DP/30 Archive for October, 2010

Unstoppable, director Tony Scott

DP/30 – At 66, Tony Scott is still one of the industry’s envelope-pushing visual stylists. But as you will hear in this conversation, his priorities start with story. We talk about his new film, Unstoppable, and many others from his career, including his first, The Hunger, and his fear of Deneuve & Bowie.

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DP/30: Girl With The Dragon Tattoo, actor Noomi Rapace

DP/30 – She’s one of the current IT Girls of Hollywood, scoring a supporting role in the next Sherlock Holmes film, as well as being seriously considered for the role of Ripley in the Alien prequel. How did this actress get from Stockholm to The Movie City? Spend 30 minutes with Noomi Rapace and find out…

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The King’s Speech, actor Geoffrey Rush

DP/30 – A favorite to earn his second Oscar for his work in The King’s Speech, Geoffrey Rush talks about his life, career, the film, and a little bit o’ Pirates 4 with David Poland.

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Hereafter, actor Cecile de France

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Hereafter, writer Peter Morgan

I really like Peter Morgan. I like his work, but I also find that I really like the guy. This DP/30, which goes about 40 minutes, including a dissertation by me on the state of the internet (because he asked), makes it pretty clear why. No bullshit. He talks about the film and its rough…

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Another Year, director Mike Leigh

DP/30 – The legendary director spends 30 minutes talking Another Year, his actors, why he doesn’t like to talk about his process, and his love of all kinds of movies.

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Nowhere Boy, director Sam Taylor-Wood

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Nowhere Boy, actor Aaron Johnson

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Matt Reeves, director Let Me In

DP/30 – Let Me In director Matt Reeves asks the musical question, “Why bother?” when it comes to his new film, a remake of an instant arthouse classic. And the answer may be the best ad for the film yet. That and more…

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Tamara Drewe, actors Gemma Arterton & Luke Evans

DP/30 – Tamara Drewe stars Gemma Arterton & Luke Evans chat about the film and about their ascending movie careers. (Also see Tamara Drewe’s director, Stephen Frears’s DP/30 interview here.)

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Stone, director John Curran

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DP/30

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“Because of my relative candor on Twitter regarding why I quit my day job, my DMs have overflowed with similar stories from colleagues around the globe. These peeks behind the curtains of film festivals, venues, distributors and funding bodies weren’t pretty. Certain dismal patterns recurred (and resonated): Boards who don’t engage with or even understand their organization’s artistic mission and are insensitive to the diverse neighborhood in which their organization’s venue is located; incompetent founders and/or presidents who create only obstacles, never solutions; unduly empowered, Trumpian bean counters who chip away at the taste and experiences that make organizations’ cultural offerings special; expensive PR teams that don’t bring to the table a bare-minimum familiarity with the rich subcultural art form they’re half-heartedly peddling as “product”; nonprofit arts organizations for whom art now ranks as a distant-second goal behind profit.”
~ Eric Allen Hatch

To me, Hunter S. Thompson was a hero. His early books were great, but in many ways, his life and career post–Fear and Loathing on the Campaign Trail is a cautionary tale for authors. People expected him to be high and drunk all the time and play that persona, and he stuck with that to the end, and I don’t think it was good for him. I always sort of feel mixed emotions when I hear that people went and hung out with Hunter and how great it was to get high with Hunter. The fact is the guy was having difficulty doing any sustained writing at all for years probably because so many quote, unquote, “friends” wanted to get high with him … There was a badly disappointed romantic there. I mean, that great line, “This is where the wave broke, the tide rolled back … ” This was a guy that was hurt and disappointed and very bitter about things, and it made his writing beautiful, and also with that came a lot of pain.
~ Anthony Bourdain