DP/30 Archive for February, 2011

DP/30 Industry Legends: editor Michael Kahn

mp3 of the conversation

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DP/30: The Social Network, editors Angus Wall, Kirk Baxter

mp3 of the conversation

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DP/30: Unstoppable, sound editor Mark P. Stoeckinger

The Oscar nominee talks about the film and his work.

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DP/30: Salt, sound mixer Greg Russell

The Oscar nominee talks about the film and his work.

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In A Better World, co-writer/director Susanne Bier

The Oscar nominated foreign film, In A Better World, is Susanne Bier’s second trip to the Academy Awards and already won her the Golden Globe.

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DP/30 @ Sundance: Reagan, Eugene Jarecki

Being released just in time for Ronald Reagan’s 100th birthday, political documentarian Eugene Jarecki (The Trials Of Henry Kissinger/Why We Fight) delivers a powerful film covering the life, politics, and ideas of Ronald Reagan. We talked about the work at Sundance.

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DP/30 @ Sundance: Being Elmo, director Constance Marks

The remarkable story of Kevin Clash’s passionate dream come true, brought to the screen by director Constance Marks.

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DP/30

Quote Unquotesee all »

“Dude, I don’t like the way you talk, bro. How can you tell me that it’s going to be hard? Do you see a lot of people like you writing stories? Give me a break, bro. That’s your strength, that you’re not like us. Go out there and tell your stories. Don’t go out there and try to be like Quentin or me or anybody else. We need you. Tell me what makes you angry, why you’re arrogant, or fearful, whatever it is. Don’t hide anything. Be honest. What is that thing that bothers you and makes you distinct? Everyone’s looking for you. A Mexican point-of-view to tell a story right now? I’m telling you, everybody wants that right now. I desperately need you to tell your story in your way. You are essential.”
~ M. Night Shyamalan

“My films are always brought to life from an idea, a coincidence, or a dreamlike magic. An ephemeral moment that settles in my mind and starts to bloom. The plot slowly appears before my eyes, and there’s nothing left but to write it. I actually do use a mood board. And location scouting is essential to the realization of the film. I’m inspired by architecture — the beauty of certain neighborhoods, the mystery in odd buildings, or streets that suggest psychoanalytic theories. I only choose my actors after I write the script.”
~ Dario Argento