MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

WILMINGTON ON MOVIES: On the Bowery

“It is no exaggeration to say that Ray and Gorman, two amateurs with no film experience at all, give two of the most extraordinary and moving performances in the history of the American cinema.”

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WILMINGTON ON MOVIES: Hall Pass, I Am Number Four, Certifiably Jonathan, Poetry

“Anyway, when I say forgettable, I mean forgettable. I’ve actually forgotten the whole movie, and I had to struggle to write this synopsis.”

“Aren’t they a little ashamed of filming scripts like this, where the very best line of dialogue — by a crush — is ‘I am Number Six!'”

“Critics have not been too kind to it. Well, that’s their opinion.”

“The sorrows, pains and occasional beauties of old age have rarely been more movingly portrayed than they are here.”

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WILMINGTON ON DVD: Fish Tank, Sweet Smell of Success, Megamind, The Steig Larsson Trilogy, Due Date

Mike goes from the UK to New York to Sweden to Jeffrey Katzenberg & Will Ferrell’s brains to give you the 4-1-1 on this week’s DVD releases…

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Wilmington on Movies: Unknown, Just Go With It, The Woodmans

UNKNOWN (Two and a Half Stars)

“This is all part of a nightmare movie thriller — Hitchcockian, Polanskian — that starts well and later collapses into utter balderdash, a movie vaguely reminiscent of Polanski’s 1988 Harrison Ford-in-Paris suspense picture, Frantic (in which Ford lost his wife), of the classic, fact-based 1950 British period thriller So Long at the Fair (in which Jean Simmons lost her brother), and of the great Alfred Hitchcock suspense comedy The Lady Vanishes (in which Margaret Lockwood lost Dame May Whitty‘s Miss Froy). The movie’s Dr. Harris, or whomever, has stumbled into an alternate movie life, full of skeptical witness, hired assassin thugs, bemused scientists, arrogant putzes like the false Dr. Harris, and people who just don’t know who the hell you are (or say they don’t).”

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WILMINGTON ON DVD

This Week: Unstoppable, You Will Meet a Tall Dark Stranger, Thelma and Louise, TCM Greatest Classic Legends: Errol Flynn

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Wilmington on Movies: The Eagle, Gnomeo and Juliet

“That’s what the best of The Eagle gives us. As a twelve year old, I know I would have liked it, maybe loved it. And that twelve-year-old is still somewhere inside me as I watch it now, applauding and yearning for a swift horse, the wild frontier and the beautiful, stormy territory ahead.”

Gnomeo & Juliet – “I never thought I’d say it, but Michael Caine and Maggie Smith make pretty good lawn ornaments.”

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Wilmington on DVD: From Tillman to Amarcord

This week, Mike’s New Picks are The Tillman Story and Kore-eda’s Still Walking, the Classic Pick is Amarcord, the Blu-Ray pick is Broadcast News, the Box Set is Alien Anthology, and his Knock Of The Week is Paranormal Activity 2. Plus reviews of The Princess & The Frog, Life As We Know It, and You Again.

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Wilmington

Johanna Lynch on: Wilmington on DVDs: The File on Thelma Jordon; Adua and her Friends; Bullet to the Head

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best new dvd releases on: Wilmington on Movies and DVDs: Beauty and the Beast. Movie: Truesdale/Wise. DVD: Cocteau/Clement.

Quote Unquotesee all »

“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it’s important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice. I think it’s very, very important in a time where everything is commercialized, commodified, and branded, where advertising is constantly bleeding into other forms of discourse, for there to be an independent voice kind of speaking to—and to some extent on behalf of—the public.”
~ A. O. Scott On One Role Of The Critic

“Every night, we’d sit and talk for a long, long time and talk about the process and I knew he was very, very intrigued about what could be happening. Then of course, one of the fascinating things he told me about was how he had readers who were reading for him that never knew it was Stanley Kubrick. So if he heard of a novel, he would send it out to people. I think he did it through newspaper ads at the time. And he would send it out to people and ask for a kind of synopsis or a critique of the novel. And he would read those. And it was done anonymously. But he said there were housewives and there were barristers and all sorts of people doing that. And I thought, yeah, that’s a really good way to open up the possibilities. Because otherwise, you’re randomly looking, walking through a bookstore or an airport. I said, “How many people are doing this?” It was about 30 people.”
~ George Miller’s Conversations With Kubrick