MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: Poltergeist / When Marnie Was There

One thing you can say in favor of the latest Poltergeist is that at least nobody in it gets tortured, hideously maimed, eviscerated, eaten, or chopped to screaming bits. Children may take their parents to this picture, without fear of nightmares.

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Wilmington on Movies: Tomorrowland

Watching Tomorrowlan—a great big film hunk of love and optimism and confusion from the Walt Disney Studio—you sometimes get the idea that director-writer Brad Bird and company are trying not just to create a new movie but maybe to found a new movement; Dianetics for Disneyphiles, or Pessimists Anonymous or Worldmakers. (Just kidding.)

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Wilmington on Movies: Pitch Perfect 2 / Pitch Perfect

Any movie sequel that starts out by having its costar moon the President of the United States and the First Lady at Lincoln Center obviously doesn’t suffer from a lack of self-confidence.

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Wilmington on Movies: Mad Max: Fury Road

Head-banging, car-crashing action movies with minimal dialogue and maximum carnage may make a lot of money, but they’ve also gotten (deservedly) a bad odor for some film-lovers, including, sometimes, me

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Wilmington On Movies: Maggie

Maggie (Two and a Half Stars) U.S.: Henry Hobson, 2015 Arnold Schwarzenegger hasn’t made many movies you could describe as art films, and that may be one of the reasons his new picture, Maggie, seems like such an anomaly. It’s at least half of an art film — an attempt at a sensitive genre piece that‘s…

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Wilmington on Movies: Hot Pursuit

Reese Witherspoon and Sofia Vergera play two gals on the run in South Texas in the new movie Hot Pursuit: Reese is a diminutive fussbudget blonde by-the-book cop named Cooper and Sofia is a statuesque sexpot drug cartel wife named Daniella Riva. And they’re so much better than the movie itself that you wonder if the two costars might be deliberately outshining their own vehicle. Watching this nitwit show (as Todd McCarthy accurately described it), I wouldn’t put it past them.

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Wilmington on Movies: Welcome to Me

Welcome to Me suffers from personality disorder too: an inability to tell all these potentially funny jokes with the joyous buffoonery that would make them ignite on screen—say, to explode with some of the wild devilish relish that an old-fashioned make-‘em-laugh comedian like Red Skelton put into his classic media satire: the ‘40s mock radio commercial for “Guzzler’s Gin.” (“Smooth! Smooth!”)

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Wilmington on Movies: Avengers: Age of Ultron

What should I say about Avengers: Age of Ultron? Is it too much of a good thing? Maybe. But consider the possibilities that stretched before it, as well as all the doors that were already closed when all the deals were struck.

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Wilmington

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Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Rory on: Wilmington on Movies: Snow White and the Huntsman

Andrew Coyle on: Wilmington On Movies: Paterson

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

Quote Unquotesee all »

“I always thought that once I had lived in Chicago for a while, it would be interesting to do a portrait of the city – but to do it at a significant time. Figuring out when would be the ideal time to do that was the trick. So when this election came around, coupled with the Laquan McDonald trial, it seemed like the ideal time to do the story. Having lived in Chicagoland for thirty-five-plus years and done a number of films here, I’ve always been struck by the vibrancy of the city and its toughness. Its tenderness too. I’ve always been interested in the people at the center of all the stories. This is a different film in that regard, because we’re not following a couple of individuals over the course of the project in the way that a lot of the films I’ve done have, but I still feel like people’s voices and aspirations and hopes are at the center of this series.

It wasn’t easy. We started back in July 2018, it was actually on the Fourth of July – that was our first shoot. It’s like most documentaries in that the further you go along the more involved and obsessed you get, and you just start shooting more and more and more. We threw ourselves into this crazy year in Chicago. We got up every day and tried to figure out if we should be out shooting or not, and what it is we should shoot. We were trying to balance following this massive political story of the mayor’s race and these significant moments like the Laquan McDonald trial with taking the pulse of people in the city that we encounter along the way and getting a sense of their lives and what it means to live here. By election day, Zak Piper, our producer, had something like six cameras out in the field. You could double-check that, it might have been seven. We had this organized team effort to hit all the candidates as they were voting, if they hadn’t already voted. We hit tons of polling places, were at the Board of Elections and then were at the parties for the candidates that we had been able to follow closely. Then of course, we were trying to make sure we were at the parties of the candidates who made it to the runoff. So, yeah, it was kind of a monster.”
~ Steve James On City So Real

“I really want to see The Irishman. I’ve heard it’s big brother Martin Scorsese’s masterpiece. But I really can’t find the time. The promotion schedule is so tight, there’s no opportunity to see a three and a half-hour movie. But I really want to see it. In 2017, right before Okja’s New York premiere, I had the chance to go to Scorsese’s office, which is in the DGA building. There’s a lovely screening room there, too, with film prints that he’s collected. I talked to him for about an hour. There’s no movie he hasn’t seen, even Korean films. We talked about what he’s seen and his past work. It was a glorious day. I’ve loved his work since I was in college. Who doesn’t? Anyone involved with movies must feel the same way.”
~ Bong Joon-ho