MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: The Heat

The Heat is a crude, violent, often tasteless, clichéd and outrageously foul-mouthed buddy-buddy cop comedy that also happens to be funny—sometimes screamingly funny.

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Wilmington on Movies: White House Down

I hate to admit this, but I sort of enjoyed White House Down. This doesn‘t mean that I‘m ready to forgive producer -director Roland Emmerich and his latest landmark-basher all their cinematic sins (among them Emmerich’s last movie raid on Washington D. C., and the White House, the 1996 Independence Day) , or that I think that moviemakers with outlandishly big budgets at their disposal should keep attacking and blowing up the White House on screen until they get it right —which may never happen until they hire Seth Rogen, Jonah Hill and James Franco for the job — or that I‘m getting soft in my old age. It’s just that White House Down, defying all my expectations, made me laugh a little.

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Wilmington on DVDs: The Ballad of Narayama (1958 and 1983)

The 1958 film version of The Ballad of Narayama is one of the masterpieces of Keisuke Kinoshita, a great Japanese writer-director—peer and friend of Kurosawa and Ichikawa—who, these days, sometimes seems as unfairly marginalized as his main character in Narayama: Orin, the elderly woman who will be left alone on the mountain Narayama by her children.

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Wilmington on DVDs: Gladiator; Hell’s Half Acre; The Incredible Burt Wonderstone

The Roman Empire falls for Russell Crowe. And Hollywood fell for his movie. Am I being too sarcastic? Well, to be finicky about it, Gladiator may not really have deserved the Best Picture Oscar.

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Wilmington on Movies: World War Z

A lot of the film’s quality, or at least its sometimes entertaining excess, is probably due to producer-star Brad Pitt, for whom this disaster epic was obviously a labor of zombie-love, as much as of zombie-commerce. Pitt is one actor whose good looks you tend not to hold against him. He’s a guy who, like Paul Newman and Robert Redford (two fathers of some of his performances) kids himself enough to remove what might be a taint of narcissism.

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Wilmington on Movies: Monsters University

That’s the problem: You can write most of it yourself, whereas you’d be hard-pressed to come up with half the humor and emotion, the twists and turns of Pixar’s Toy Story Trilogy, Wall-E, Finding Nemo, Up, and this movie‘s dazzling post-prequel Monsters Inc.

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Wilmington on DVDs: Things to Come

The two great Godfathers of literary science fiction were the fanciful Frenchman Jules Verne and the immensely-well-read Britisher H. G. Wells. But though both of them have been adapted endlessly for the movies, only one of them actually wrote a science-fiction screenplay, adapted from one of his own books.

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Wilmington on DVDs: Two Mules for Sister Sara; Of Human Bondage; Jack the Giant Slayer

Of Human Bondage is an important part of film history for several reasons. It’s director John Cromwell’s faithful, intelligent (if severely shortened) adaptation of W. Somerset Maugham’s best-selling and much-admired semi-autobiographical novel about the sad early life of a sensitive and idealistic London medical student named Philip Carey, who falls ruinously in love with a pretty, yet selfish and sadistic waitress named Mildred. The movie is a classic — not just because it’s a fine version of a powerful novel with a very moving lead performance by Leslie Howard in the Maugham-ish role of Philip—but because it’s the movie that made a star of the acrtess who played Mildred, 26-year-old Bette Davis.

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Wilmington on Movies: Man of Steel

Man of Steel is one of the loudest movies I’ve seen recently. Or maybe ever. In this almost constantly erupting show guns fire, buildings topple, planets explode. Watching the picture—which revives Superman for the movies on the 75th anniversary of his first appearance in Action Comics (April 1938)—I felt as if I were being continually blasted out of my seat, and it wasn’t always an enjoyable feeling. It’s got a lot going for it. It’s not a bad or indifferent movie. But it’s not a particularly good one either.

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Wilmington on Movies: The Bling Ring

They were a gang of four wannabe-fashionista girls, and one computer geek boy from the San Fernando Valley. Based on real life kids who were the subjects of a Vanity Fair article about their crimes, they became famous for going on joy-raids into the homes of the celebrity rich of Los Angeles-and-thereabouts, and stealing their bling: that is, their jewelry, shoes, objets d’art and fancy clothes and occasionally wads of dough the owners just leave lying around the place.

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Wilmington on Movies: This is the End

Just when I’d practically given up buddy-buddy movie comedy for dead, after the wipeouts of The Hangover III and The Internship, along comes This is the End, from writer-directors Seth Rogen and Evan Goldberg, to revive your faith in bad taste and arrested development.

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Wilmington on DVDs: Badlands

What really disturbed, and disturbs, some people about both these films are the ways that Malick and Penn make their deadly protagonists beautiful—make us like them, even get crushes on them. All four pretty miscreants—Bonnie, Clyde, Kit, Holly—are stunningly attractive, which gives them all the classic movie short-cut to sympathy, something we also see in other Bonnie and Clyde-inspired films like Gun Crazy. But they’re also almost cripplingly naïve and childlike—and that’s why we tend to like all of them, right up to the very last moments of their stories.

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Wilmington on DVDs: The Enforcer; Les Visiteurs du Soir; Oz, the Great and Powerful; Snitch

The Enforcer, the last movie Humphrey Bogart made for Warner Brothers, begins with one of the grimmest scenes in all of film noir. It’s night, deadly night…

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Wilmington on Movies: The Internship

Vince Vaughn is an actor who tends to work better with partners—Jon Favreau in Swingers, for example. Still, when it came to 2005’s Wedding Crashers, he and Owen Wilson hit the motherlode of buddy-buddy comedy. It’s one of the funnier movies of the millennium, and Vaughn and Wilson, as two swinging young lawyers who crash weddings for the goodies and the women, had sizzling early-Martin & Lewis-style chemistry. Like all comedy teams that click, they were, are, a study in contrasts. Vaughn was fast-talking; Wilson was slow. Vaughn was tall and hunky; Wilson was average and clunky. Vaughn was tart; Wilson was sweet. Vaughn was something of a cynic; Wilson was something of a romantic. We liked Wilson; we were a little leery of Vaughn.

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Wilmington on Movies: The Purge

What happens on Purge night? The people, including everybody but some select national leaders (of course) are unrestrained but also unprotected. They can do anything, break any law—because for those 12 hours, no police will patrol the streets or make arrests or even gather and keep evidence, no doctors will tend the injured in the hospitals, and every violation of the law, no matter how heinous, will be forgiven automatically, in advance—including armed robbery, murder, rape and green-lighting violent movies with potentially terrific ideas that wind up making no sense and indulging the violent fantasies they seem to be criticizing.

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Wilmington on DVDs: The Odd Couple, Warm Bodies; A Good Day to Die Hard; Identity Thief

Nervous, punctilious white collar fussbudget Felix Ungar (Jack Lemmon) and wise-cracking slob sports writer Oscar Madison (Walter Matthau) are long time poker buddies thrown together as temporary roomies in Oscar’s N.Y.C. apartment, thanks to Felix’s marital troubles. Can these two mismatched friends, with several failed (or failing) relationships between them, survive their own semi-conjugal non-bliss together? Or will they clamor for a divorce, when the magnitude of Oscar’s laissez-faire housekeeping sinks in?

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Wilmington on Movies: After Earth

You’ve got to feel, a little, for Will Smith and M. Night Shyamalan as you watch their misbegotten science-fiction movie After Earth—of which Will was the producer, co-star and original story writer, and his 14-tear-old son Jaden the star and which became a critical punching bag last week. It’s not a good movie, but its heart, or hearts, were in at least some of the right places.

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Wilmington

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Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Rory on: Wilmington on Movies: Snow White and the Huntsman

Andrew Coyle on: Wilmington On Movies: Paterson

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

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Dear Irene Cho, I will miss your energy and passion; your optimism and joy; your kindness towards friends, colleagues, strangers, struggling filmmakers, or anyone who randomly crossed your path and needed a hand. My brothers and I have long considered you another sibling in our family. Our holiday photos – both western and eastern – have you among all the cousins, in-laws, and kids… in the snow, sun, opening presents, at large dinner gatherings, playing Monopoly, breaking out pomegranate seeds and teaching us all how to dance Gangnam style. Your friendship and loyalty meant a great deal to me: you were the loudest cheerleader when I experienced victories and you were always ready with sushi when I had disappointments. You had endless crazy ideas which always seemed impossible but you would will them into existence. (Like that time you called me and suggested that we host a brunch for newly elected mayor of LA, Eric Garcetti because “he is going to president one day.” We didn’t have enough time or funding, of course, only your desire to do it. So you did, and I followed.) You created The Daily Buzz from nothing and it survived on your steam in spite of many setbacks because you believed in a platform for emerging filmmakers from all nations. Most of all, you were a wonderful mother to your son, Ethan, a devoted wife to your husband, and a wonderful sibling and daughter to your family. We will all miss how your wonderful smile and energy lit up the room and our lives. Rest in peace, Irene.
~ Rose Kuo Remembers Irene Cho on Facebook

“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
~ Olivier Assayas