MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

MW on Movies: Tangled, Burlesque and White Material

Tangled (Three Stars) U.S.: Nathan Greno, Byron Howard, 2010 I don’t know: Maybe I’m going though my second childhood. But, these days, very often, the kids’ movies coming out of the big studios (and I mean mostly the cartoon features) seem and look to me so much brighter, funnier, more entertaining — hell, so much…

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MW on DVDs: Metropolis, Flipped, Last of the Mohicans, The Bing Crosby Collection … and more

PICK OF THE WEEK: CLASSIC Metropolis (Most Complete Version) (Four Stars) Germany: Fritz Lang, 1927 Metropolis, Fritz Lang’s great, spellbinding science fiction epic about a futuristic city gone mad, has been regarded as a cinematic classic since almost the very hours of its premiere, in Berlin in 1927. At that first showing, German audiences and…

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MW on Movies: Harry Potter and the Deathly Hallows, Pt. 1, The Next Three Days, and Client 9: The Rise and Fall of Eliot Spitzer

Harry Potter and the Deathly Hallows, Part One (Three Stars) U.S.; David Yates, 2010 The beginning of the end for a very long, mostly gratifying, often magical and sometimes splendiferous and surprising cinematic journey on a constantly twisting fantastical/literary road, Harry Potter and the Deathly Hallows, Part One splits the last of the J. K….

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MW on Movies: Avatar, Modern Times, The Bridge on the River Kwai, Spider-Man, Spider-Man 2, Apocalypse Now/Apocalypse Now Redux

   PICK OF THE WEEK: NEW Avatar (Three Disc Extended Edition Blu-ray Digital DVD Combo) (Four Stars) U. S.; James Cameron, 2009 (Fox) Avatar, James Cameron’s` planet-shaking, moon-rocking, eco-worshipping, dragon-riding new science fiction fantasy epic-and-a-half, may not be a perfect movie. But it’s sure as hell an incredible experience. It‘s a genre-movie knockout, a cinematic…

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MW on Movies: Unstoppable and Saw 3D

Unstoppable (Four Stars) U.S.: Tony Scott, 2010 Unstoppable, a blow-you-out-of-your seat and slam-you-against-the-wall thriller about a runaway train — by Tony Scott, who knows how to make action movies, but rarely makes them this well — starts strong, hits the tracks fast, tears out the brakes, takes off like a shot, and then just keeps…

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MW on DVDs: Scott Pilgrim vs. The World, Chaplin at Keystone, Moulin Rouge … and more

PICK OF THE WEEK: NEW Scott Pilgrim Vs. The World (Three Stars) U.S.; Edgar Wright, 2010 Oh, to be a kid again. To feel the juices and saps running madly, to get wildly excited about comic books and top ten hit-lists and about the last good new teen movie you saw (the whole canon from…

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Wilmington on DVDs: Toy Story 3, The Toy Story Trilogy, The Magician, Centurion, Winnebago Man … and more

PICK OF THE WEEK: NEW Toy Story 3 (Four Stars) U. S.: Lee Unkrich, 2010 Toy Story 3 is just what we’ve come to expect from Pixar: a brilliantly conceived and immaculately animated knockout of a family show: witty and scrumptious, moving and marvelous, and something that parents can enjoy every bit as much as…

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Wilmington

Quote Unquotesee all »

“I don’t know, because I don’t know much about those cameras. I know that’s been a complaint, but I wouldn’t know. Film is what worked for this film. I have a fear of the unknown. I’ve spent a long time trying to learn one camera, and to fucking stop and try to learn another one… I would have to stop for 20 years! I’m a slow learner; I’d have to go through the manual, it would be starting over. So there’s that, too. It’s an issue for filmmakers, and it’s on people’s minds, and I have to say that it’s a lot more challenging and difficult just to kind of get somebody to show film or to print film. It’s far more challenging than it should be right now, and we’re just trying to keep it alive a little bit and create a little pocket where it can be shown that way in various places across the country right now.”
~ Paul Thomas Anderson To David Ehrlich On The Prospect Of Switching From Film

“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award