MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: Django Unchained

Quentin Tarantino‘s Django Unchained—his most entertaining movie since Pulp Fiction and Jackie Brown and a movie of almost inspired tastelessness—pulls us into a movie land that movie buff Tarantino knows well: the world of mid-to-late ’60s-early ’70s Italian spaghetti Westerns—a roost ruled by director Sergio Leone and star Clint Eastwood with their “Man With No Name” Trilogy, but also home to a variety of trashy offshoots by men with lesser names.

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Wilmington on DVDs: Jean Gremillon During the Occupation

Jean Gremillon, a forgotten giant of French cinema, a genius as neglected in America as he is idolized in France, gets a long-overdue DVD revival in this superb package from Eclipse, Criterion’s budget-label-for-the-cognoscenti. The three films inside the box—Remorques (1941), Lumiere d’ete (1943) and Le Ciel est a Vous (1944)—may be little known to most of us, but they’re among the genuine French film classics of the Occupation years. And, if Gremillon is among the very best, so were the people with whom he worked.

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Wilmington on DVDs: Ai Weiwei: Never Sorry

I don’t want to come across like an uptight philistine or a bourgeois simpleton, but the one thing this movie didn’t convince me about was the stature of Ai Weiwei’s art—which may be either my fault, or the film’s, or possibly Ai Weiwei‘s.

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Wilmington on DVDs: The Words

    THE WORDS (Three Stars) U.S.: Directed & written by Brian Klugman & Lee Sternthal, 2012 (Sony) I have a confession to make. I didn’t write this review. As a youngster, I adored books and the words that made them up, loved the very feel of the pages on my fingers. Some of that…

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Wilmington on DVDs: Arbitrage; Ten Years

  ARBITRAGE (Three Stars) U.S.: Nicholas Jarecki, 2012 (Lions Gate) Arbitrage is a movie about big money and big crime in America, so naturally it’s set on Wall Street, a district and subculture awash in both. It’s also a picture that demonstrates how we tend to accept  people who do bad things s long as…

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Wilmington on DVDs: It’s a Wonderful Life

  PICK OF THE WEEK: CLASSIC It’s a Wonderful Life (Also Blu-ray) (2 Disc Collector‘s Set) Four Stars U.S.; Frank Capra, 1946 (Paramount)  It’s a Wonderful Life is Frank Capra’s Yuletide masterpiece about George Bailey (Jimmy Stewart), a small-town guy on the edge of self-destruction, who is shown by a  pixilated guardian angel named Clarence (Henry…

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Wilmington on Movies: The Guilt Trip; Monsters Inc. 3D

Barbra Streisand plays a nice Jewish mother named Joyce Brewster, and Seth Rogen plays her not-so-nice Jewish, or at least half-Jewish, son Andy — and for this movie I have just one word: Meshuggener! No, that’s not nice. The movie tried. It really did.

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Wilmington on DVDs: Trouble With the Curve

Trouble With the Curve is Eastwood’s first onscreen role since the valedictory-seeming tough guy-retiree part of Walt Kowalski in 2008’s Gran Torino. It’s a good role, and, for the most part, a good movie, even though it’s, at times, corny and predictable and full of clichés and a shameless star vehicle and yadda-yadda-yadda. Clichés don’t damage a movie as much as most people think though; what matters is how you play them. But if anyone can liven up a gunfight or a bar-fight or a car-chase or a put-down, it’s Eastwood.

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Wilmington on DVDs: Baron Blood

The director is the legendary Mario Bava (Black Sunday, Black Sabbath), a visual movie-making genius who gives us something fascinating or interesting to look at in almost every shot, including a long homage to the Vincent Price-Andre de Toth 3D horror classic House of Wax, and more twisting staircases, somber towers, shadowy torture chambers, gargoyles, well-used Iron Maidens and impaled victims than you could imagine outside of Transylvania on a dark and windy night.

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Wilmington on DVDs: Pitch Perfect; Total Recall; Tell No One

  PITCH PERFECT (Two Disc Combo Pack: DVD/Blu-ray/Digital Copy) (Two and a Half  Stars) U.S.: Jason Moore, 2012 (Universal) In the mood for a teen-oriented movie musical comedy about college boys and girls’ A cappella groups? Want to watch (and hear) a bunch of enthusiastic unaccompanied singers slugging it out in the ICCA (International Championship of…

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Willmington on DVDs: Following

A black-and-white British neo-noir shot on the cheap, with unknown actors, by a then-unknown co-writer-director (Christopher Nolan), Following is the often fascinating tale of a thief and a voyeur playing dangerous games. Nolan likes games and tricks, and the Wellesian magicians who play them, and the whole movie is something of a conjuring act. Though obviously the work of gifted youngsters and amateurs or semi-amateurs, done with scant resources and slender means, it’s a show that grabs you and keeps you guessing and rewards your attention and casts its own little spell. It‘s a real underground movie from a moviemaker just about to make his break into the mainstream — with another, more expensive, and even trickier film called Memento.

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Wilmington on DVDs: Ted

    TED  (Also Two Disc Blu-ray/DVD Combo) (Two and a Half Stars) U. S.: Seth MacFarlane, 2012 (Universal)   Ted is a vulgar, irreverent, dirty-mouthed comedy about a vulgar, irreverent, dirty mouthed teddy bear named, of course, Ted — a fuzzy horny little stoner who is the best friend of a sweet, somewhat Peter-Pannish…

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Wilmington on DVDs: The Bourne Legacy; Ice Age: Continental Drift

I miss Jason Bourne already — missed him, in fact, even before I saw The Bourne Legacy, fourth in the multi-million-dollar-grossing Bourne spy movies, based on Robert Ludlum’s books. That series, you’ll recall, initially starred Matt Damon as Jason Bourne, super-spy on the run, and now, with Damon gone (after three outings), stars Jeremy Renner as Aaron Cross, another super-spy on the run. Cross, however, is not in any way related or connected to Jason Bourne, or to any other Bourne, beyond the fact that they were both involved in top secret “skill enhancement” programs that the government has now discontinued, and wants forgotten, along with Jason Bourne and anyone like him.

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Wilmington on Movies: Rise of the Guardians

      RISE OF THE GUARDIANS (Two and a Half Stars) U.S.: Terry Ramsey, 2012 Movies just get curiouser and curiouser, as Alice might say, after striking another exclusive deal with The March Hare and Tim Burton. In the new DreamWorks animated lollapalooza, Rise of the Guardians (one of the more peculiar new super-hero…

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Wilmington on DVDs: Step Up Revolution; The Hand That Rocks the Cradle; Dead Ringer

    STEP UP REVOLUTION (Also Blu-ray/3D Blu-ray/DVD/Digital Copy Combo) (One and a Half Stars) U.S.: Scott Speer, 2012 (Summit Entertainment)   You don’t have to be a nincompoop to want to see something like Step Up Revolution, but it probably helps. The fourth in the “Step Up” series, which gave the world Channing Tatum…

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Wilmington on DVDs: Rio Grande

Among Ford buffs and aficionados, this has walways been the least admired of the three cavalry films—perhaps because it was shot quickly as a favor to Republic Pictures so Ford could go to Ireland and make his longtime pet project, The Quiet Man—but also because the script, by studio vet James Kevin McGuiness (who died in 1950, the year Rio Grande was released), isn’t as good as the ones Frank S. Nugent and Laurence Stallings wrote for the other two. (All three movies are based on stories by James Warner Bellah, who wrote the screenplay for Ford’s masterpiece, The Man Who Shot Liberty Valance).

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Wilmington on DVDs: Purple Noon

When the murder comes, it’s so swift, so unexpected, yet so oddly inevitable, that it’s hard to believe we’ve seen what we’ve seen. Whoosh! A knife thrust. A scream. “Marge!“ cries the victim, the knife stuck in his chest. He falls, dies, while his killer looks on, for a moment with seeming horror, as if he were witness to something awful, unimaginable — something that somehow doesn‘t even involve him. Did it really happen? Was it a dream? A fantasy? A lie? A movie? Yes, of course, we’re watching (and talking about) a movie: an exceptionally riveting and beautiful one about desire and cruelty and murder and malice and a game of make-believe by a psychopath/killer who is also an actor and an artist. A classic thriller called Plein Soleil, or Purple Noon, a movie shot in the adult playgrounds and mature pleasure spots of Italy and directed by a French filmmaker-artist, Rene Clement (who knew and understood sailing and the area well), from a classic novel-thriller by Patricia Highsmith, a brilliant American novelist who lived in France, and understood criminals well, if only in her imagination.

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Wilmington on DVDs: The Dark Knight Rises

  CO-PICK OF THE WEEK: NEW THE DARK KNIGHT RISES (Three and a Half Stars) U.S.: Christopher Nolan, 2012. 1.  The Rise   A visual marvel and a hellaciously exciting action movie, a show also full of doom, gloom, violence and unexpected poetry and emotion — and very little humor of any kind — The Dark…

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Wilmington on DVDs: Finding Nemo 3D, Up

Finding Nemo, the first one, was that epic 2003 Pixar computer-animated cartoon adventure about a boy clownfish named Nemo and his nervous father Marlin, and how they were separated on Australia‘s Great Barrier Reef, and how, they tried to find each other again, in an ocean world chockful of danger and delight. It’s one of the most popular movies ever made, and the second Finding Nemo, the new 3D version, doesn’t do anything to dampen that crowd-pleasing or diminish that delight.

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Wilmington on Movies: Hitchcock

The movie is a tribute to Hitchcock and his art; in some ways it treats the creation of Psycho almost in the reverent way Carol Reed and Charlton Heston treated Michelangelo’s painting of the Sistine Chapel ceiling. But it’s a deconstruction of Hitchcock (and Psycho) as well, following the example of tell-all books like Rebello‘s and like Donald Spoto’s “The Dark Side of Genius: The Life of Alfred Hitchcock“ and even of the last revision of “Hitchcock/Truffaut“” Francois Truffaut‘s classic interview/celebration with/of one of his favorite directors.

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Wilmington

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

Movieman on: Wilmington on Movies: The Purge: Election Year

Johanna Lynch on: Wilmington on DVDs: The File on Thelma Jordon; Adua and her Friends; Bullet to the Head

【14時までのご注文は即日発送】04-0017 03 48サイズ JILL STUART NEW YORK (ジルスチュアート ニュ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

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alain mikli アランミクリ メガネSTARCK EYES (スタルクアイズ) SH0001D カラー0053(正規品)【楽 on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

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【着後レビューで送料無料】 エアージェイ 充電スタンド ホワイト SJS-2PWH 【RC on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

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“I’m an ardent consumer of Fassbinder. Years ago, when I heard that he was a big admirer of Douglas Sirk, I went straight to the source — to the buffet Fassbinder dined out on — and found that there was plenty more. And what palettes! I love the look of Fassbinder movies. Some of them are also hideous in a way that’s really exciting. When you go to Sirk, it’s more standardized. The movies produced by Ross Hunter — those really lush, Technicolor ones. I know Sirk was a painter and considered himself a painter first for a long time. He really knew how to work his palettes and worked closely with whatever art director he had. I was a guest speaker for the Technicolor series at TIFF Bell Lightbox and we screened Magnificent Obsession. To prepare for that, I watched the movie with a pen and paper. I wroteto down the names of the palettes. Soon, I realized those general color terms weren’t good enough. I used to be a house painter and I remembered the great names of the 10,000 different colors you could get in a paint chip book. So, I started to try to name the colors. Sirk used 100 different off-whites, especially in the surgery scenes in Magnificent Obsession!”
~ Guy Maddin On Sirk And Fassbinder

“I’ve never been lumped in with other female directors. If anything, I’ve been compared way too much to male filmmakers whom I have little to nothing in common with except visual style. It’s true that women’s filmmaking is incredibly diverse, but I am personally interested in how female consciousness might shape artwork differently, especially in the way female characters are constructed. So I actually would encourage people to try to group women’s films together to see if there are any threads that connect them, and to try to create a sort of canon of women’s films that critics can talk about as women’s films. One reason I want to be thought of as a female filmmaker is that my work can only be understood in that context. So many critics want to see my work as a pastiche of films that men have created. When they do that, they deny the fact that I am creating my own world, something completely original. Women are so often thought of as being unable to make meaning. So they are allowed to copy what men make—to make a pastiche out of what men have created—but not to create original work. My work comes from a place of being female, and rewrites film genres from that place. So it’s essential for me to be placed into a history of female-feminist art-making practice, otherwise it’s taking the work completely out of context.”
~ Love Witch Writer-Designer-Director Anna Biller