF 2011: Take Shelter, wr/dir Jeff Nichols, actors MIchael Shannon, Jessica Chastain

Jeff Nichols’ second feature, like his first, Shotgun Stories, is thrilling and challenging audiences. By his side again is Michael Shannon, who has risen from obscurity to awards bait actor. And by Mike’s side, Jessica Chastain, who has risen from obscurity to ubiquitous awards bait just this year. Meet the trio.

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DP/30 Short End: The Ides of March, actor Paul Giamatti

Paul Giamatti is the bad guy in George Clooney’s new film, The Ides of Match… or is he? Here’s an easy going chat with one of the great actors/characters of this generation.

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DP/30: God Bless America, writer/director Bobcat Goldthwait

Earlier with Bob…. after the jump….

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DP/30 @ TIFF ’11: Your Sister’s Sister

Meet the family of My Sister’s Sister. Writer/director Lynn Shelton and co-stars Mark Duplass and Emily Blunt.

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“Well, actually, of that whole group that I call the post-60s anti-authority auteurs, a lot of them came from television. Peckinpah’s the only one whose television work represents his feature work. I mean, like the only one. Mark Rydell can direct a really good episode of ‘Gunsmoke’ and Michael Ritchie can direct a really good episode of ‘The Big Valley,’ but they don’t necessarily look like The Candidate. But Peckinpah’s stuff, even the scripts he wrote that he didn’t even direct, have a Peckinpah feel – the way I think there’s a Corbucci West – suggest a Peckinpah West. That even in his random episodes that he wrote for ‘Gunsmoke’ – it’s right there.”
~ Quentin Tarantino

“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima