MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

WILMINGTON ON MOVIES: On the Bowery

“It is no exaggeration to say that Ray and Gorman, two amateurs with no film experience at all, give two of the most extraordinary and moving performances in the history of the American cinema.”

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WILMINGTON ON MOVIES: Hall Pass, I Am Number Four, Certifiably Jonathan, Poetry

“Anyway, when I say forgettable, I mean forgettable. I’ve actually forgotten the whole movie, and I had to struggle to write this synopsis.”

“Aren’t they a little ashamed of filming scripts like this, where the very best line of dialogue — by a crush — is ‘I am Number Six!’”

“Critics have not been too kind to it. Well, that’s their opinion.”

“The sorrows, pains and occasional beauties of old age have rarely been more movingly portrayed than they are here.”

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WILMINGTON ON DVD: Fish Tank, Sweet Smell of Success, Megamind, The Steig Larsson Trilogy, Due Date

Mike goes from the UK to New York to Sweden to Jeffrey Katzenberg & Will Ferrell’s brains to give you the 4-1-1 on this week’s DVD releases…

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Wilmington on Movies: Unknown, Just Go With It, The Woodmans

UNKNOWN (Two and a Half Stars)

“This is all part of a nightmare movie thriller — Hitchcockian, Polanskian — that starts well and later collapses into utter balderdash, a movie vaguely reminiscent of Polanski’s 1988 Harrison Ford-in-Paris suspense picture, Frantic (in which Ford lost his wife), of the classic, fact-based 1950 British period thriller So Long at the Fair (in which Jean Simmons lost her brother), and of the great Alfred Hitchcock suspense comedy The Lady Vanishes (in which Margaret Lockwood lost Dame May Whitty‘s Miss Froy). The movie’s Dr. Harris, or whomever, has stumbled into an alternate movie life, full of skeptical witness, hired assassin thugs, bemused scientists, arrogant putzes like the false Dr. Harris, and people who just don’t know who the hell you are (or say they don’t).”

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WILMINGTON ON DVD

This Week: Unstoppable, You Will Meet a Tall Dark Stranger, Thelma and Louise, TCM Greatest Classic Legends: Errol Flynn

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Wilmington on Movies: The Eagle, Gnomeo and Juliet

“That’s what the best of The Eagle gives us. As a twelve year old, I know I would have liked it, maybe loved it. And that twelve-year-old is still somewhere inside me as I watch it now, applauding and yearning for a swift horse, the wild frontier and the beautiful, stormy territory ahead.”

Gnomeo & Juliet – “I never thought I’d say it, but Michael Caine and Maggie Smith make pretty good lawn ornaments.”

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Wilmington on DVD: From Tillman to Amarcord

This week, Mike’s New Picks are The Tillman Story and Kore-eda’s Still Walking, the Classic Pick is Amarcord, the Blu-Ray pick is Broadcast News, the Box Set is Alien Anthology, and his Knock Of The Week is Paranormal Activity 2. Plus reviews of The Princess & The Frog, Life As We Know It, and You Again.

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Wilmington

Quote Unquotesee all »

Six rules for filmmaking from Mike Nichols
1. The careful application of terror is an important form of communication.
2. Anything worth fighting for is worth fighting dirty for.
3. There’s absolutely no substitute for genuine lack of preparation.
4. If you think there’s good in everybody, you haven’t met everybody.
5. Friends may come and go but enemies will certainly become studio heads.
6. No one ever lost anything by asking for more money.
~ Via Larry Karaszewski and Howard A. Rodman On Facebook

“I expected ‘Salesman’ to take the step backward every day that Chekhov and Beckett did — but no, it was there to help all the time. The circumstances are like a brick shithouse, they are so solid. You can’t really be satisfied, but I am pretty close to it because the cast took it and ran. They get better every day. I’ve never seen anything like that before, and I don’t know if I’ll ever see it again. Is my ambition sated? I don’t know. To get something right, it can’t be sated because you can’t ever get enough of it right—and even if it is right, it won’t stay right. That’s the thing about a play. But with ‘Salesman,’ it’s different. I don’t know how, but they just keep getting better each night. I really don’t think I’ll direct another play. This is as good a time as I’ve ever had, and I don’t want to fuck it up.”
~ Mike Nichols To Stephen Galloway At The Time Of “Death Of A Salesman”