MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: 50/50

50/50 (Three and a Half Stars) U.S.: Jonathan Levine, 2011   Your best friend looks you in the face and tells you that he’s dying. Wait a minue, it’s not quite like that…He tells you that he has a rare form of spinal cancer and that his chances of survival, according to the doctors, are 50/50….

Read the full article »

Wilmington on DVDs. Pick of the Week: Classic, Blu-ray. Strike

     PICK OF THE WEEK: Classic/Blu-ray Strike (Stachka) (Four Stars) U.S.S.R./Russia: Sergei Eisenstein, 1925 (Kino Classics) 1. Eisenstein  In 1925, Sergei Eisenstein, a rich architect’s son who had become a passionate convert to Communism during the Russian Revolution and afterward a brilliant theatrical director with the Proletkult Theatre of Moscow, directed two silent films…

Read the full article »

Wilmington on DVDs. The Rest: Transformers Dark of the Moon

Transformers: Dark of the Moon (Also Blu-ray) (Three Stars) U.S.: Michael Bay, 2010 Mindless, soulless, heartless, mechanical, and shamelessly mercenary as it might be, director Michael Bay’s Transformers: Dark of the Moon — the latest in the often obnoxious movie series, starring Shia LaBeouf and a lot of Hasbro toys — is still one of…

Read the full article »

Wilmington on DVDs. Pick of the Week: New. Carlos

  Carlos (Three and a Half Stars) France: Olivier Assayas, 2010 (Criterion Collection) In his excellent political thriller/biographical drama Carlos, Olivier Assayas makes an epic of 20th century revolution, an incendiary subject, but a film hot at heart yet cool on the surface, out of the ugly, exciting  story of the terrorist “Carlos,” a would-be political idealist who became a killer…

Read the full article »

Wilmington on Movies: Love Crime

  Love Crime (Three Stars) France: Alain Corneau, 2010 Movie murder mysteries can sometimes get too tricky and convoluted for their own good, and that’s pretty much what happens in Love Crime (Crime d’Amour),  a fine, itelligent, neatly made little French film neo-noir that would have been even better if it didn’t try so hard to outsmart us…

Read the full article »

Wilmington on Movies: Moneyball

   (Four Stars) U. S.: Bennett Miller  It’s not whether you win or lose. It’s how you read the spreadsheet.     For many Americans, baseball is a great American game, and a great American sports myth as well — and it’s also, at times, a business, a gamble, a crud-boatload of media hype, and, last…

Read the full article »

Wilmington on Movies: Killer Elite

  (Two Stars) U.S.: Gary McKendry, 2011 There are lots of reasons to get irritated with Killer Elite — a big-bucks, big-star, mucho-macho, heavy-duty actioner that throws up several hours of murkily photographed violence, preachy dialogue and byzantine plot twists, while wasting three good actors — Jason Statham, Clive Owen and, sadly enough, Robert De…

Read the full article »

Wilmington on DVDs. The Rest: Captain America: The First Avenger, Dziga and His Brothers, The Killer is Loose, The Song of Songs,This is the Night

“Captain America: The First Avenger” (Two Stars) U.S.: Joe Johnston, 2011 I don’t mean to be a grouch, but Captain America — stalwart crime and monster-buster of  the  new Marvel epic Captain America: The First Avenger — struck me as one of the duller superheroes I’ve seen recently. That’s despite one of the more amazing special effects…

Read the full article »

Wilmington on DVDs. Pick of the Week: Box Set/Blu-ray. Visions of Europe

 (Three and a Half Stars) U.S.; Roy A. Hammond (aerial director/executive producer), Sam Toperoff (producer/editor/writer), 2001-9 (Acorn Media) One of the most visually stunning travelogue series ever, the “Visions” sets from WLIW in New York offer spectacular aerial tours of the great sights of Europe, shot in gorgeous high definition cinematography, accompanied by fairly typical…

Read the full article »

Wilmington on DVDs. Pick of the Week: Classic/Box Set. The Complete Jean Vigo

  (Two Discs) (Four Stars) France: Jean Vigo, 1930-34 (Criterion Collection)   I. Jean Vigo, The Rebel  He died at 29: Jean Vigo, in many ways, the spirit of youth, of art, of cinematic rebellion, of France between the wars. He was the sacred enfant terrible and the laughing rebel and grand martyr of French…

Read the full article »

Wilmington on DVDs. Picks of the Week: New. Bridesmaids, Le Quattro Volte

  Bridesmaids (Three and a Half Stars) U.S.: Paul Feig, 2011 (Universal) Kristen Wiig is one funny lady, and Bridesmaids — in which she is both star and co-writer — is one funny movie.  That’s hardly news. “Bridesmaids” is one of the best reviewed, best liked Hollywood comedies of the year. By current consensus, it’s…

Read the full article »

Wilmington on Movies and DVD; Straw Dogs (Peckinpah and Lurie)

  Film: Straw Dogs (Two Stars) U. S.: Rod Lurie, 2011 DVD: Straw Dogs (Blu-ray) (Three and a half Stars) U.S.: Sam Peckinpah, 1971 (MGM) I. Bloody Sam Straw Dogs, Rod Lurie‘s remake of Sam Peckinpah’s 1971 classic — with Dustin Hoffman as a Vietnam era intellectual forced to face the beast in himself and…

Read the full article »

Wilmington on Movies: I Don’t Know How She Does It

    U.S.: Douglas McGrath, 2010 (Two Stars)   I Don’t Know How They Do It     Summary You think you’ve got problems? Let me tell you, you don’t know what “problems” mean until you’ve had a peep at the Perils of Parker in the movie I Don’t Know How She Does It, Sarah Jessica’s…

Read the full article »

Wilmington on Movies: Drive

  Drive (Three and a Half Stars) U.S.: Nicolas Winding Refn, 2011  Drive is an L. A. action movie that can really tighten your throat and twist your guts. Story-wise, it’s lean, mean and stripped to the bone, but it’s also drenched with visual style. Directed by Nicolas Winding-Refn, the flashy Dane of The “Pusher”…

Read the full article »

Wilmington on DVDs. The Rest: X-Men The First Class, Thor, The Colossus of New York, Monkey Business

  X-Men: The First Class (Also Blu) (Two Discs) (Two and a Half Stars) U.S.: Matthew Vaughn, 2011 Maybe I’m getting tired of super-heroes and super-heroines. Or maybe X-Men: First Class just has too many of them. In any case, the latest Marvel movie, by my reckoning, puts a first-rate cast into a third-rate story,…

Read the full article »

Wilmington on DVDs. Co-Picks of the Week: New. Meek’s Cutoff, Secret Sunshine

  Meek’s Cutoff (Three and a Half Stars) U.S.: Kelly Reichardt, 2011 Meek’s Cutoff, like the Coen Brothers’ True Grit, is an art film Western for a contemporary audience, and an unusually good one — made by a director and writer (Kelly Reichardt and Jonathan Raymond), who show a real feeling for what it must have been…

Read the full article »

Wilmington on DVDs. Pick of the Week: Blu-ray. O Brother, Where Art Thou?

  CO-PICK OF THE WEEK: BLU-RAY   O Brother,  Where Art Thou?  (Four Stars) U.S.: Joel and Ethan Coen, 2000 (Touchstone/Disney)      O Brother, Where Art Thou? — for whose title alone Joel and Ethan Coen deserve a medal — is an outrageously entertaining and inventive movie that still hasn’t gotten its due. The Coen…

Read the full article »

Wilmington on Movies: Mozart’s Sister

  (Three and a Half Stars) France: Rene Feret, 2010 Mozart’s Sister, a film often lovely to see and hear, by French writer-director Rene Feret, is the fictionalized semi-biographical tale of a remarkable girl, her extraordinary family and of the beautiful music they all made together. But it’s also a very sad story, as stories…

Read the full article »

Wilmington on Movies: Contagion

 (Three and a Half Stars) U.S.: Steven Soderbergh, 2011   Steven Soderbergh’s Contagion begins with a cough in the dark — something mundane, and ordinary, if irritating and unhealthy, that soon grows into something else: an explosion of fear, death and hysteria. As the movie proper begins, a title soon informs us that it‘s Day…

Read the full article »

Wilmington on Movies: Warrior

  Warrior (Three  Stars) U.S.: Gavin O’Connor, 2011 Improbabilities won’t necessarily knock out a good fight film, if the feeling and the footwork are there. Warrior is a movie about a high profile, multi-million-dollar TV Mixed Martial Arts tournament in which too long-estranged brothers are both competing, and in which they finally meet in the ring….

Read the full article »

Wilmington

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

Movieman on: Wilmington on Movies: The Purge: Election Year

Johanna Lynch on: Wilmington on DVDs: The File on Thelma Jordon; Adua and her Friends; Bullet to the Head

【14時までのご注文は即日発送】04-0017 03 48サイズ JILL STUART NEW YORK (ジルスチュアート ニュ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

【最安値に挑戦!】 ダイキン SSRN112BD4馬力相当 天井埋込カセット形 マルチフロ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

alain mikli アランミクリ メガネSTARCK EYES (スタルクアイズ) SH0001D カラー0053(正規品)【楽 on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

【最安値に挑戦!】 ダイキンSZRN63BT2.5馬力相当 天井埋込カセット形 マルチフロ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

【着後レビューで送料無料】 エアージェイ 充電スタンド ホワイト SJS-2PWH 【RC on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

Quote Unquotesee all »

“To be a critic is to be a workaholic. Workaholism is socially conditioned: viewed favourably by exploiters, it’s generally ruinous to a worker’s mental health. When T.S. Eliot said criticism was as inevitable as breathing, he failed to mention that, respiratory problems notwithstanding, breathing is easy. Criticism is reflexive before reflective: to formalise/industrialise an involuntary instinct requires time, effort and discipline. The reason we seek remuneration, as opposed to the self-hatred of being a scab, is because all labour should be waged…

“Criticism, so the cliché by now goes, is dying. None of the panel discussions on its death agony, however—including those in which I’ve formally participated—come at it from the wider perspective that the problem surely needs. They defend the ways in which criticism functions in relation to the industry and to the public, but they fail to contextualise these relationships as defined by ultimately rotten and self-harming imperatives.

“Criticism was a noble profession so long as only a few could practice it for money; when the field expands, as it has with a so-called ‘democratisation’ of our practice, those few lose their political power. Competition grows and markets are undercut: publications are naturally going to start paying less. Precarity is both cause and effect of a surplus workforce: the reason you’re only as good as your last article is because there are plenty of other folks who can write the next one in your place. The daily grind is: pitch, or perish.

B”ut criticism, so a counter-cliché goes, is not dying. An irony: this is an elite sport that is no longer elite in terms of who is able to practice it, but in economic terms it’s clutching to a perverse and outmoded hierarchical structure. It’s more meritocratic than ever, now: which is to say it isn’t meritocratic at all. That’s a paradox in bad need of a resolution…”

~ Michael Pattison Manifestoes Film Criticism

“It’s easy to forget when you’re reading a critic every single week or multiple times a week, that most of us who do this job, and have been doing it for a long time, understand that this is basically a parasitic profession. I don’t mean in the sense that we’re evil bloodsucking creatures, but we couldn’t exist if we didn’t have something to analyze. And I’m always conscious of that. So whether I like or don’t like a particular thing you do, my point of view is always that of an appreciator. I just like to be in the world that you create.”
~ Matt Zoller Seitz To Sam Esmail

Z Weekend Report