MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: The Heat

The Heat is a crude, violent, often tasteless, clichéd and outrageously foul-mouthed buddy-buddy cop comedy that also happens to be funny—sometimes screamingly funny.

Read the full article »

Wilmington on Movies: White House Down

I hate to admit this, but I sort of enjoyed White House Down. This doesn‘t mean that I‘m ready to forgive producer -director Roland Emmerich and his latest landmark-basher all their cinematic sins (among them Emmerich’s last movie raid on Washington D. C., and the White House, the 1996 Independence Day) , or that I think that moviemakers with outlandishly big budgets at their disposal should keep attacking and blowing up the White House on screen until they get it right —which may never happen until they hire Seth Rogen, Jonah Hill and James Franco for the job — or that I‘m getting soft in my old age. It’s just that White House Down, defying all my expectations, made me laugh a little.

Read the full article »

Wilmington on DVDs: The Ballad of Narayama (1958 and 1983)

The 1958 film version of The Ballad of Narayama is one of the masterpieces of Keisuke Kinoshita, a great Japanese writer-director—peer and friend of Kurosawa and Ichikawa—who, these days, sometimes seems as unfairly marginalized as his main character in Narayama: Orin, the elderly woman who will be left alone on the mountain Narayama by her children.

Read the full article »

Wilmington on DVDs: Gladiator; Hell’s Half Acre; The Incredible Burt Wonderstone

The Roman Empire falls for Russell Crowe. And Hollywood fell for his movie. Am I being too sarcastic? Well, to be finicky about it, Gladiator may not really have deserved the Best Picture Oscar.

Read the full article »

Wilmington on Movies: World War Z

A lot of the film’s quality, or at least its sometimes entertaining excess, is probably due to producer-star Brad Pitt, for whom this disaster epic was obviously a labor of zombie-love, as much as of zombie-commerce. Pitt is one actor whose good looks you tend not to hold against him. He’s a guy who, like Paul Newman and Robert Redford (two fathers of some of his performances) kids himself enough to remove what might be a taint of narcissism.

Read the full article »

Wilmington on Movies: Monsters University

That’s the problem: You can write most of it yourself, whereas you’d be hard-pressed to come up with half the humor and emotion, the twists and turns of Pixar’s Toy Story Trilogy, Wall-E, Finding Nemo, Up, and this movie‘s dazzling post-prequel Monsters Inc.

Read the full article »

Wilmington on DVDs: Things to Come

The two great Godfathers of literary science fiction were the fanciful Frenchman Jules Verne and the immensely-well-read Britisher H. G. Wells. But though both of them have been adapted endlessly for the movies, only one of them actually wrote a science-fiction screenplay, adapted from one of his own books.

Read the full article »

Wilmington on DVDs: Two Mules for Sister Sara; Of Human Bondage; Jack the Giant Slayer

Of Human Bondage is an important part of film history for several reasons. It’s director John Cromwell’s faithful, intelligent (if severely shortened) adaptation of W. Somerset Maugham’s best-selling and much-admired semi-autobiographical novel about the sad early life of a sensitive and idealistic London medical student named Philip Carey, who falls ruinously in love with a pretty, yet selfish and sadistic waitress named Mildred. The movie is a classic — not just because it’s a fine version of a powerful novel with a very moving lead performance by Leslie Howard in the Maugham-ish role of Philip—but because it’s the movie that made a star of the acrtess who played Mildred, 26-year-old Bette Davis.

Read the full article »

Wilmington on Movies: Man of Steel

Man of Steel is one of the loudest movies I’ve seen recently. Or maybe ever. In this almost constantly erupting show guns fire, buildings topple, planets explode. Watching the picture—which revives Superman for the movies on the 75th anniversary of his first appearance in Action Comics (April 1938)—I felt as if I were being continually blasted out of my seat, and it wasn’t always an enjoyable feeling. It’s got a lot going for it. It’s not a bad or indifferent movie. But it’s not a particularly good one either.

Read the full article »

Wilmington on Movies: The Bling Ring

They were a gang of four wannabe-fashionista girls, and one computer geek boy from the San Fernando Valley. Based on real life kids who were the subjects of a Vanity Fair article about their crimes, they became famous for going on joy-raids into the homes of the celebrity rich of Los Angeles-and-thereabouts, and stealing their bling: that is, their jewelry, shoes, objets d’art and fancy clothes and occasionally wads of dough the owners just leave lying around the place.

Read the full article »

Wilmington on Movies: This is the End

Just when I’d practically given up buddy-buddy movie comedy for dead, after the wipeouts of The Hangover III and The Internship, along comes This is the End, from writer-directors Seth Rogen and Evan Goldberg, to revive your faith in bad taste and arrested development.

Read the full article »

Wilmington on DVDs: Badlands

What really disturbed, and disturbs, some people about both these films are the ways that Malick and Penn make their deadly protagonists beautiful—make us like them, even get crushes on them. All four pretty miscreants—Bonnie, Clyde, Kit, Holly—are stunningly attractive, which gives them all the classic movie short-cut to sympathy, something we also see in other Bonnie and Clyde-inspired films like Gun Crazy. But they’re also almost cripplingly naïve and childlike—and that’s why we tend to like all of them, right up to the very last moments of their stories.

Read the full article »

Wilmington on DVDs: The Enforcer; Les Visiteurs du Soir; Oz, the Great and Powerful; Snitch

The Enforcer, the last movie Humphrey Bogart made for Warner Brothers, begins with one of the grimmest scenes in all of film noir. It’s night, deadly night…

Read the full article »

Wilmington on Movies: The Internship

Vince Vaughn is an actor who tends to work better with partners—Jon Favreau in Swingers, for example. Still, when it came to 2005’s Wedding Crashers, he and Owen Wilson hit the motherlode of buddy-buddy comedy. It’s one of the funnier movies of the millennium, and Vaughn and Wilson, as two swinging young lawyers who crash weddings for the goodies and the women, had sizzling early-Martin & Lewis-style chemistry. Like all comedy teams that click, they were, are, a study in contrasts. Vaughn was fast-talking; Wilson was slow. Vaughn was tall and hunky; Wilson was average and clunky. Vaughn was tart; Wilson was sweet. Vaughn was something of a cynic; Wilson was something of a romantic. We liked Wilson; we were a little leery of Vaughn.

Read the full article »

Wilmington on Movies: The Purge

What happens on Purge night? The people, including everybody but some select national leaders (of course) are unrestrained but also unprotected. They can do anything, break any law—because for those 12 hours, no police will patrol the streets or make arrests or even gather and keep evidence, no doctors will tend the injured in the hospitals, and every violation of the law, no matter how heinous, will be forgiven automatically, in advance—including armed robbery, murder, rape and green-lighting violent movies with potentially terrific ideas that wind up making no sense and indulging the violent fantasies they seem to be criticizing.

Read the full article »

Wilmington on DVDs: The Odd Couple, Warm Bodies; A Good Day to Die Hard; Identity Thief

Nervous, punctilious white collar fussbudget Felix Ungar (Jack Lemmon) and wise-cracking slob sports writer Oscar Madison (Walter Matthau) are long time poker buddies thrown together as temporary roomies in Oscar’s N.Y.C. apartment, thanks to Felix’s marital troubles. Can these two mismatched friends, with several failed (or failing) relationships between them, survive their own semi-conjugal non-bliss together? Or will they clamor for a divorce, when the magnitude of Oscar’s laissez-faire housekeeping sinks in?

Read the full article »

Wilmington on Movies: After Earth

You’ve got to feel, a little, for Will Smith and M. Night Shyamalan as you watch their misbegotten science-fiction movie After Earth—of which Will was the producer, co-star and original story writer, and his 14-tear-old son Jaden the star and which became a critical punching bag last week. It’s not a good movie, but its heart, or hearts, were in at least some of the right places.

Read the full article »

Wilmington

Quote Unquotesee all »

“On behalf of all nominees, we would like to express our unanimous and emphatic disapproval of the climate of fanaticism and nationalism we see today in the U.S. and in so many other countries, in parts of the population and, most unfortunately of all, among leading politicians.

“The fear generated by dividing us into genders, colors, religions and sexualities as a means to justify violence destroys the things that we depend on – not only as artists but as humans: the diversity of cultures, the chance to be enriched by something seemingly ‘foreign’ and the belief that human encounters can change us for the better. These divisive walls prevent people from experiencing something simple but fundamental: from discovering that we are all not so different.

“So we’ve asked ourselves: What can cinema do? Although we don`t want to overestimate the power of movies, we do believe that no other medium can offer such deep insight into other people’s circumstances and transform feelings of unfamiliarity into curiosity, empathy and compassion – even for those we have been told are our enemies.

“Regardless of who wins the Academy Award for Best Foreign Language Film on Sunday, we refuse to think in terms of borders. We believe there is no best country, best gender, best religion or best color. We want this award to stand as a symbol of the unity between nations and the freedom of the arts.

“Human rights are not something you have to apply for. They simply exist – for everybody. For this reason, we dedicate this award to all the people, artists, journalists and activists who are working to foster unity and understanding, and who uphold freedom of expression and human dignity – values whose protection is now more important than ever. By dedicating the Oscar to them, we wish to express to them our deep respect and solidarity.”

Martin Zandvliet – Land of Mine (Denmark)
Hannes Holm – A Man Called Ove (Sweden )
Asghar Farhadi – The Salesman (Iran)
Maren Ade – Toni Erdmann (Germany)
Martin Butler, Bentley Dean – Tanna (Australia)

“I don’t really believe in guilty pleasures. I like to subscribe to Susan Sontag’s thought of no highs and lows. I think dismissing popular culture and popular films can be really dangerous because they may seem innocuous, but some are works of art and even when they’re not they can say so much about the culture that they’re reflecting. This also gets into the idea of canon. What is good and isn’t good? Lately, I’ve been thinking a lot about that. Specifically, who writes these canons? Mainly, straight white guys — which basically rigs the system. So, if you have a knowledge of female filmmakers, queer filmmakers, African or Asian filmmakers, some people won’t give them the same culture capital. They’ll say, “Oh, that’s nice niche knowledge.” No, it’s not. You’re just seeing it through the prism of something white and male. Like Shonda Rhimes’ ‘Scandal.’ I love that show, but is it a guilty pleasure because it’s a soap on TV? No. I think it has incredible writing, incredible thought and characters, so we should take it seriously. That’s a long-winded answer to say, “Yes, I love Titanic.” I was 10 years old when it came out and my mom took me to see it three times. I was so obsessed with it. A big thanks to my mom who’ll never get those nine hours of her life back.”
~ Toronto Int’l Programmer and Critic Kiva Reardon