MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: The Wolf of Wall Street

    THE WOLF OF WALL STREET (Four Stars) U.S.: Martin Scorsese, 2013   “An idea came to me. The thing to do was to skip the heroes and heroines, to write a movie containing only villains and bawds. I would not have to tell any lies then.” —Ben Hecht, describing the genesis of his…

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Wilmington on Movies: Ride Along

    RIDE ALONG (Two Stars) U.S.: Tim Story (2014) Ride Along, which grossed over 40 million dollars in its opening  week,  is  a big, glossy, ultra-predictable  buddy cop movie in which costars Ice Cube (Boyz n the Hood) and Kevin Hart (Think Like a Man) and director Tim Story (Barbershop) pull a comedy variation,…

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Wilmington

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“Let me put this bluntly, in language even a busy blogger can understand: Criticism — and its humble cousin, reviewing — is not a democratic activity. It is, or should be, an elite enterprise, ideally undertaken by individuals who bring something to the party beyond their hasty, instinctive opinions of a book (or any other cultural object). It is work that requires disciplined taste, historical and theoretical knowledge and a fairly deep sense of the author’s (or filmmaker’s or painter’s) entire body of work, among other qualities.”
~ Richard Schickel

“When Barry Jenkins introduced Moonlight, he said he hoped we see ourselves in the characters. We’re thrown into neighborhood combat with 10-year-old Chiron in Miami’s Liberty City where the empty lots, abandoned buildings, sidewalks — the shortcuts and escape routes — are his total known world. We intake vividly, like a 10-year-old, the cruel, the generous, the strangeness of others, the crack-addled neglect in a home he can’t escape. Jenkins’ characters’ lives move on, get stunted, are dulled to stupefaction, end tragically, end in separation. Moonlight is Chiron’s world. It’s the current lower-middle class, working class, disenfranchised- and-alienated-class world. Intimacy is Jenkins’ accomplishment. But, what we’re intimate with is another consciousness so totally and truthfully created, that we’re looking outward and inward simultaneously. That’s why Jenkins’ work is profound. Chiron is us and we are him, asking ourselves, ‘Who am I? Where do I fit?'”
~ Michael Mann On Moonlight