MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: The Master

    PICK OF THE WEEK: NEW THE MASTER (Also Blu-ray) (Two Discs)  (Four Stars) U.S.: Paul Thomas Anderson, 2012 (Starz/Anchor Bay)   No, I won’t call it a masterpiece — though it’s certainly a brilliant and beautiful movie, better than any other American film I saw last year. Better than Argo. Better than Lincoln. (Not by much,…

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Wilmington on Movies: Snitch

As for The Artist Formerly Known as The Rock, Johnson is unusually good here at projecting vulnerability and a good-guy likeability, qualities he didn’t necessarily need in his earlier action movies, but which were the only saving graces of comedy dreck like The Tooth Fairy—and which could now lead him to better roles.

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Wilmington on DVDs: Argo

Though based on fact, Argo plays like a mad combo of mixed genres: Spy Games espionage stuff, Wag the Dog government trickery, Close-Up Iranian street film and The Sting, an intricate con game, except that this time the picture puts the CIA in a favorable light, instead of tapping into the usual Three Days of the Condor Company nightmare.

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Wilmington on DVDs: Two-Lane Blacktop

All three of these existential car dudes (they’ve got no past, they’ve got no future, and what little there is of either was probably something made up by Warren Oates), get together for an outlaw car race — the Chevy against the GTO, for the pink slips. They head out from California through Santa Fe and up to Little Rock, to Tennessee and North Carolina — by which time the race and these people have changed a little — including the hitch-hiker, who comes in, grabs a ride and messes everybody up. She’s called The Girl (Laurie Bird) and she adds sex or potential sex to the equation.

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Wilmington on DVDs: Monsters, Inc. 3D; Sinister; Top Gun; Twilight’s Last Gleaming; Grand Hotel..

    Monsters, Inc. 3D  (Five Disc Ultimate Collector’s Edition or Three Disc 3D/Blu-ray Combo) (Three Stars) U.S.; Pete Docter,  2001-2012 (Disney)   More good, funny, beautifully crafted, heartfelt stuff from Pixar, set in the scream-powered factory of Monstropolis among all the most horrible or brainy toy monsters — notably big, scary Sulley (John Goodman)…

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Wilmington on Movies: Safe Haven

Safe Haven, directed by that estimable Swedish-born filmmaker Lasse Hallström and produced by the author himself, is the eighth movie to be derived from a Nicholas Sparks novel, and like the others, including Message in a Bottle (where Kevin Costner found undying love), The Notebook (where Ryan Gosling and Rachel McAdams found undying love) it’s a romantic fantasy delivered with maximum efficiency and apparently just the right amounts of warmth, coolness, poignancy, picturesque scenery, sex appeal, niceness and (let’s face it), undying love.

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Wilmington on Movies: A Good Day to Die Hard

A Good Day to Die Hard is the fifth of the Bruce Willis Die Hard movies — and it’s obviously, irretrievably, die-hardishly one too many.

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Wilmington on DVDs: Skyfall

    PICK OF THE WEEK: NEW SKYFALL (Also Blu-ray/DVD/Digital Copy) (Two Discs) (Three and a Half Stars) U.K.-U.S.: Sam Mendes, 2012 (MGM) Skyfall may be a James Bond movie for both the masses and the cognoscenti, but it begins with something as old as The Perils of Pauline — a chase and a battle…

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Wilmington on Movies: Identity Thief

Up to that point, Identity Thief actually looks as if it might be a good movie, or at least a bad funny one. I was actually looking forward to it. (The more fool me.) But then, in a bewildering, mind-numbing plot twist that bewilders and mind-numbs me still…

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Wilmington on Movies: Side Effects

Mara has another role that, like her Girl with the Dragon Tattoo (which paled next to the original by Noomi Rapace), may be a little too dark for her — though her Emily is enough of a cipher to let the story work.

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Chicago Film Critics Association Awards 2013

_   _ _______________________ cFor 20 years, since 1993, I’ve taken part in the voting, and sometimes the awards shows, for The Chicago Film Critics Association — and I’ll be there again for the 2013 Awards. The show, in the 1990s and  the years before I emigrated to Chicago from Los Angeles, used to be elaborate…

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Wilmington on DVDs: Flight

Flight is also a very entertaining movie, and its very mutability and changeability — the way it hops from genre to genre, mood to mood, from high action and high entertainment to high seriousness, is a large part of what makes it so compellingly enjoyable.

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Wilmington on Movies: Bullet to the Head

Stallone and Hill both came in at the end of the ‘70s, they both hit their commercial peaks in the ‘80s. But I don’t think a lot of their latter movies in that decade did them much good, however rich those shows might have made them. In Bullet to the Head which shouldn’t be confused with John Woo’s Hong Kong 1990 bone-crusher, or with the German movie Knife in the Head by Reinhard Hauff, or with “Bullet in the Schnozzola,” which I just made up), they’re both back to fantasizing.

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Wilmington on DVDs: Farewell, My Queen; Ten Best Movies, 2012

We know she is doomed. Much of the tension of the film comes from our own wonderment at when the Queen and the King and the court will realize it too. Instead they act, in the few days (July 14-17, 1789) that we and Sidonie watch them, as if only a temporary disturbance—a tempest in a pastry shop—were underway, not the end of the world.

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Wilmington

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Carrie Mulligan on: Wilmington on DVDs: The Great Gatsby

isa50 on: Wilmington on DVDs: Gladiator; Hell's Half Acre; The Incredible Burt Wonderstone

Rory on: Wilmington on Movies: Snow White and the Huntsman

Andrew Coyle on: Wilmington On Movies: Paterson

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

Quote Unquotesee all »

“Would I like to see Wormwood in a theater on a big screen? You betcha. I’d be disingenuous to argue otherwise. But we’re all part of, like it or not, an industry, and what Netflix offers is an opportunity to do different kinds of films in different ways. Maybe part of what is being sacrificed is that they no longer go into theaters. If the choice is between not doing it at all and having it not go to theaters, it’s an easy choice to make.”
~ Errol Morris

“As these stories continue to break, in the weeks since women have said they were harassed and abused by Harvey Weinstein, which was not the birth of a movement but an easy and highly visible shorthand for decades of organizing against sexual harassment that preceded this moment, I hope to gain back my time, my work. Lately, though, I have noticed a drift in the discourse from violated rights to violated feelings: the swelled number of reporters on the beat, the burden on each woman’s story to concern a man “important” enough to report on, the detailed accounting of hotel robes and incriminating texts along with a careful description of what was grabbed, who exposed what, and how many times. What I remember most, from “my story” is how small the sex talk felt, almost dull. I did not feel hurt. I had no pain to confess in public. As more stories come out, I like to think that we would also believe a woman who said, for example, that the sight of the penis of the man who promised her work did not wound her, and that the loss she felt was not some loss of herself but of her time, energy, power.”
~ “The Unsexy Truth About Harassment,” by Melissa Gira Grant