MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: Now You See Me

This new cinematic magic show—in which four professional magicians join for a Las Vegas-style super-act that may also be a super-crime—is a movie so self-consciously clever, so intent on surprising the hell out of us, and so utterly, shamelessly, mind-numbingly preposterous that you may walk out of it feeling that your mental pockets have been picked.

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Wilmington on DVDs: Free Radicals, Side Effects

I’m not very find of abstract painting (which obviously helped inspire experimental filmmaking), so I can’t really explain my fondness for the movie avant-grade, ranging from the non-abstract surrealists Bunuel and Dali to largely non-narrative people like Hollis Frampton. to a splatter guy like Norman McLaren. Maybe I think, probably a superficial notion, that it’s too easy to fake an abstract painting, but to make an abstract film, even a bad one, you have to have at least some technical skill. Actually, you can fake a film too, or a film review. Maybe I‘m just still mad that my mother Edna, who was a brilliant realist artist, was treated like crap by the pretentious abstract artist/educators of her college and day.

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Wilmington on Movies: The Hangover Part III

Movies, like people, can sometimes display disastrous judgment. But hey, it’s a movie. Who gives a shit?

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Wilmington on Movies: Fast and Furious 6

If you’re looking for a slam-bang movie full of spectacular car chases and mindbending action, Fast & Furious 6—the latest installment in the tire-burning, dumbfounding Fast & Furious series—is obviously your pedal-to-the-metal hot ticket. It‘s the kind of movie where the only logical (or illogical) response from longtime fans may be ‘”Wowie,“ “yowie“ or “zowie.” But if you’re looking for a movie that makes a lick of sense, or has a line of dialogue worth repeating, or a character or situation that isn’t either a howling cliché or a howling absurdity—take your pick—you’ve come to the wrong pit stop.

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Wilmington on DVDs: Jubal, 3:10 to Yuma, Safe Haven, Parker

    Jubal (Also Blu-ray) (Three Stars) U.S.: Delmer Daves, 1956 (Criterion Collection) My grandma Marie Tulane, who was born in Sweden and died in Wisconsin, often said she liked Westerns because the scenery was so beautiful. I think she would have liked Delmer Daves’ 1956 Jubal, starring Glenn Ford, Ernest Borgnine and Rod Steiger…

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Wilmington on DVDs: Mrs. Miniver

Mrs. Miniver will probably never again look as good, or as inspiring, as it did in 1942, when it helped solidify the Anglo-American wartime bond. It’s a typically polished Wyler production, with pristine-looking black-and white cinematography by ace Joseph Ruttenberg.

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Wilmington on Movies: The Iceman

I tell you, Michael Shannon looks at you, or he looks at the camera, whatever, and the cold sweat just shoots right through you. I bet it spooks you almost as much as if you saw the real-life Iceman guy, the real Richie, ready to ice somebody

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Wilmington on Movies: Star Trek Into Darkness

In many ways, it’s a relief watching this picture. After a decade of Patrick Stewart and company, and then more than a decade of franchise silence, 2009’s Star Trek ingeniously brought the original seven Enterprise crew members back together—in the process, demonstrating a flair for matching the new younger actors playing the old characters with our memories of the original crew—and, as it turns out here, some others memories as well.

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Wilmington on DVDs: The Life and Death of Colonel Blimp

There are three Deborah Kerrs in Michael Powell & Emeric Pressburger’s strange and wonderful British war epic, The Life and Death of Colonel Blimp, and like many young male moviegoers, I fell in love with all of them the first time I saw the movie.

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Wilmington on DVDs: Starlet; Cloud Atlas

CO-PICKS OF THE WEEK: NEW — STARLET  (Three Stars) U.S.: Sean Baker, 2013 (Music Box) There’s ’at least one redeeming thing about the movies. Sometimes, they don’t really need hundreds of millions of dollars worth of superstars and special affects and expensive stuff to engage and move us.  Sometimes pretty much all they have to…

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Wilmington on Movies: Sightseers

Maybe I’m getting cranky, but I found very little to laugh at in the alleged black British comedy, Sightseers — a terminally nasty love-on-the-run thriller in which a couple of strangely ordinary-looking British misfits named Chris and Tina take a caravan trip though the North, a vacation that eventually turns into a murder spree.

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Wilmington on Movies: The Great Gatsby

Ignore the bashers. Baz Luhrmann’s often dazzling, sometimes excessive, frequently fascinating film of novelist F. Scott Fitzgerald’s Jazz Age masterpiece, The Great Gatsby—a movie that has been trashed by a number of critics—is not only not a disaster. It’s one of the best movies of the still-young year.

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Wilmington on DVDs: Strictly Ballroom; Cloak and Dagger; The Guilt Trip; Mama

Strictly Ballroom, Cloak and Dagger, The Guilt Trip and Mama.

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Wilmington on DVDs: Silver Linings Playbook

Silver Linings Playbook is the strange name for what seems a sort of semi-screwball comedy for the new millennium: a smart and amusing movie felicitously co-starring Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jackie Weaver, Julia Stiles, and Chris Tucker in roles meatier than we expect and played probably as well as they could be, with great big dollops of joyous spontaneity, live-wire energy, bristling wit and just a touch of darkness.

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Wilmington on Movies: Pain and Gain

Pain & Gain is Michael Bay’s new picture, and, for him it‘s a departure. It’s a big, bright, violent movie, but it’s derived from fact this time, (or at least from allegedly factual newspaper articles).

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Wilmington on Movies: Iron Man Three

Iron Man Three may well be the last of the Iron Man series, but frankly, I was getting tired of those robo-duds by the end of the second (worst) one.

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Wilmington on Movies: The TCM Classic Film Festival

If you love movies… For just a moment or two, the TCM Classic Film Festival can turn you into a 12-year-old again. A 12-year-old on movie day.

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Wilmington

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Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Rory on: Wilmington on Movies: Snow White and the Huntsman

Andrew Coyle on: Wilmington On Movies: Paterson

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

Quote Unquotesee all »

Dear Irene Cho, I will miss your energy and passion; your optimism and joy; your kindness towards friends, colleagues, strangers, struggling filmmakers, or anyone who randomly crossed your path and needed a hand. My brothers and I have long considered you another sibling in our family. Our holiday photos – both western and eastern – have you among all the cousins, in-laws, and kids… in the snow, sun, opening presents, at large dinner gatherings, playing Monopoly, breaking out pomegranate seeds and teaching us all how to dance Gangnam style. Your friendship and loyalty meant a great deal to me: you were the loudest cheerleader when I experienced victories and you were always ready with sushi when I had disappointments. You had endless crazy ideas which always seemed impossible but you would will them into existence. (Like that time you called me and suggested that we host a brunch for newly elected mayor of LA, Eric Garcetti because “he is going to president one day.” We didn’t have enough time or funding, of course, only your desire to do it. So you did, and I followed.) You created The Daily Buzz from nothing and it survived on your steam in spite of many setbacks because you believed in a platform for emerging filmmakers from all nations. Most of all, you were a wonderful mother to your son, Ethan, a devoted wife to your husband, and a wonderful sibling and daughter to your family. We will all miss how your wonderful smile and energy lit up the room and our lives. Rest in peace, Irene.
~ Rose Kuo Remembers Irene Cho on Facebook

“You know, I was never a critic. I never considered myself as a film critic. I started doing short films, writing screenplays and then for awhile, for a few years I wrote some film theory, including some film criticism because I had to, but I was never… I never had the desire to be a film critic. I never envisioned myself as a film critic, but I did that at a period of my life when I thought I kind of needed to understand things about cinema, understand things about film theory, understand the world map of cinema, and writing about movies gave me that, and also the opportunity to meet filmmakers I admired.

“To me, it was the best possible film school. The way it changed my perspective I suppose is that I believe in this connection between theory and practice. I think that you also make movies with ideas and you need to have ideas about filmmaking to achieve whatever you’re trying to achieve through your movies, but then I started making features in 1986 — a while ago — and I left all that behind.

“For the last three decades I’ve been making movies, I’ve been living, I’ve been observing the world. You become a different person, so basically my perspective on the world in general is very different and I hope that with every movie I make a step forward. I kind of hope I’m a better person, and hopefully a better filmmaker and hopefully try to… It’s very hard for me to go back to a different time when I would have different values in my relationship to filmmaking. I had a stiffer notion of cinema.”
~ Olivier Assayas