DP/30 Archive for November, 2010

Love & Other Drugs, dir/co-wr Ed Zwick, co-wr/prod Marshall Herskovitz

DP/30 – They have been making TV and movies together for decades. This week, they have Anne Hathaway and Jake Gyllenhaal in the Oscar-buzzed Love & Other Drugs. They took some time to talk about the film, their work together, and the future of the industry.

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Black Swan, actor Natalie Portman

SPOILER WARNING: We discuss the ultimate scenes in the film in this conversation.

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Biutiful, director Alejandro González Iñárritu, cinematographer Rodrigo Prieto, editor Stephen Mirrione, composer Gustavo Santaolalla, executive producer Guillermo del Toro

DP/30 – Five of the people who made Biutiful come to life, led by the writer/director, sit for a long chat about the film, the process, and the future of cinema for adults.

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The Social Network, actors Jesse Eisenberg & Andrew Garfield

DP/30 – The yin and the yang of The Social Network, two young actors, Jesse Eisenberg and Andrew Garfield talk about the film, their careers, and a life in show business as they sat for a chat at the Pacific Design Center.

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Budrus, director Julia Bacha

DP/30 – The Palestinian/Israeli conflict is one of the most divisive, intense political debates in the world. Budrus brings it down to the personal.

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DP/30: Winter’s Bone, actor Jennifer Lawrence

DP/30 – Jennifer Lawrence has become about as hot a commodity as a young actress can, based primarily on her powerful performance in Debra Granik’s Winter’s Bone. The young actress spend 30 minutes chatting with David Poland and she may not be what you would expect.

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DP/30

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“TIFF doesn’t make attendance numbers for its Lightbox screenings publicly available, so it’s difficult to gauge exactly how many filmgoers the Lightbox is attracting (or how much money it’s bringing in). But the King Street West venue hasn’t become a significant draw for film enthusiasts. The Lightbox’s attendance has plunged – 49,000 fewer visitors last year, a drop of 27 per cent, according to figures recently reported in the Toronto Star. Its gallery space – designed to showcase the visions of cinema’s most iconic filmmakers – saw most of its exhibitions staff quietly axed this past fall. And its marketing barely escapes the Lightbox’s walls. Unless you are a TIFF member or one of the city’s most avid filmgoers, you could walk by the Lightbox and remain blissfully unaware of a single thing that goes on inside. TIFF “still has a world-class brand,” said Barry Avrich, a filmmaker and former board member, “but it’s going to take some fresh vision from retail, consumer programming and marketing experts, given how the lines have become intensely blurred when it comes to how people watch film. They will have to experiment with programming to find the right blend of function and relevance.”
~ Globe & Mail Epic On State of Toronto Int’l (paywalled)

“I’m 87 years old… I only eat so I can smoke and stay alive… The only fear I have is how long consciousness is gonna hang on after my body goes. I just hope there’s nothing. Like there was before I was born. I’m not really into religion, they’re all macrocosms of the ego. When man began to think he was a separate person with a separate soul, it created a violent situation.

“The void, the concept of nothingness, is terrifying to most people on the planet. And I get anxiety attacks myself. I know the fear of that void. You have to learn to die before you die. You give up, surrender to the void, to nothingness.

“Anybody else you’ve interviewed bring these things up? Hang on, I gotta take this call… Hey, brother. That’s great, man. Yeah, I’m being interviewed… We’re talking about nothing. I’ve got him well-steeped in nothing right now. He’s stopped asking questions.”
~ Harry Dean Stanton