DP/30 Archive for September, 2011

DP/30: Melancholia, actors Alexander Skarsgard, Kiefer Sutherland

Lars von Trier’s Melancholia is rolling on to the NY Film Festival in the next week. We chatted with two of the stars, Alexander Skarsgard and Kiefer Sutherland, about working with Lars, pushing the envelope as actors, and the film’s amazing cast.

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DP/30 @ TIFF 2011: Take Shelter, wr/dir Jeff Nichols, actors MIchael Shannon, Jessica Chastain

Jeff Nichols’ second feature, like his first, Shotgun Stories, is thrilling and challenging audiences. By his side again is Michael Shannon, who has risen from obscurity to awards bait actor. And by Mike’s side, Jessica Chastain, who has risen from obscurity to ubiquitous awards bait just this year. Meet the trio.

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DP/30 Short End: The Ides of March, actor Paul Giamatti

Paul Giamatti is the bad guy in George Clooney’s new film, The Ides of Match… or is he? Here’s an easy going chat with one of the great actors/characters of this generation.

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DP/30: God Bless America, writer/director Bobcat Goldthwait

Earlier with Bob…. after the jump….

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DP/30 @ TIFF ’11: Your Sister’s Sister

Meet the family of My Sister’s Sister. Writer/director Lynn Shelton and co-stars Mark Duplass and Emily Blunt.

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DP/30

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“Ten years ago at Telluride, I said on a panel that theatrical distribution was dying. It seemed obvious to me. I was surprised how many in the audience violently objected: ‘People will always want to go to the movies!’ That’s true, but it’s also true that theatrical cinema as we once knew it has died. Theatrical cinema is now Event Cinema, just as theatrical plays and musical performances are Events. No one just goes to a movie. It’s a planned occasion. Four types of Event Cinema remain.
1. Spectacle (IMAX-style blockbusters)
2. Family (cartoon like features)
3. Horror (teen-driven), and
4. Film Club (formerly arthouse but now anything serious).

There are isolated pockets like black cinema, romcom, girl’s-night-out, seniors, teen gross-outs, but it’s primarily those four. Everything else is TV. Now I have to go back to episode five of ‘Looming Tower.'”
~ Paul Schrader

“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch