MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: The Salvation

The movie Western is a durable genre that has sometimes fallen on hard times. But that genre gets a powerful reworking from a couple of knowledgeable foreigners—not-so-gloomy Danes Kristian Levring (director-writer) and co-screenwriter Anders Thomas Jensen—in the Go-Eastwood-Young-Man revenge shocker The Salvation.

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Wilmington on Movies: Run All Night

Why doesn’t Liam Neeson make movies today like Schindler’s List or Michael Collins?

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Wilmington on Movies: Fifty Shades of Grey

FIFTY SHADES OF GREY (Two Stars) U.S.: Sam Taylor-Johnson, 2015 Based on the wildly popular bestseller by E. L. James, Fifty Shades of Grey takes what sometimes seems a teenager’s view of S&M, and turns it into erotic kitsch for so-called grownups. The movie, co-written and co-produced by James, asks us to play voyeur to a…

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“Let me put this bluntly, in language even a busy blogger can understand: Criticism — and its humble cousin, reviewing — is not a democratic activity. It is, or should be, an elite enterprise, ideally undertaken by individuals who bring something to the party beyond their hasty, instinctive opinions of a book (or any other cultural object). It is work that requires disciplined taste, historical and theoretical knowledge and a fairly deep sense of the author’s (or filmmaker’s or painter’s) entire body of work, among other qualities.”
~ Richard Schickel

“When Barry Jenkins introduced Moonlight, he said he hoped we see ourselves in the characters. We’re thrown into neighborhood combat with 10-year-old Chiron in Miami’s Liberty City where the empty lots, abandoned buildings, sidewalks — the shortcuts and escape routes — are his total known world. We intake vividly, like a 10-year-old, the cruel, the generous, the strangeness of others, the crack-addled neglect in a home he can’t escape. Jenkins’ characters’ lives move on, get stunted, are dulled to stupefaction, end tragically, end in separation. Moonlight is Chiron’s world. It’s the current lower-middle class, working class, disenfranchised- and-alienated-class world. Intimacy is Jenkins’ accomplishment. But, what we’re intimate with is another consciousness so totally and truthfully created, that we’re looking outward and inward simultaneously. That’s why Jenkins’ work is profound. Chiron is us and we are him, asking ourselves, ‘Who am I? Where do I fit?'”
~ Michael Mann On Moonlight