MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

Wilmington on Movies: Hop

“I still hadn’t wised up when E.B. decamped to Hollywood, where he hooks up with Fred, and starts pooping jellybeans and trying to come up with so-called humor (lame zingers and amazingly laugh-challenged wisecracks), and where the movie definitively revealed its true agenda: bad jokes and L. A. clichés, mixed with elaborate animation, TV trendiness and loud, bright icky-poo cutes.”

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Wilmington on Movies: The Afterlight

“I liked the movie very much, and when some of its early festival admirers compared it to Michelangelo and Ingmar Bergman, they had some justification. The Afterlight is obviously made by filmmakers who know and admire Antonioni and Bergman, and who would probably be pleased by the comparison — and the images, scenes and emotions often suggest those two masters.”

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Wilmington on Movies: Sucker Punch, Diary of a Wimpy Kid: Rodrick Rules, Monogamy

“Snyder has a very classy cast, but nevertheless, he dresses and photographs them most of the time like hookers and action-cuties, even in the thick of battle.”

“Let’s hope these kids stay happy and don’t start feuding, like Martin and Lewis.”

“This movie is too often reminiscent of other, much better films.”

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Wilmington on DVD: Harry Potter and the Half-Blood Prince, The Tourist, The Twilight Zone Season Two, The Clowns, Exit Throught the Gift Shop, Artists Under the Big Top: Perplexed.

Appropriately bracketed as a classic pick this week with Fellini’s I Clowns Alexander Kluge’s Artists at the Top of the Big Top: Perplexed is also a European art film about circuses and circus people. But this is a film in black-and-white, where the filmmakers would have answered the question Fellini dodged in The Clowns about symbolism, and then done something symbolic to illustrate the answer, and had an illustrated lecture on symbolism and the history of art, and the politics of circuses.

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Wilmington on Movies: The Lincoln Lawyer, Paul

“It’s a tough story, hard-nosed and audience-savvy: a neo-noir in settings both glamorous and salty, and a movie that gives you a tingling shot of L. A. style.”

“Suppose you were to rethink E. T. as a combination 70s road movie and Three Days of the Condor-style paranoid anti-C.I.A. thriller.”

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Wilmington on DVD: The Fighter, Hereafter, Last Tango in Paris, TCM Greatest Classic Legend John Ford Westerns

“Bale looks and acts something like a Dead End Kid on crack, an elongated mix of Huntz Hall and the younger Mean Streets De Niro, oscillating frantically between the goony and the near-tragically self-destructive.”

“What’s most impressive about Hereafter is, first of all, that Eastwood had the guts to do it.”

“The torrid memento of a time — post-Sexual Revolution, pre-herpes outbreak, pre-Aids plague — when quick anonymous sex between partners who barely knew each other.”

“He was John Ford. He made Westerns.”

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Wilmington on DVD: Inside Job, Senso, TCM Greatest Classic Legends: Jean Harlow & more…

“Inside Job is an essential movie. It shows, pretty conclusively I think, why documentaries are such an important cinematic and journalistic form these days. After you see this picture, you won’t be able to say you weren’t informed, won’t be able to see you weren‘t warned. You’ll know, if not the whole story, a big important part of it.”

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WILMINGTON ON DVD: 127 Hours, Bambi, Pirates of the Caribbean Trilogy, Burlesque, Faster

“Watching Franco here, as he plunges himself into a part so taxing physically, psychologically and even spiritually, and does it so brilliantly, you tend to forgive him for that awful, howlingly embarrassing turn he gave as co-host at the last Oscar Show.”

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Wilmington on Movies: Battle: Los Angeles, Mars Needs Moms, Red Riding Hood, Certified Copy, Uncle Boonmee…

“I can’t say some audiences won’t enjoy this — some people will enjoy anything, including staring into the toilet, maybe waiting for little green men to pop up and start water-skiing.”

“Maybe if the villagers had gotten together, and somebody had shown Tex Avery‘s cartoon Red Hot Riding Hood in the town square.”

“Fogler, whom I had ignorantly sort of dismissed as a mini-Jack Black, has the stuff, totally. Gribble is a great job.”

“A jewel of that director‘s special brand of stylized cinema realism”

“As we watch, a world opens up. This is life, this is cinema.”

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WILMINGTON ON MOVIES: Rango, The Adjustment Bureau, Take Me Home Tonight

“Up until Rango, I can’t think of many great cartoon Westerns, other than the Czech puppet animator Jiri Trnka‘s little masterpiece Song of the Prairie (1949)”

“While this script is a perfectly nice, competent, good-hearted job, and I would probably be happy to vote for Nolfi for the U.S. Congress, this movie just doesn’t say Dick to me.”

“One problem about nostalgia for the ’80s. The ’80s sucked. The ‘80s blew. The ‘80s were horrible.”

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Wilmington

Quote Unquotesee all »

“I wondered how different it would be to write a novel and it’s totally different. It’s very internal. The weird thing about it is that I found that novel-writing was much more like directing than it is like screenwriting. You’re casting it, you’re lighting it, you’re doing the costumes, you’re doing the locations, you’re doing it all yourself as a director would. In screenwriting, you don’t do that stuff. You don’t describe the face of the actor or the character when you’re writing a screenplay because Tom Cruise is going to do it and he doesn’t look like that, whereas in the novel to describe what he is is what he is. The actual act of writing, just like shooting on a set, is a slow slog. It’s going to work every day.”
~ David Cronenberg On Screenplay vs. Novel

“I was fortunate to be in the two big film epics of the last part of the 20th century: Godfather and “Lonesome Dove” on television, which was my favorite part. That’s my “Hamlet.” The English have Shakespeare; the French, Molière. In Argentina, they have Borges, but the western is ours. I like that.”
~ Robert Duvall