MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

MW on Movies: Tangled, Burlesque and White Material

Tangled (Three Stars) U.S.: Nathan Greno, Byron Howard, 2010 I don’t know: Maybe I’m going though my second childhood. But, these days, very often, the kids’ movies coming out of the big studios (and I mean mostly the cartoon features) seem and look to me so much brighter, funnier, more entertaining — hell, so much…

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MW on DVDs: Metropolis, Flipped, Last of the Mohicans, The Bing Crosby Collection … and more

PICK OF THE WEEK: CLASSIC Metropolis (Most Complete Version) (Four Stars) Germany: Fritz Lang, 1927 Metropolis, Fritz Lang’s great, spellbinding science fiction epic about a futuristic city gone mad, has been regarded as a cinematic classic since almost the very hours of its premiere, in Berlin in 1927. At that first showing, German audiences and…

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MW on Movies: Harry Potter and the Deathly Hallows, Pt. 1, The Next Three Days, and Client 9: The Rise and Fall of Eliot Spitzer

Harry Potter and the Deathly Hallows, Part One (Three Stars) U.S.; David Yates, 2010 The beginning of the end for a very long, mostly gratifying, often magical and sometimes splendiferous and surprising cinematic journey on a constantly twisting fantastical/literary road, Harry Potter and the Deathly Hallows, Part One splits the last of the J. K….

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MW on Movies: Avatar, Modern Times, The Bridge on the River Kwai, Spider-Man, Spider-Man 2, Apocalypse Now/Apocalypse Now Redux

   PICK OF THE WEEK: NEW Avatar (Three Disc Extended Edition Blu-ray Digital DVD Combo) (Four Stars) U. S.; James Cameron, 2009 (Fox) Avatar, James Cameron’s` planet-shaking, moon-rocking, eco-worshipping, dragon-riding new science fiction fantasy epic-and-a-half, may not be a perfect movie. But it’s sure as hell an incredible experience. It‘s a genre-movie knockout, a cinematic…

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MW on Movies: Unstoppable and Saw 3D

Unstoppable (Four Stars) U.S.: Tony Scott, 2010 Unstoppable, a blow-you-out-of-your seat and slam-you-against-the-wall thriller about a runaway train — by Tony Scott, who knows how to make action movies, but rarely makes them this well — starts strong, hits the tracks fast, tears out the brakes, takes off like a shot, and then just keeps…

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MW on DVDs: Scott Pilgrim vs. The World, Chaplin at Keystone, Moulin Rouge … and more

PICK OF THE WEEK: NEW Scott Pilgrim Vs. The World (Three Stars) U.S.; Edgar Wright, 2010 Oh, to be a kid again. To feel the juices and saps running madly, to get wildly excited about comic books and top ten hit-lists and about the last good new teen movie you saw (the whole canon from…

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Wilmington on DVDs: Toy Story 3, The Toy Story Trilogy, The Magician, Centurion, Winnebago Man … and more

PICK OF THE WEEK: NEW Toy Story 3 (Four Stars) U. S.: Lee Unkrich, 2010 Toy Story 3 is just what we’ve come to expect from Pixar: a brilliantly conceived and immaculately animated knockout of a family show: witty and scrumptious, moving and marvelous, and something that parents can enjoy every bit as much as…

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Wilmington

Andrew Coyle on: Wilmington On Movies: Paterson

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

Movieman on: Wilmington on Movies: The Purge: Election Year

Johanna Lynch on: Wilmington on DVDs: The File on Thelma Jordon; Adua and her Friends; Bullet to the Head

【14時までのご注文は即日発送】04-0017 03 48サイズ JILL STUART NEW YORK (ジルスチュアート ニュ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

【最安値に挑戦!】 ダイキン SSRN112BD4馬力相当 天井埋込カセット形 マルチフロ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

alain mikli アランミクリ メガネSTARCK EYES (スタルクアイズ) SH0001D カラー0053(正規品)【楽 on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

【最安値に挑戦!】 ダイキンSZRN63BT2.5馬力相当 天井埋込カセット形 マルチフロ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

Quote Unquotesee all »

“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson