MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: Now You See Me

This new cinematic magic show—in which four professional magicians join for a Las Vegas-style super-act that may also be a super-crime—is a movie so self-consciously clever, so intent on surprising the hell out of us, and so utterly, shamelessly, mind-numbingly preposterous that you may walk out of it feeling that your mental pockets have been picked.

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Wilmington on DVDs: Free Radicals, Side Effects

I’m not very find of abstract painting (which obviously helped inspire experimental filmmaking), so I can’t really explain my fondness for the movie avant-grade, ranging from the non-abstract surrealists Bunuel and Dali to largely non-narrative people like Hollis Frampton. to a splatter guy like Norman McLaren. Maybe I think, probably a superficial notion, that it’s too easy to fake an abstract painting, but to make an abstract film, even a bad one, you have to have at least some technical skill. Actually, you can fake a film too, or a film review. Maybe I‘m just still mad that my mother Edna, who was a brilliant realist artist, was treated like crap by the pretentious abstract artist/educators of her college and day.

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Wilmington on Movies: The Hangover Part III

Movies, like people, can sometimes display disastrous judgment. But hey, it’s a movie. Who gives a shit?

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Wilmington on Movies: Fast and Furious 6

If you’re looking for a slam-bang movie full of spectacular car chases and mindbending action, Fast & Furious 6—the latest installment in the tire-burning, dumbfounding Fast & Furious series—is obviously your pedal-to-the-metal hot ticket. It‘s the kind of movie where the only logical (or illogical) response from longtime fans may be ‘”Wowie,“ “yowie“ or “zowie.” But if you’re looking for a movie that makes a lick of sense, or has a line of dialogue worth repeating, or a character or situation that isn’t either a howling cliché or a howling absurdity—take your pick—you’ve come to the wrong pit stop.

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Wilmington on DVDs: Jubal, 3:10 to Yuma, Safe Haven, Parker

    Jubal (Also Blu-ray) (Three Stars) U.S.: Delmer Daves, 1956 (Criterion Collection) My grandma Marie Tulane, who was born in Sweden and died in Wisconsin, often said she liked Westerns because the scenery was so beautiful. I think she would have liked Delmer Daves’ 1956 Jubal, starring Glenn Ford, Ernest Borgnine and Rod Steiger…

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Wilmington on DVDs: Mrs. Miniver

Mrs. Miniver will probably never again look as good, or as inspiring, as it did in 1942, when it helped solidify the Anglo-American wartime bond. It’s a typically polished Wyler production, with pristine-looking black-and white cinematography by ace Joseph Ruttenberg.

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Wilmington on Movies: The Iceman

I tell you, Michael Shannon looks at you, or he looks at the camera, whatever, and the cold sweat just shoots right through you. I bet it spooks you almost as much as if you saw the real-life Iceman guy, the real Richie, ready to ice somebody

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Wilmington on Movies: Star Trek Into Darkness

In many ways, it’s a relief watching this picture. After a decade of Patrick Stewart and company, and then more than a decade of franchise silence, 2009’s Star Trek ingeniously brought the original seven Enterprise crew members back together—in the process, demonstrating a flair for matching the new younger actors playing the old characters with our memories of the original crew—and, as it turns out here, some others memories as well.

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Wilmington on DVDs: The Life and Death of Colonel Blimp

There are three Deborah Kerrs in Michael Powell & Emeric Pressburger’s strange and wonderful British war epic, The Life and Death of Colonel Blimp, and like many young male moviegoers, I fell in love with all of them the first time I saw the movie.

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Wilmington on DVDs: Starlet; Cloud Atlas

CO-PICKS OF THE WEEK: NEW — STARLET  (Three Stars) U.S.: Sean Baker, 2013 (Music Box) There’s ’at least one redeeming thing about the movies. Sometimes, they don’t really need hundreds of millions of dollars worth of superstars and special affects and expensive stuff to engage and move us.  Sometimes pretty much all they have to…

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Wilmington on Movies: Sightseers

Maybe I’m getting cranky, but I found very little to laugh at in the alleged black British comedy, Sightseers — a terminally nasty love-on-the-run thriller in which a couple of strangely ordinary-looking British misfits named Chris and Tina take a caravan trip though the North, a vacation that eventually turns into a murder spree.

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Wilmington on Movies: The Great Gatsby

Ignore the bashers. Baz Luhrmann’s often dazzling, sometimes excessive, frequently fascinating film of novelist F. Scott Fitzgerald’s Jazz Age masterpiece, The Great Gatsby—a movie that has been trashed by a number of critics—is not only not a disaster. It’s one of the best movies of the still-young year.

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Wilmington on DVDs: Strictly Ballroom; Cloak and Dagger; The Guilt Trip; Mama

Strictly Ballroom, Cloak and Dagger, The Guilt Trip and Mama.

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Wilmington on DVDs: Silver Linings Playbook

Silver Linings Playbook is the strange name for what seems a sort of semi-screwball comedy for the new millennium: a smart and amusing movie felicitously co-starring Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jackie Weaver, Julia Stiles, and Chris Tucker in roles meatier than we expect and played probably as well as they could be, with great big dollops of joyous spontaneity, live-wire energy, bristling wit and just a touch of darkness.

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Wilmington on Movies: Pain and Gain

Pain & Gain is Michael Bay’s new picture, and, for him it‘s a departure. It’s a big, bright, violent movie, but it’s derived from fact this time, (or at least from allegedly factual newspaper articles).

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Wilmington on Movies: Iron Man Three

Iron Man Three may well be the last of the Iron Man series, but frankly, I was getting tired of those robo-duds by the end of the second (worst) one.

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Wilmington on Movies: The TCM Classic Film Festival

If you love movies… For just a moment or two, the TCM Classic Film Festival can turn you into a 12-year-old again. A 12-year-old on movie day.

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Wilmington

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Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Rory on: Wilmington on Movies: Snow White and the Huntsman

Andrew Coyle on: Wilmington On Movies: Paterson

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

Quote Unquotesee all »

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant