MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: ParaNorman; Lawless; The Apparition

    PARANORMAN (Also 3 or 2 Disc Blu-ray/DVD and/or 3D Combo) (Three Stars) U. S.: Chris Butler/Sam Fell, 2012 (Focus) ParaNorman, a.k.a. Norman Babcock, mini-hero of the entertainingly creepy new 3D stop-motion animated feature that bears his name, not only has three dimensions but a sixth sense to boot.  He sees the dead —…

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Wilmington on DVDs: Umberto D.

Italy. The early ‘50s. The Post-war era. On a crowded Roman street, a group of old men who live on pensions from the Italian government, try to demonstrate for a raise in their meager incomes. Police break up the march, and the old men scatter, including the neatly-dressed, white-haired man whom we will follow for 88 minutes in the story that has just begun. He is an elderly ex-government worker named Umberto Domenico Ferrari, or “Umberto D.“ for short. Umberto has a threadbare dark suit and sad, watchful eyes and he takes with him, almost everywhere, his little white-and-brown-haired dog, Flike. Like most of the other old men, his situation has become desperate.

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Wilmington on DVDs: Men in Black 3

  PICK OF THE WEEK: NEW MEN IN BLACK III (Three Stars) U.S.: Barry Sonnenfeld, 2012 (Sony) Movie Sequels don’t always work, and the bad ones tend to diminish our fonder memories of the originals. But a good sequel can increase our pleasure. Men in Black III is the third in the series that started…

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Wilmington on Movies: Silver Linings Playbook

Chemistry isn’t lacking here. Cooper plays Pat Jr. with a mix of obstinacy and nervous intensity, plus a phony bravado and a disguised vulnerability that belies the qualities he put into the unshakably self-confident stud he played in The Hangover. As for Jennifer Lawrence, she adds naturalistic comedy to her resume to go along with the mastery of naturalistic drama she showed in Winter‘s Bone and the heroic young womanhood she put into The Hunger Games. And she does it with a panache that justifies at least some of the critical mash notes she’s received for this movie.

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Wilmington on Movies: Red Dawn

Red Dawn, a thoroughly idiotic movie, is an amazingly daffy remake of John Milius’ Cold War bang-bang fantasy of the same title. That 1984 jaw-dropper was an action teen movie about high school guys and footballers turned anti-Red guerillas: a band of letterman brothers led by Patrick Swayze and C. Thomas Howell, battling a Soviet invasion in Colorado. 1984, in the height of the Reagan era, was probably a good time for the original movie. I doubt a good time exists for its feckless, dopey, off-the-wall cinematic progeny.

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Wilmington on DVDs: Sparkle; Greed in the Sun, Abraham Lincoln

I think we’re wrong when we say the story doesn’t matter in shows like this, because the audience just comes for the music. (People say the same kind of thing about action and horror movies, and they‘re wrong there, too.) The story does matter, always, and when we start getting more great musicals again — and I hope we will — it’ll be because all of the movie will click and not just a part of it. The high notes as well as the low. The words as well as the music. The dirt as well as the Sparkle.

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Wilmington on Movies: The Twilight Saga: Breaking Dawn — Part 2

Some movies become mass cultural lollapaloozas and pop ultra-phenomena — and they assume an importance they may not quite deserve. So it is with the cinematic Twilight Saga, a series that zillions adore, but to which some critics (including me) remain unhappily immune.

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Wilmington on Movies: Holy Motors

As far as I could glean or remember, M. Oscar impersonates, with Celine’s help — and thanks to a well-stocked supply of makeup and costumes in the back of the limo — a financier, an old beggar-woman, a motion capture lover/dancer in a black unitard, a wild sewer-dwelling hooligan named M. Merde, a dying father, a charismatic accordionist, a hired killer and his victim/double, and the lover of a heart-breaking chanteuse played and sung (to the hilt) by Kylie Minogue.

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Wilmington on DVDs: The Queen of Versailles

Of all the amusing, depressing and jaw-dropping things in The Queen of Versailles — Lauren Greenfield’s documentary about the construction and deconstruction of the largest one-family dwelling in the United States, a domicile modeled on both the French Palace of Versailles and the Las Vegas Paris Hotel and built by time-share resort hotel czar David Siegel — one of the things that bothered me most was the seeming fact that in this entire massive, outlandishly ornate yet fundamentally cheesy edifice, intended as a glorious Got-rocks celebration by Siegel and his family (including wife Jackie, seven children, one niece and 19 servants), I did not spot a single book.

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Wilmington on DVDs: Savages; The Watch; The Game; Private Hell 36

These three lead a sort of idyllic hippie-outlaw-rich-druggie existence (like young, successful moviemakers maybe), with lots of money to spend, lots of ganja to smoke, and lots of sheets to muss up — in paradisiacal surroundings on Laguna Beach, drenched in the blazing colors and the lush foliage of beachside life on the Pacific, as shot by cinematographer Dan Mindel. Then their dream world begins to crumble.

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Wilmington on DVDs: Lawrence of Arabia 50th Anniversary Collector’s Edition

Few adventure films ever have boasted such astonishing physical beauty. As shot by cinematographer Freddie Young (and his second unit photographer Nicolas Roeg), there’s a scintillating clarity in the city and village scenes (done mostly in Seville, Spain, and Morocco) and even more the vast Saudi Arabian landscapes: movielands as haunting as John Ford’s Monument Valley: a Xanadu of boys’ adventure, dune after dune sliding off toward the blinding sky.

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Wilmington on DVDs: Brave

Brave has been criticized for being too much like classic Disney, which is true, and what of it? Even so, the movie deliberately subverts and plays with the very traditions it celebrates. Brave’s heroine, Merida, may be a princess, but she isn’t waiting around for the someday her prince will come.

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Wilmington on Movies: Skyfall

Did I like it? Sure. Has it lost some or all of its Ian-Flemingish savoir faire and pizzazz, it’s sense of fun and immaculate violence? Not yet, Any movie with Javier Bardem as a villain (or as a non-villain for that matter), has my vote. And Skyfall is not only a classy production on every level — well-acted, well-written, well-shot –but a good rip-roaring action movie too.

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Wilmington on DVDs: Bond 50: The Complete 22 Film Collection

I’m not a Bond-olator, by any means, but this set seems a beauty: a real pop movie treasure trove. It’s an essential Blu-ray box set — even if a number of the movies are disappointing. (Has anyone ever cared to mount a defense of the 1985 A View to a Kill?)

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Wilmington on DVDs: Planes, Trains and Automobiles; Eating Raoul… More

I’ve always thought that this nightmarishly building, wackily compassionate road comedy — with straight, wired-tight Steve Martin being driven progressively crazy by his unwelcome road partner, blowhard John Candy — was John Hughes’ best movie (just ahead of Ferris Bueller‘s Day Off), and one of the best American film comedies of the ‘80s.

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Wilmington on DVDs: Sondheim! The Birthday Concert

Two mild objections. I understand the reason producer-director Lonny Price left the names of the singers off the concert program. He wanted to surprise the audience, who would have recognized most everybody. But the TV show and DVD’s potential audience includes many people who haven’t been to New York, and maybe never will get there. I’m sure they’d like to know, in every case, who was who, and who sang what. Also: It does seem to me, sorry, a little pretentious to leave off off the program the one Sondheim song almost everyone outside of New York City knows and wants to hear: “Send in the Clowns.” But then, isn’t a little pretentiousness part of what we love best about New Yorkers?

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Wilmington on DVDs: The Amazing Spider-Man

    THE AMAZING SPIDER-MAN  (Also:Three or Four Disc Combo, with Blu-ray, DVD, Digital and 3D)  (Three Stars) U.S.: Marc Webb, 2012 (Sony)   Pity poor Spider-Man: He gets old, his webs get worn, and the movie guys just keep originating him, over and over. Ten years after the Marvel Comics movie that told the…

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Wilmington on Movies: Flight

Denzel Washington, as advertised, gives an extraordinary performance in Flight, a Robert Zemeckis movie about the limits and contradictions of heroism, the perils of celebrity, and the corrosive effects of lies and alcoholism. Its a very good film, at times an excellent one, and definite Oscar nomination material. It’s also a very welcome movie.

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Wilmington

Quote Unquotesee all »

“I don’t really think, Sean, that you need to know about my various sexual liaisons. Or that anyone else needs to. I did write about them. I filled a hundred pages of Moleskine notebooks with my one-night stands, my affairs. But I decided they didn’t belong in a professional memoir. First of all, these are real people we’re talking about. Many of them were enjoyable. Some were abject failures. My wife said to me when she read the pages, ‘Of what purpose is this in a memoir? Of what purpose is this other than to titillate?’ The point is, I never see them. It’s because I have nothing in common with them, frankly. And probably didn’t at the time. I could not provide a sensible reason why I married these women. The thing is, in the case of my marriages, it takes two people to fuck up a marriage. It wasn’t simply the fault of these women that I lost interest in them and realised they were insignificant relationships. Which is how I look at them right now–as being insignificant. I see them as blips.”
~ William Friedkin On Cutting Interviewers Off At The Sass

“I have to imagine from Mr. Spielberg’s point of view, the paradigm shift in the 1970s was just the new “normal,” a “halcyon era” from which we are straying in the 21st century–because theatrical exhibition is tenuous (as it has been since the 1940s), the home video market has dried up and people are watching pirated movies on their phone. Spielberg’s coming-of-age era was for him the halcyon period that the 21st century “implosion” will cause to go “crashing into the ground.” But he is wrong. The market for movies is actually diverse and highly segmented–although from the top-down movie industry vantage point and media punditry you would not think this to be true.  Would we really mourn for Mr. Spielberg or ourselves if Lincoln would have been made for cable or had played on public television?  Is it bad for humanity that cable television is creating wonderful, resonant stories in long-form series that people want to watch at home on TV (or streamed onto their computer)? I don’t think so, but it is a paradigm shift and it might affect people’s theatrical moviegoing habits. Televisions in people’s homes have had that effect for seven decades–it is not a new phenomenon. As Art House cinema impresarios we need to focus on what WE can do at our theaters and in our communities. It is not productive for us to fret over what pundits say or about what well-meaning filmmakers like the Stevens–Spielberg and Soderbergh–say. We should fret about what we can do in our communities. What we can do to support filmmakers.”
~ From A Response By Russ Collins, CEO, Michigan Theater – Ann Arbor And Director, Art House Convergence, To Mr. Spielberg