MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: The Place Beyond the Pines

The Place Beyond the Pines. Nice title. Pretty good crime movie. Wish it had been better. Anyway…

Read the full article »

Wilmington on Movies: G. I. Joe: Retaliation

… … …

Read the full article »

Wilmington on DVDs: Ramrod, Killing Them Softly

Andre de Toth, a second-row master of the Western (Springfield Rifle), the war movie (Play Dirty), and the film noir (Pitfall, Crime Wave), directed this interesting example of the post-Stagecoach 1940s “adult Western.”

Read the full article »

Wilmington on Movies: Emperor

I’m in favor of making films like this one, but I’m not in favor of making them like this—floating along in a sea of romantic clichés, interrupted by pastiches of history.

Read the full article »

Wilmington on Movies: The Croods

It’s a millennium-old clash. Grug lies to cuddle up to a nice warm rock after an evening of watching cave drawings. But Eep believes there’s a great big wonderful non-Neanderthal world out there, and she doesn’t want to spend so much of her life huddling in the cave while the sun sets, and listening to Grug’s cautionary bed-time tales about how you should never not be afraid.

Read the full article »

Wilmington on Movies: Olympus Has Fallen

Olympus Has Fallen is a political thriller—about North Korean terrorists taking over the White House and holding the president hostage—that’s so dopey and wildly implausible and humorlesly absurd it almost leaves you feeling mugged.

Read the full article »

Wilmington on DVDs: Heaven’s Gate

It’s past time to resuscitate the reputation of Michael Cimino’s Heaven’s Gate. Remember how they shot it down? It was known after its release (before its release too, actually) as Cimino’s Folly, Cimino’s Trainwreck, the out-of-control, over-expensive epic that all but bankrupted United Artists and made a laughingstock out of its Oscar-winning filmmaker.

Read the full article »

Wilmington on DVDs: The Hobbit: An Unexpected Journey

You read the words and they bathe you in smiles, echo in your imagination — as they probably did when J.R.R. Tolkien first conjured up, as a bedtime story, the land of Hobbits and Bag’s End and Middle-earth’s mountains and the dragons and elves and, of course, that precious ring, all in his great fantasy story, “The Hobbit, or There and Back Again”the saga with which he enraptured his home audience as he began to weave it, all those decades ago, back in the 1930s.

Read the full article »

Wilmington on DVDs: Ministry of Fear; It’s In the Bag!;Sholem Aleichem: Laughing in the Darkness

l   MINISTRY OF FEAR (Three Stars)  U.S.: Fritz Lang, 1944 (Criterion Collection) Graham Greene called them “entertainments.” That was the slightly ironic moniker he gave to those of his novels in the ’30s, ’40s and ’50s (usually spy or crime thrillers) that were written with a more populist eye and intended less seriously than the…

Read the full article »

Wilmington on Movies: Spring Breakers

I may have had some problems with Franco‘s Oz. (Millions didn‘t), But his Alien, a guy with metal teeth who calls his bed an art piece and plays piano and AK47s, is so damned good—a triumph of charismatic dopiness and rebel posturing—that it single-handedly hauls the movie up a star or two. But who needs stars? Who needs critics?

Read the full article »

Wilmington on Movies: The Incredible Burt Wonderstone

They may call Steve Carell ” The Incredible Burt Wonderstone,” the title character in his new movie, but he‘s really part of a team, like Dean Martin or Jerry Lewis. Carell and Steve Buscemi play a pair of fancy pants superstar Las Vegas magicians in this mostly misfiring comedy—roles that should have been slices of cake for both of them, but wind up looking and playing like Will Ferrell and Zach Galifianakis leftovers.

Read the full article »

Wilmington on DVD: The Blob; Hitchcock; Rise of the Guardians

Back in 1960, about 40 minutes into Alfred Hitchcock’s new movie Psycho, co-star Janet Leigh flushed the toilet, took off her towel and stepped into the shower in Room Number One of the Bates Motel—and the movies changed forever.

Read the full article »

Wilmington On Movies: Oz The Great And Powerful

You clutter up the landscape with Munchkins and Winkies and more flying monkeys and colors vaguely reminiscent of Lucy in the Sky with Diamonds turned into a video game.

Read the full article »

Police; The Twilight Saga: Breaking Dawn — Part 2; Red Dawn; The Lincoln Lawyer

    POLICE (Three and a Half Stars) France:  Maurice Pialat, 1985 (Olive) i Louis Magnin is a brash tough French cop, or flic — played by the brash, tough, earthy  and likably thuggish French movie superstar Gerard Depardieu. Simon is a somewhat slimy-looking Tunisian-French drug trafficker, played by Jonathan Leina. For about ten minutes, in just…

Read the full article »

Wilmington on Movies: Jack the Giant Slayer

The movie’s budget does give us a hellishly exciting, physically sumptuous movie spectacle. But it doesn’t give us a hero and heroine who are interesting, at least here, for any other reasons than their extraordinary good looks and the fact that they were hired as the leads for a movie that cost $190 million.

Read the full article »

Wilmington on DVDs: Holy Motors; Chasing Mavericks

    HOLY MOTORS (Three and a Half Stars) France: Leos Carax, 2012 (Indomina) Holy Motors is a film of shadows and false faces, of traveling players. of humans and machines, of mirrors  and makeup.  Behind this bizarre picture  — a  quitessentially French, perverse and quite entertaining new film by longtime “bad boy” Leos Carax…

Read the full article »

Wilmington on DVDs: Macbeth

William Shakespeare, like many another astonishing genius, including the young Orson Welles, was universal in his gifts. He could break your heart, make you laugh, make you think, and chill you to the absolute, desolate bone — never more so than in his terrifying masterpiece “Macbeth.“

Read the full article »

Wilmington

awesome stuff. OK I would like to contribute as well by sharing this awesome link, that personally helped me get some amazing and easy to modify. check it out at scarab13.com. All custom premade files, many of them totally free to get. Also, check out Dow on: Wilmington on DVDs: How to Train Your Dragon, Treasure of the Sierra Madre, The Darjeeling Limited, The Films of Nikita Mikhalkov, The Hangover, The Human Centipede and more ...

cool post. OK I would like to contribute too by sharing this awesome link, that personally helped me get some amazing and easy to customize. check it out at scarab13.com. All custom templates, many of them dirt cheap or free to get. Also, check out Downlo on: Wilmington on Movies: I'm Still Here, Soul Kitchen and Bran Nue Dae

awesome post. Now I would like to contribute too by sharing this awesome link, that personally helped me get some beautiful and easy to modify. take a look at scarab13.com. All custom premade files, many of them free to get. Also, check out DownloadSoho.c on: MW on Movies: The Girl Who Kicked the Hornet's Nest, Paranormal Activity 2, and CIFF Wrap-Up

Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Rory on: Wilmington on Movies: Snow White and the Huntsman

Andrew Coyle on: Wilmington On Movies: Paterson

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

Quote Unquotesee all »

“When Bay keeps these absurd plot-gears spinning, he’s displaying his skill as a slick, professional entertainer. But then there are the images of motion—I hesitate to say, of things in motion, because it’s not clear how many things there are in the movie, instead of mere digital simulations of things. It doesn’t matter. What matters is that there’s a car chase through London, seen from the level of tires, that could have gone on for an hour, um, tirelessly. What matters is that the defenestrated Cade saves himself by leaping from drone to drone in midair like a frog skipping among lotus pads; that he and Vivian slide along the colossal, polished expanses of sharply tilting age-old fields of metal like luge Olympians. What matters is that, when this heroic duo find themselves thrust out into the void of inner space from a collapsing planet, it has a terrifyingly vast emptiness that Bay doesn’t dare hold for more than an instant lest he become the nightmare-master. What matters is that the enormous thing hurtling toward Earth is composed in a fanatical detail that would repay slow-motion viewing with near-geological patience. Bay has an authentic sense of the gigantic; beside the playful enormity of his Transformerized universe, the ostensibly heroic dimensions of Ridley Scott’s and Christopher Nolan’s massive visions seem like petulant vanities.”
~ Michael Bay Gives Richard Brody A Tingle

How do you see film evolving in this age of Netflix?

I thought the swing would be quicker and more violent. There have been two landmark moments in the history of French film. First in 1946, with the creation of the CNC under the aegis of Malraux. He saved French cinema by establishing the advance on receipts and support fund mechanisms. We’re all children of this political invention. Americans think that the State gives money to French films, but they’re wrong. Through this system, films fund themselves!

The other great turning point came by the hand of Jack Lang in the 1980s, after the creation of Canal+. While television was getting ready to become the nemesis of film, he created the decoder, and a specific broadcasting space between film and television, using new investments for film. That once again saved French film.

These political decisions are important. We’re once again facing big change. If our political masters don’t take control of the situation and new stakeholders like Netflix, Google and Amazon, we’re headed for disaster. We need to create obligations for Internet service providers. They can’t always be against film. They used to allow piracy, but now that they’ve become producers themselves, they’re starting to see things in a different light. This is a moment of transition, a strong political act needs to be put forward. And it can’t just be at national level, it has to happen at European level.

Filmmaker Cédric Klapisch