DP/30 Archive for September, 2011

DP/30: Melancholia, actors Alexander Skarsgard, Kiefer Sutherland

Lars von Trier’s Melancholia is rolling on to the NY Film Festival in the next week. We chatted with two of the stars, Alexander Skarsgard and Kiefer Sutherland, about working with Lars, pushing the envelope as actors, and the film’s amazing cast.

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DP/30 @ TIFF 2011: Take Shelter, wr/dir Jeff Nichols, actors MIchael Shannon, Jessica Chastain

Jeff Nichols’ second feature, like his first, Shotgun Stories, is thrilling and challenging audiences. By his side again is Michael Shannon, who has risen from obscurity to awards bait actor. And by Mike’s side, Jessica Chastain, who has risen from obscurity to ubiquitous awards bait just this year. Meet the trio.

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DP/30 Short End: The Ides of March, actor Paul Giamatti

Paul Giamatti is the bad guy in George Clooney’s new film, The Ides of Match… or is he? Here’s an easy going chat with one of the great actors/characters of this generation.

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DP/30: God Bless America, writer/director Bobcat Goldthwait

Earlier with Bob…. after the jump….

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DP/30 @ TIFF ’11: Your Sister’s Sister

Meet the family of My Sister’s Sister. Writer/director Lynn Shelton and co-stars Mark Duplass and Emily Blunt.

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DP/30

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“I went through my Twitter feed recently, muting anybody talking about politics. I’ve just had enough. My attitude is to always be encouraging, be as positive and as constructive as possible. People are too quick to form an opinion and to judge. It’s a scramble up the hill to the moral high ground isn’t it?”

“It’s quite weird going from never having been interviewed before to being interviewed 500 times. Suddenly people are writing down what you’re saying, they’re recording it and putting online. We lucked out with Down Terrace because people were really kind about it – it was a first film and low budget, we felt we’d been given the benefit of the doubt. With Kill List, I thought critically we were gonna get really fucked. But it didn’t happen. It’s a very weird film, you know. And it’s a mean film, it’s much meaner than most movies are. I watch a lot of modern horror movies and they’re scary, but they’re not mean like that.”
~ Ben Wheatley

“Let me try and be as direct as I possibly can with you on this. There was no relationship to repair. I didn’t intend for Harvey to buy and release The Immigrant – I thought it was a terrible idea. And I didn’t think he would want the film, and I didn’t think he would like the film. He bought the film without me knowing! He bought it from the equity people who raised the money for me in the States. And I told them it was a terrible idea, but I had no say over the matter. So they sold it to him without my say-so, and with me thinking it was a terrible idea. I was completely correct, but I couldn’t do anything about it. It was not my preference, it was not my choice, I did not want that to happen, I have no relationship with Harvey. So, it’s not like I repaired some relationship, then he screwed me again, and I’m an idiot for trusting him twice! Like I say, you try to distance yourself as much as possible from the immediate response to a movie. With The Immigrant I had final cut. So he knew he couldn’t make me change it. But he applied all the pressure he could, including shelving the film.”
James Gray