DP/30 Archive for November, 2010

Love & Other Drugs, dir/co-wr Ed Zwick, co-wr/prod Marshall Herskovitz

DP/30 – They have been making TV and movies together for decades. This week, they have Anne Hathaway and Jake Gyllenhaal in the Oscar-buzzed Love & Other Drugs. They took some time to talk about the film, their work together, and the future of the industry.

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Black Swan, actor Natalie Portman

SPOILER WARNING: We discuss the ultimate scenes in the film in this conversation.

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Biutiful, director Alejandro González Iñárritu, cinematographer Rodrigo Prieto, editor Stephen Mirrione, composer Gustavo Santaolalla, executive producer Guillermo del Toro

DP/30 – Five of the people who made Biutiful come to life, led by the writer/director, sit for a long chat about the film, the process, and the future of cinema for adults.

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The Social Network, actors Jesse Eisenberg & Andrew Garfield

DP/30 – The yin and the yang of The Social Network, two young actors, Jesse Eisenberg and Andrew Garfield talk about the film, their careers, and a life in show business as they sat for a chat at the Pacific Design Center.

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Budrus, director Julia Bacha

DP/30 – The Palestinian/Israeli conflict is one of the most divisive, intense political debates in the world. Budrus brings it down to the personal.

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DP/30: Winter’s Bone, actor Jennifer Lawrence

DP/30 – Jennifer Lawrence has become about as hot a commodity as a young actress can, based primarily on her powerful performance in Debra Granik’s Winter’s Bone. The young actress spend 30 minutes chatting with David Poland and she may not be what you would expect.

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DP/30

Quote Unquotesee all »

The Atlantic: You saw that the Academy Awards recently held up your 2001 acceptance speech as the Platonic ideal of an Oscar speech. Did you have a reaction?

Soderbergh: Shock and dismay. When that popped up and people started texting me about it, I said, “Oh, it’s too bad I’m not there to tell the story of how that took place.” Well. I was not sober at the time. And I had nothing prepared because I knew I wasn’t going to win [Best Director for Traffic]. I figured Ridley, Ang or Daldry would win. So I was hitting the bar pretty hard, having a great night, feeling super-relaxed because I don’t have to get up there. So the combination of a 0.4 blood alcohol level and lack of preparation resulted in me, in my state of drunkenness crossed with adrenaline surge. I was coherent enough to know that [if I tried to thank everyone], that way lies destruction. So I went the other way. There were some people who appreciated that, and there were some people who really wanted to hear their names said, and I had to apologize to them.
~ Steven Soderbergh

 

“I have made few films in a way. I never made action films. I never made science fiction films. I never made, really, very complicated settings, because I had modest ambitions. I knew they would never trust me to have the budget to do something different, so my mind is more focused on things I know. So they were always mental adventures I wanted to approach and share. Working for cinema with no – not only no money, but also no ambition for money. I was happy and proud [to receive the honorary Oscar] because of that, that [the Academy] could understand what kind of work I have done over 60 years. I stayed faithful to the ideal of sharing emotion, impressions, and mostly because I have so much empathy for other people that I approach people who are not really spoken about. I have 65 years of work in my bag, and when I put the bag down, what comes out? It’s really the desire of finding links and relationships with different kinds of people. I never made a film about the bourgeoisie, about rich people. about nobility. My choices have been to show people that are, in a way, more common and see that each of them has something special and interesting, rare and beautiful. It’s my natural way of looking at people. I didn’t fight my instincts. And maybe that has been appreciated in the famous circle of Hollywood.“

Agnes Varda