DP/30 Archive for November, 2010

Love & Other Drugs, dir/co-wr Ed Zwick, co-wr/prod Marshall Herskovitz

DP/30 – They have been making TV and movies together for decades. This week, they have Anne Hathaway and Jake Gyllenhaal in the Oscar-buzzed Love & Other Drugs. They took some time to talk about the film, their work together, and the future of the industry.

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Black Swan, actor Natalie Portman

SPOILER WARNING: We discuss the ultimate scenes in the film in this conversation.

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Biutiful, director Alejandro González Iñárritu, cinematographer Rodrigo Prieto, editor Stephen Mirrione, composer Gustavo Santaolalla, executive producer Guillermo del Toro

DP/30 – Five of the people who made Biutiful come to life, led by the writer/director, sit for a long chat about the film, the process, and the future of cinema for adults.

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The Social Network, actors Jesse Eisenberg & Andrew Garfield

DP/30 – The yin and the yang of The Social Network, two young actors, Jesse Eisenberg and Andrew Garfield talk about the film, their careers, and a life in show business as they sat for a chat at the Pacific Design Center.

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Budrus, director Julia Bacha

DP/30 – The Palestinian/Israeli conflict is one of the most divisive, intense political debates in the world. Budrus brings it down to the personal.

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DP/30: Winter’s Bone, actor Jennifer Lawrence

DP/30 – Jennifer Lawrence has become about as hot a commodity as a young actress can, based primarily on her powerful performance in Debra Granik’s Winter’s Bone. The young actress spend 30 minutes chatting with David Poland and she may not be what you would expect.

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DP/30

Quote Unquotesee all »

“Yes, yes, yes. Now I am also the producer on Jean-Luc’s films, so I need to raise the money. Yes, there are two projects in preparation with the pretext of virtual reality. We are beginning with two approaches: we can either do or undo VR. Maybe we will undo it more than we do VR, because thinking about VR leads to the opposite of VR. Is there concrete imagination in virtual reality? For me, cinema is concrete imagination because it’s made with the real and uses it. VR, virtual reality, is totally the opposite of that, but it might be interesting to use this and then to destroy it. No, we’ll see, we’ll see. First, it’s just an idea of a beginning. There is a forest to cross, and we are just at the beginning of the forest. The first step is development. As they say in business, first there is development and research. We have to develop somehow an idea for the film; I won’t say a script, but to see what we can do with this system, and what we can undo with this system.”
~ Fabrice Aragno On Godard’s Next Projects

“Why put it in a box? This is the number one problem I have—by the way it’s a fair question, I’m not saying that—with this kind of festival situation is that there’s always this temptation to classify the movie immediately and if you look at it—and I’ve tried to warn my fellow jurors of this—directors and movie critics are the worst people to judge movies! Directors are always thinking, “I could do that.” Critics are always saying, “This part of the movie is like the 1947 version and this part…” And it’s like, “Fuck! Just watch the movie and try and absorb it and not compare it to some other fucking movie and put it in a box!” So I think the answer’s both and maybe neither, I don’t know. That’s for you to see and criticize me for or not.”
~ James Gray