MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on DVDs: Pick of the Week, New. Biutiful

PICK OF THE WEEK: NEW Biutiful (Also Blu-ray) (Four Stars) Spain: Alejandro Gonzales Inarritu, 2011 (Roadside Attractions) In Alejandro Gonzales Inarritu’s sad and moving film Biutiful, Javier Bardem gives an extraordinary performance as a dying man named Uxbal: a small time Barcelona hustler working a variety of scams and shady deals to support his two young…

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Wilmington on Movies: Meek’s Cutoff

  Meek’s Cutoff (Three and a Half Stars) U. S.: Kelly Reichardt, 2011 Meek’s Cutoff, like the Coen Brothers’ True Grit, is an art film Western for a contemporary audience, and an unusually good one — made by a director and writer (Kelly Reichardt and Jonathan Raymond), who show a real feeling for what it…

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Wilmington on Movies: Kung Fu Panda 2

  Kung Fu Panda 2 (Two and a Half Stars) U.S.: Jennifer Yuh Nelson, 2011  Kung Fu Panda 2 is a cute, likable movie, done with a lot of skill and A-level talent, and with all the visual virtuosity we expect by now from big-budget cartoon features — especially from sequels to gigantic hits, like…

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Wilmington on Movies: The Hangover Part II

     The Hangover, Part II (Two Stars) U.S.: Todd Phillips, 2011 I laughed a lot at 2009’s big comedy hit, The Hangover — that tense and raunchy tale of three longtime buddies at a wedding who wake up after a night of incredible but totally forgotten debauchery and have to try to figure out…

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Wilmington on DVD: The Rest. I Am Number Four, The Roommate, Fear and Loathing in Las Vegas, El Topo, Hurry Sundown, Grand Prix

I Am Number Four (One a Half Stars) U.S.: D. J. Caruso 2011 (Touchstone/DreamWorks) Sometimes, you look at a movie, and you know it’s going to give you a bad time. But what can you do? I Am Number Four is a super-glossy, not very good science fiction teen thriller, produced by Michael Bay and directed…

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Wilmington on DVD, Pick of the Week: Box Set. Silent Naruse

PICK OF THE WEEK: BOX SET Silent Naruse (Three Discs) (Three and a Half Stars) Japan: Mikio Naruse, 1931-34 (Criterion/Eclipse) He was a sad-looking man who’d had an unhappy love life, early feuds with his bosses, and little beyond his career to make him feel any joy or optimism about life. He’d been raised in…

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Wilmington on DVD, Picks of the Week: Kes, Gnomeo and Juliet

PICK OF THE WEEK: NEW Gnomeo and Juliet (Two and a Half Stars) U.S.-U.K.: Kelly Asbury, 2011 This movie seems to have a totally crazy idea — a musical animated feature riff on William Shakespeare‘s unbeatable Romeo and Juliet, with two sets of feuding lawn ornaments (mostly gnomes, but also a green plastic frog, and…

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Wilmington on Movies: Midnight in Paris

  Midnight in Paris (Four Stars) U. S./France: Woody Allen, 2011 Midnight in Paris is a funny valentine to the City of Light, a sweet, jazzy fairy tale about the wonders of Parisian art and artist cliques in the ‘20s — a time when you could actually (if you were connected enough) go to a…

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Wilmington on Movies: Louder Than a Bomb

Louder than a Bomb (Three and a Half Stars) U. S.: Greg Jacobs & Jon Siskel, 2011             Louder than a Bomb made me feel good about some of the kids of today, made me feel that they’re probably being maligned, at least in part, by most other America movies…

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Wilmington on Movies: Pirates of the Caribbean: On Stranger Tides

The “Pirate“ series may be at its height of its production expertise here, it may look better than ever, and it may have recaptured some of the initial light, breezy touch. But, script wise, it’s clearly running out of planks to walk. Not enough to hurt the movie financially — but enough to justify at least some of the fussilade of amusing critical blasts the picture has generated. (Audiences will like the show better.)

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Wilmington on DVD, The Rest: The Mechanic, Blue Valentine, No Strings Attached, The Alien Movies

CURRENT AND RECENT DVD RELEASES The Mechanic (Two Stars) U.S.: Simon West, 2011 (Sony) Remember 1972? The great movie year of The Godfather, of Cabaret, of Deliverance, of Frenzy, and Junior Bonner, and The Discreet Charm of the Bourgeoisie, Fellini’s Roma, Cries and Whispers, Solaris, Ulzana‘s Raid, The King of Marvin Gardens, Avanti!, Sleuth, and…

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Wilmington on Movies: Thor

THOR By Mike Wilmington   Thor (Three Stars) U.S.: Kenneth Branagh, 2011   High on the endless spires and bridges of Asgard, plunged in a vast gloom in monumental, sinister “Viking Noir” decor, besieged by Frost Giants, and always in danger of tumbling into New Mexico, dwells the Odin family.   Ah, the Odins! There…

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Wilmington on Movies: Bridesmaids

  Bridesmaids (Three and a Half Stars) U.S.: Paul Feig, 2011 Kristen Wiig is one funny lady, and Bridesmaids — in which she is both star and co-writer — is one funny movie.  That’s hardly news. “Bridesmaids” is one of the best reviewed, best liked Hollywood comedies of the year. By current consensus, it’s also…

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Wilmington on DVD, Picks of the Week: The Illusionist, Patton, Tracy & Hepburn: The Definitive Collection, Mon Oncle

PICK OF THE WEEK: NEW The Illusionist (Four Stars) France: Sylvain Chomet, 2010 (Sony Classics) In this wonderful feature cartoon, master old-style French animator Sylvain Chomet (The Triplets of Belleville) takes an unproduced Jacques Tati script about an aging magician (who looks and dresses just like Tati, with trench coat, hat, lanky frame and mildly distracted air),…

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Wilmington on Movies: The Princess of Montpensier

The Princess of Montpensier (Four Stars) France: Bertrand Tavernier, 2010 The Princess of Montpensier is a splendid French historical drama, a movie in the tradition of Jean Renoir, of Luchino Visconti, of Jean-Paul Rappeneau — and of course, in the best tradition of the filmmaker who made it, the usually first-rate, sometimes magnificent Bertrand Tavernier (Coup…

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At the TCM Classic Film Festival: From An American in Paris to Fantasia

The second edition of the TCM Classic Film Festival in Hollywood…. It began and it ended in that most magical of all super-Hollywood movie palaces, Grauman‘s Chinese Theatre — with two great examples of the kind of things Hollywood does best: A classic Gene Kelly Hollywood Musical and a classic Walt Disney feature length cartoon: An…

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Wilmington on DVDs: The Dilemma, 12 Angry Men, Smiles of a Summer Night, The Green Hornet

PICK OF THE WEEK: NEW The Dilemma (Three Stars) U.S.: Ron Howard, 2011 (Universal) Vince Vaughn and Kevin James make a nice couple in The Dilemma, a buddy-comedy-drama (or maybe a drama-buddy-comedy) in which they play a couple of Chicago pals-since-college and business partners. Vaughn is fast-talking huckster Ronny Valentine and James is slower-talking design…

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Wilmington

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

Movieman on: Wilmington on Movies: The Purge: Election Year

Johanna Lynch on: Wilmington on DVDs: The File on Thelma Jordon; Adua and her Friends; Bullet to the Head

【14時までのご注文は即日発送】04-0017 03 48サイズ JILL STUART NEW YORK (ジルスチュアート ニュ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

【最安値に挑戦!】 ダイキン SSRN112BD4馬力相当 天井埋込カセット形 マルチフロ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

alain mikli アランミクリ メガネSTARCK EYES (スタルクアイズ) SH0001D カラー0053(正規品)【楽 on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

【最安値に挑戦!】 ダイキンSZRN63BT2.5馬力相当 天井埋込カセット形 マルチフロ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

【着後レビューで送料無料】 エアージェイ 充電スタンド ホワイト SJS-2PWH 【RC on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

Quote Unquotesee all »

“I’m an ardent consumer of Fassbinder. Years ago, when I heard that he was a big admirer of Douglas Sirk, I went straight to the source — to the buffet Fassbinder dined out on — and found that there was plenty more. And what palettes! I love the look of Fassbinder movies. Some of them are also hideous in a way that’s really exciting. When you go to Sirk, it’s more standardized. The movies produced by Ross Hunter — those really lush, Technicolor ones. I know Sirk was a painter and considered himself a painter first for a long time. He really knew how to work his palettes and worked closely with whatever art director he had. I was a guest speaker for the Technicolor series at TIFF Bell Lightbox and we screened Magnificent Obsession. To prepare for that, I watched the movie with a pen and paper. I wroteto down the names of the palettes. Soon, I realized those general color terms weren’t good enough. I used to be a house painter and I remembered the great names of the 10,000 different colors you could get in a paint chip book. So, I started to try to name the colors. Sirk used 100 different off-whites, especially in the surgery scenes in Magnificent Obsession!”
~ Guy Maddin On Sirk And Fassbinder

“I’ve never been lumped in with other female directors. If anything, I’ve been compared way too much to male filmmakers whom I have little to nothing in common with except visual style. It’s true that women’s filmmaking is incredibly diverse, but I am personally interested in how female consciousness might shape artwork differently, especially in the way female characters are constructed. So I actually would encourage people to try to group women’s films together to see if there are any threads that connect them, and to try to create a sort of canon of women’s films that critics can talk about as women’s films. One reason I want to be thought of as a female filmmaker is that my work can only be understood in that context. So many critics want to see my work as a pastiche of films that men have created. When they do that, they deny the fact that I am creating my own world, something completely original. Women are so often thought of as being unable to make meaning. So they are allowed to copy what men make—to make a pastiche out of what men have created—but not to create original work. My work comes from a place of being female, and rewrites film genres from that place. So it’s essential for me to be placed into a history of female-feminist art-making practice, otherwise it’s taking the work completely out of context.”
~ Love Witch Writer-Designer-Director Anna Biller