MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: RIP Elmore Leonard; 3:10 TO YUMA

.

Read the full article »

Wilmington on Movies: Lee Daniels’ The Butler

The Butler is a stretch, and a sentimental exaggeration of course.

Read the full article »

Wilmington on Movies: Kick-Ass 2; Kick-Ass (DVD)

.

Read the full article »

Wilmington on DVDs: To the Wonder

To the Wonder is one of those pictures that either knocks you out or irritates you—or maybe does a little of both.

Read the full article »

Wilmington on DVDs: Ran; Kagemusha

Akira Kurosawa’s lavish and violent epic Ran, inspired by “King Lear,” is one of the most famous and admired of all Shakespearean films. Most aficionados rank it at or near the top of the Bard’s film canon, even though Ran dispenses with the main element that makes Shakespeare so great and imperishable, jettisoning all of the bard’s British poetry (substituting a spare Japanese translation), along with a good deal of the play’s brilliant plot and unforgettable characters.

Read the full article »

Wilmington on Movies: Elysium

We are shown a future world where things have gone to hell and are about to get worse (maybe), due to the devastating consequences of greed, violence, brutality, authoritarian government, social and racial prejudice, and the insane selfishness of that era‘s one-percenters. It’s our world, of course, taken to extremes, Philip K. Dick or Robert Heinlein style.

Read the full article »

Wilmington on Movies: We’re the Millers

The disrobing of the legendary Rachel isn’t the epic sex fantasy scene one might imagine, but just another misjudged scene in a somewhat daring but basically lousy movie comedy—a forced, crude, often senseless show about a group of misfits or outsiders (played by Jennifer Aniston, Jason Sudeikis, Emma Roberts and Will Poulter), pretending to be a typical American suburban bourgeois family (called the Millers), while smuggling dope across the border from Mexico,

Read the full article »

Wilmington on Movies: Planes

In movies, especially movies intended for kids, originality isn’t everything. Adults are sometimes another story.

Read the full article »

Wilmington on DVDs: Guys and Dolls

If there was ever a part Frank Sinatra was born to play—and sing—it was Sky Masterson, the lady-killing, dice-rolling, high-living gambler who is the main man and big shooter of the classic New York-Broadway musical (and the Hollywood movie made from it) Guys and Dolls.

Read the full article »

Wilmington on DVDs: Oblivion

Dunes out of Lawrence of Arabia, those cloud castles out of Up, those moody dreamy interiors out of Solaris: The way Oblivion looks is one of its main attractions.

Read the full article »

Wilmington on Movies: Heaven’s Gate (Director’s Cut)

The restored director’s cut of Heaven’s Gate has been released theatrically in the U.K.

Read the full article »

Wilmington on Movies: Blue Jasmine

Perhaps that’s because the performance is a kind of culmination of Allen’s attitudes toward the moneyed white culture Jasmine represents. Jasmine lives what seems a charmed life as a member of the Manhattan financial social elite whose vagaries Allen loves to have fun with — but then finds herself hurled into the chaos of the 2008 financial collapse, and turning into Woody’s version of Blanche DuBois, Tennessee Williams’ lady on the edge, wandering, desperate, talking to herself, at the end of the line.

Read the full article »

Wilmington on Movies: 2 Guns

It’s at the service of one of those stories that begins to crumble and fall apart when you start thinking about it. That’s okay if you‘re up for the ride. You can turn off your brain for most of the show, and have a fairly good time—even if, when you walk out afterwards, the story has gone up in flames.

Read the full article »

Wilmington on DVDs: Tristana; Mamma Mia! The Movie; Trance

Tristana is a masterpiece, but it’s also a grimmer, sadder, more psychologically wounding film than Belle de Jour, which was regarded as a great art film turn-on of the 1960s, during the somewhat frenzied romps of Sexual Revolution. But, if audiences thrilled to the whorehouse fear, desire and wayward beauty of Belle de Jour, what were they to make of Tristana, in which the most memorable erotic encounter occurs when a one-legged woman exposes herself to the lustful deaf-mute son of her guardian-husband’s house servant?

Read the full article »

Wilmington

awesome stuff. OK I would like to contribute as well by sharing this awesome link, that personally helped me get some amazing and easy to modify. check it out at scarab13.com. All custom premade files, many of them totally free to get. Also, check out Dow on: Wilmington on DVDs: How to Train Your Dragon, Treasure of the Sierra Madre, The Darjeeling Limited, The Films of Nikita Mikhalkov, The Hangover, The Human Centipede and more ...

cool post. OK I would like to contribute too by sharing this awesome link, that personally helped me get some amazing and easy to customize. check it out at scarab13.com. All custom templates, many of them dirt cheap or free to get. Also, check out Downlo on: Wilmington on Movies: I'm Still Here, Soul Kitchen and Bran Nue Dae

awesome post. Now I would like to contribute too by sharing this awesome link, that personally helped me get some beautiful and easy to modify. take a look at scarab13.com. All custom premade files, many of them free to get. Also, check out DownloadSoho.c on: MW on Movies: The Girl Who Kicked the Hornet's Nest, Paranormal Activity 2, and CIFF Wrap-Up

Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Rory on: Wilmington on Movies: Snow White and the Huntsman

Andrew Coyle on: Wilmington On Movies: Paterson

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

Quote Unquotesee all »

“When Bay keeps these absurd plot-gears spinning, he’s displaying his skill as a slick, professional entertainer. But then there are the images of motion—I hesitate to say, of things in motion, because it’s not clear how many things there are in the movie, instead of mere digital simulations of things. It doesn’t matter. What matters is that there’s a car chase through London, seen from the level of tires, that could have gone on for an hour, um, tirelessly. What matters is that the defenestrated Cade saves himself by leaping from drone to drone in midair like a frog skipping among lotus pads; that he and Vivian slide along the colossal, polished expanses of sharply tilting age-old fields of metal like luge Olympians. What matters is that, when this heroic duo find themselves thrust out into the void of inner space from a collapsing planet, it has a terrifyingly vast emptiness that Bay doesn’t dare hold for more than an instant lest he become the nightmare-master. What matters is that the enormous thing hurtling toward Earth is composed in a fanatical detail that would repay slow-motion viewing with near-geological patience. Bay has an authentic sense of the gigantic; beside the playful enormity of his Transformerized universe, the ostensibly heroic dimensions of Ridley Scott’s and Christopher Nolan’s massive visions seem like petulant vanities.”
~ Michael Bay Gives Richard Brody A Tingle

How do you see film evolving in this age of Netflix?

I thought the swing would be quicker and more violent. There have been two landmark moments in the history of French film. First in 1946, with the creation of the CNC under the aegis of Malraux. He saved French cinema by establishing the advance on receipts and support fund mechanisms. We’re all children of this political invention. Americans think that the State gives money to French films, but they’re wrong. Through this system, films fund themselves!

The other great turning point came by the hand of Jack Lang in the 1980s, after the creation of Canal+. While television was getting ready to become the nemesis of film, he created the decoder, and a specific broadcasting space between film and television, using new investments for film. That once again saved French film.

These political decisions are important. We’re once again facing big change. If our political masters don’t take control of the situation and new stakeholders like Netflix, Google and Amazon, we’re headed for disaster. We need to create obligations for Internet service providers. They can’t always be against film. They used to allow piracy, but now that they’ve become producers themselves, they’re starting to see things in a different light. This is a moment of transition, a strong political act needs to be put forward. And it can’t just be at national level, it has to happen at European level.

Filmmaker Cédric Klapisch