MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: The Wind Rises

Miyazaki‘s The Wind Rises. A lovely name. A lovely film. A poem to flight, as soaring and lyrical as those of the sometimes heart-piercing French writer-artist-pilot Antoine de St. Exupery.

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Wilmington on Movies: Winter’s Tale

Any time you see a movie based on a hugely popular, critically-hosannaed, densely-populated epic romance novel like Mark Helprin‘s Winter‘s Tale—a prestige movie about endless, undying love boasting such first-class actors as Colin Farrell, Russell Crowe, Jessica Brown Findlay, William Hurt and Eva Marie Saint—and the picture gets stolen by a flying horse, you know the show is in some kind of trouble.

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Wilmington on Movies: Endless Love

  ENDLESS LOVE (One and a Half Stars) U.S. Shana Feste, 2013 Endlessly, undyingly…No, we’ve already done that one. Still, if your appetite for  a Valentine’s Weekend of unfettered romance and unashamed date movies hasn‘t been satiated by Winter‘s Tale or About Last Night, you can always dive in to the endless malarkey of another…

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Wilmington on Movies: Like Father, Like Son

Here is a beautiful film, whichever way you look at it.

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Wilmington on Movies: The Monuments Men

George Clooney’s The Monuments Men, which is pretty good, but not as good as it should have been, is based on a fascinating historical episode, unknown to me (and to many others, I’m sure), that makes for one of the most inspiring stories of World War II.

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Wilmington on Movies: Labor Day

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Wilmington

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Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Rory on: Wilmington on Movies: Snow White and the Huntsman

Andrew Coyle on: Wilmington On Movies: Paterson

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

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“The thought is interrupted by an odd interlude. We are speaking in the side room of Casita, a swish and fairly busy Italian bistro in Aoyama – a district of Tokyo usually so replete with celebrities that they spark minimal fuss. Kojima’s fame, however, exceeds normal limits and adoring staff have worked out who their guest is. He stops mid-sentence and points up towards the speakers, delighted. The soft jazz that had been playing discreetly across the restaurant’s dark, hardwood interior has suddenly been replaced with the theme music from some of Kojima’s hit games. Harry Gregson-Williams’ music is sublime in its context but ‘Metal Gear Solid 4: Guns of the Patriots’ is not, Kojima acknowledges, terribly restauranty. He pauses, adjusting a pair of large, blue-framed glasses of his own design, and returns to the way in which games have not only influenced films, but have also changed the way in which people watch them. “There are stories being told [in cinema] that my generation may find surprising but which the gamer generation doesn’t find weird at all,” he says.
~ Hideo Kojima

“They’re still talking about the ‘cathedral of cinema,’ the ‘communal experience,’ blah blah. The experiences I’ve had recently in the theatre have not been good. There’s commercials, noise, cellphones. I was watching Colette at the Varsity, and halfway through red flashes came up at the bottom of the frame. A woman came out and said, ‘We’re going to have to reboot, so take fifteen minutes and come back.’ Then they rebooted it from the beginning, and she had to ask the audience to tell her how far to go. You tell me, is that a great experience? I generally don’t watch movies in a cinema at all. Netflix is the future. It’s the present. But the whole paradigm of a series, binge-watching, it’s quite different. My first reaction is that it’s more novelistic, because if you have an eight-hour season, you can get into complex, intricate things. You can let it breathe and the audience expectations are such that they will let you, where before they wouldn’t have the patience. I think only the surface has been touched with experimenting with that.”
~ David Cronenberg