MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: ParaNorman; Lawless; The Apparition

    PARANORMAN (Also 3 or 2 Disc Blu-ray/DVD and/or 3D Combo) (Three Stars) U. S.: Chris Butler/Sam Fell, 2012 (Focus) ParaNorman, a.k.a. Norman Babcock, mini-hero of the entertainingly creepy new 3D stop-motion animated feature that bears his name, not only has three dimensions but a sixth sense to boot.  He sees the dead —…

Read the full article »

Wilmington on DVDs: Umberto D.

Italy. The early ‘50s. The Post-war era. On a crowded Roman street, a group of old men who live on pensions from the Italian government, try to demonstrate for a raise in their meager incomes. Police break up the march, and the old men scatter, including the neatly-dressed, white-haired man whom we will follow for 88 minutes in the story that has just begun. He is an elderly ex-government worker named Umberto Domenico Ferrari, or “Umberto D.“ for short. Umberto has a threadbare dark suit and sad, watchful eyes and he takes with him, almost everywhere, his little white-and-brown-haired dog, Flike. Like most of the other old men, his situation has become desperate.

Read the full article »

Wilmington on DVDs: Men in Black 3

  PICK OF THE WEEK: NEW MEN IN BLACK III (Three Stars) U.S.: Barry Sonnenfeld, 2012 (Sony) Movie Sequels don’t always work, and the bad ones tend to diminish our fonder memories of the originals. But a good sequel can increase our pleasure. Men in Black III is the third in the series that started…

Read the full article »

Wilmington on Movies: Silver Linings Playbook

Chemistry isn’t lacking here. Cooper plays Pat Jr. with a mix of obstinacy and nervous intensity, plus a phony bravado and a disguised vulnerability that belies the qualities he put into the unshakably self-confident stud he played in The Hangover. As for Jennifer Lawrence, she adds naturalistic comedy to her resume to go along with the mastery of naturalistic drama she showed in Winter‘s Bone and the heroic young womanhood she put into The Hunger Games. And she does it with a panache that justifies at least some of the critical mash notes she’s received for this movie.

Read the full article »

Wilmington on Movies: Red Dawn

Red Dawn, a thoroughly idiotic movie, is an amazingly daffy remake of John Milius’ Cold War bang-bang fantasy of the same title. That 1984 jaw-dropper was an action teen movie about high school guys and footballers turned anti-Red guerillas: a band of letterman brothers led by Patrick Swayze and C. Thomas Howell, battling a Soviet invasion in Colorado. 1984, in the height of the Reagan era, was probably a good time for the original movie. I doubt a good time exists for its feckless, dopey, off-the-wall cinematic progeny.

Read the full article »

Wilmington on DVDs: Sparkle; Greed in the Sun, Abraham Lincoln

I think we’re wrong when we say the story doesn’t matter in shows like this, because the audience just comes for the music. (People say the same kind of thing about action and horror movies, and they‘re wrong there, too.) The story does matter, always, and when we start getting more great musicals again — and I hope we will — it’ll be because all of the movie will click and not just a part of it. The high notes as well as the low. The words as well as the music. The dirt as well as the Sparkle.

Read the full article »

Wilmington on Movies: The Twilight Saga: Breaking Dawn — Part 2

Some movies become mass cultural lollapaloozas and pop ultra-phenomena — and they assume an importance they may not quite deserve. So it is with the cinematic Twilight Saga, a series that zillions adore, but to which some critics (including me) remain unhappily immune.

Read the full article »

Wilmington on Movies: Holy Motors

As far as I could glean or remember, M. Oscar impersonates, with Celine’s help — and thanks to a well-stocked supply of makeup and costumes in the back of the limo — a financier, an old beggar-woman, a motion capture lover/dancer in a black unitard, a wild sewer-dwelling hooligan named M. Merde, a dying father, a charismatic accordionist, a hired killer and his victim/double, and the lover of a heart-breaking chanteuse played and sung (to the hilt) by Kylie Minogue.

Read the full article »

Wilmington on DVDs: The Queen of Versailles

Of all the amusing, depressing and jaw-dropping things in The Queen of Versailles — Lauren Greenfield’s documentary about the construction and deconstruction of the largest one-family dwelling in the United States, a domicile modeled on both the French Palace of Versailles and the Las Vegas Paris Hotel and built by time-share resort hotel czar David Siegel — one of the things that bothered me most was the seeming fact that in this entire massive, outlandishly ornate yet fundamentally cheesy edifice, intended as a glorious Got-rocks celebration by Siegel and his family (including wife Jackie, seven children, one niece and 19 servants), I did not spot a single book.

Read the full article »

Wilmington on DVDs: Savages; The Watch; The Game; Private Hell 36

These three lead a sort of idyllic hippie-outlaw-rich-druggie existence (like young, successful moviemakers maybe), with lots of money to spend, lots of ganja to smoke, and lots of sheets to muss up — in paradisiacal surroundings on Laguna Beach, drenched in the blazing colors and the lush foliage of beachside life on the Pacific, as shot by cinematographer Dan Mindel. Then their dream world begins to crumble.

Read the full article »

Wilmington on DVDs: Lawrence of Arabia 50th Anniversary Collector’s Edition

Few adventure films ever have boasted such astonishing physical beauty. As shot by cinematographer Freddie Young (and his second unit photographer Nicolas Roeg), there’s a scintillating clarity in the city and village scenes (done mostly in Seville, Spain, and Morocco) and even more the vast Saudi Arabian landscapes: movielands as haunting as John Ford’s Monument Valley: a Xanadu of boys’ adventure, dune after dune sliding off toward the blinding sky.

Read the full article »

Wilmington on DVDs: Brave

Brave has been criticized for being too much like classic Disney, which is true, and what of it? Even so, the movie deliberately subverts and plays with the very traditions it celebrates. Brave’s heroine, Merida, may be a princess, but she isn’t waiting around for the someday her prince will come.

Read the full article »

Wilmington on Movies: Skyfall

Did I like it? Sure. Has it lost some or all of its Ian-Flemingish savoir faire and pizzazz, it’s sense of fun and immaculate violence? Not yet, Any movie with Javier Bardem as a villain (or as a non-villain for that matter), has my vote. And Skyfall is not only a classy production on every level — well-acted, well-written, well-shot –but a good rip-roaring action movie too.

Read the full article »

Wilmington on DVDs: Bond 50: The Complete 22 Film Collection

I’m not a Bond-olator, by any means, but this set seems a beauty: a real pop movie treasure trove. It’s an essential Blu-ray box set — even if a number of the movies are disappointing. (Has anyone ever cared to mount a defense of the 1985 A View to a Kill?)

Read the full article »

Wilmington on DVDs: Planes, Trains and Automobiles; Eating Raoul… More

I’ve always thought that this nightmarishly building, wackily compassionate road comedy — with straight, wired-tight Steve Martin being driven progressively crazy by his unwelcome road partner, blowhard John Candy — was John Hughes’ best movie (just ahead of Ferris Bueller‘s Day Off), and one of the best American film comedies of the ‘80s.

Read the full article »

Wilmington on DVDs: Sondheim! The Birthday Concert

Two mild objections. I understand the reason producer-director Lonny Price left the names of the singers off the concert program. He wanted to surprise the audience, who would have recognized most everybody. But the TV show and DVD’s potential audience includes many people who haven’t been to New York, and maybe never will get there. I’m sure they’d like to know, in every case, who was who, and who sang what. Also: It does seem to me, sorry, a little pretentious to leave off off the program the one Sondheim song almost everyone outside of New York City knows and wants to hear: “Send in the Clowns.” But then, isn’t a little pretentiousness part of what we love best about New Yorkers?

Read the full article »

Wilmington on DVDs: The Amazing Spider-Man

    THE AMAZING SPIDER-MAN  (Also:Three or Four Disc Combo, with Blu-ray, DVD, Digital and 3D)  (Three Stars) U.S.: Marc Webb, 2012 (Sony)   Pity poor Spider-Man: He gets old, his webs get worn, and the movie guys just keep originating him, over and over. Ten years after the Marvel Comics movie that told the…

Read the full article »

Wilmington on Movies: Flight

Denzel Washington, as advertised, gives an extraordinary performance in Flight, a Robert Zemeckis movie about the limits and contradictions of heroism, the perils of celebrity, and the corrosive effects of lies and alcoholism. Its a very good film, at times an excellent one, and definite Oscar nomination material. It’s also a very welcome movie.

Read the full article »

Wilmington

Quote Unquotesee all »

DEADLINE: How does a visualist feel about people watching your films on a phone or VOD?
REFN: It depends on what kind of movie you make. We had great success with Only God Forgives on multiple platforms in the U.S. Young people will decide how they see it, when they want to see it. Don’t try to fight it. Embrace it. That’s a wonderful opportunity. We’re at the most exciting time since the invention of the wheel, in terms of creativity because distribution and accessibility have changed everything. A camera is still a camera whether it’s digital or not; there’s still sound; an actor is an actor. Ninety-nine percent of what you do is going to be seen on a smart phone – I know this is the greatest thing ever made because it allows people to choose, watching what you do on this format or go into a theater and see it on a screen. That means more people than ever will see what I do, which is personally satisfying in terms of vanity. But you have to be able to adapt, to accept things in different order and length than we’re used to. We are in a very, very exciting time.
~ Nic Refn to Jen Yamato

DEADLINE: You mention Tarantino, who with Christopher Nolan and a few other giants, saved film stock from extinction. To him, showing a digital film in a theater is the equivalent of watching TV in public. Make an argument for why digital is a good film making canvas.
REFN: Costwise, it’s a very effective way for young people to start making movies. You can make your movie on an iPhone. It’s wonderful seeing how my own children use technology to enhance creativity. For me it’s a wonderful canvas. Sure, I love grain in film. I love celluloid. But I also like creativity. I like crayons, I like pencils, I like paint. It’s all relative. Technology is more inclusive. A hundred years ago when film was invented, it was an elitist club. Very few people got to make it, very few people controlled it and very few people owned it. A hundred years later, storytelling through images is everyone’s domain. It’s ultimate capitalism. There are no rules, and no barriers and no Hays Code. Where does this go in another hundred years? I don’t know but I would love to see it.
~ Nic Refn To Jen Yamato