MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

WILMINGTON ON MOVIES: On the Bowery

“It is no exaggeration to say that Ray and Gorman, two amateurs with no film experience at all, give two of the most extraordinary and moving performances in the history of the American cinema.”

Read the full article »

WILMINGTON ON MOVIES: Hall Pass, I Am Number Four, Certifiably Jonathan, Poetry

“Anyway, when I say forgettable, I mean forgettable. I’ve actually forgotten the whole movie, and I had to struggle to write this synopsis.”

“Aren’t they a little ashamed of filming scripts like this, where the very best line of dialogue — by a crush — is ‘I am Number Six!’”

“Critics have not been too kind to it. Well, that’s their opinion.”

“The sorrows, pains and occasional beauties of old age have rarely been more movingly portrayed than they are here.”

Read the full article »

WILMINGTON ON DVD: Fish Tank, Sweet Smell of Success, Megamind, The Steig Larsson Trilogy, Due Date

Mike goes from the UK to New York to Sweden to Jeffrey Katzenberg & Will Ferrell’s brains to give you the 4-1-1 on this week’s DVD releases…

Read the full article »

Wilmington on Movies: Unknown, Just Go With It, The Woodmans

UNKNOWN (Two and a Half Stars)

“This is all part of a nightmare movie thriller — Hitchcockian, Polanskian — that starts well and later collapses into utter balderdash, a movie vaguely reminiscent of Polanski’s 1988 Harrison Ford-in-Paris suspense picture, Frantic (in which Ford lost his wife), of the classic, fact-based 1950 British period thriller So Long at the Fair (in which Jean Simmons lost her brother), and of the great Alfred Hitchcock suspense comedy The Lady Vanishes (in which Margaret Lockwood lost Dame May Whitty‘s Miss Froy). The movie’s Dr. Harris, or whomever, has stumbled into an alternate movie life, full of skeptical witness, hired assassin thugs, bemused scientists, arrogant putzes like the false Dr. Harris, and people who just don’t know who the hell you are (or say they don’t).”

Read the full article »

WILMINGTON ON DVD

This Week: Unstoppable, You Will Meet a Tall Dark Stranger, Thelma and Louise, TCM Greatest Classic Legends: Errol Flynn

Read the full article »

Wilmington on Movies: The Eagle, Gnomeo and Juliet

“That’s what the best of The Eagle gives us. As a twelve year old, I know I would have liked it, maybe loved it. And that twelve-year-old is still somewhere inside me as I watch it now, applauding and yearning for a swift horse, the wild frontier and the beautiful, stormy territory ahead.”

Gnomeo & Juliet – “I never thought I’d say it, but Michael Caine and Maggie Smith make pretty good lawn ornaments.”

Read the full article »

Wilmington on DVD: From Tillman to Amarcord

This week, Mike’s New Picks are The Tillman Story and Kore-eda’s Still Walking, the Classic Pick is Amarcord, the Blu-Ray pick is Broadcast News, the Box Set is Alien Anthology, and his Knock Of The Week is Paranormal Activity 2. Plus reviews of The Princess & The Frog, Life As We Know It, and You Again.

Read the full article »

Wilmington

Quote Unquotesee all »

“I am just grateful I am still around. I would love to be Steven Soderbergh, but I am lucky to be Joe Swanberg. Actors want to work with me, people want to give me money, and my nightmare scenario remains: Getting in bed with a studio, spending years on a movie, and it turns out horrible, but now I’m rich.”

Actually, by Hollywood standards, you’re right, I said. That is unambitious.

“It is, and yet, if you can go to bed happy at night, doing what you want, isn’t that ambition for a lifetime?”
~ Swanberg On Swanberg By Borelli

“In retrospect, nothing of that kind surprised me about Philip, because his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.”
John le Carré on Philip Seymour Hoffman