MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

MW on Movies: The Girl Who Kicked the Hornet’s Nest, Paranormal Activity 2, and CIFF Wrap-Up

The Girl Who Kicked the Hornet’s Nest (Three Stars) Sweden; Daniel Alfredson, 2009 The Girl Who Kicked the Hornet’s Nest, the third of the Steig Larsson “Girl” movie adaptations — about a leftist Swedish investigative reporter named Mikael Blomkvist, a dragon-tattooed Lesbian computer hacker/investigator named Lisbeth Salander, and the rat’s nest of government corruption, private…

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MW on Movies: Hereafter

Eastwood is 80. Most of the evidence is in. Frankly, if he were as bad as his blasters seem to think, some perhaps still taking their cues from the late, renowned and brilliant Eastwood-hater Pauline Kael, he would probably have gone the way of all old macho-hunk stars and be costarring this year in The Expendables.

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MW on DVDs: Disneynature Oceans, The Maltese Falcon, The Exorcist, Visions of Europe, Predators … and more

PICK OF THE WEEK: NEW DisneyNature: Oceans (Blu-ray & DVD) (Four Stars) France-U.S.; Jacques Perrin/Jacques Cluzaud, 2009 A real gem, from France, where they love to watch the world through a camera eye. Made by Jacques Perrin and Jacques Cluzaud, the two directors of the magnificent birds-in-flight documentary Winged Migration, here’s an equally magnificent view…

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Wilmington on Movies: The Chicago International Film Festival, Red, Conviction … and more

And listen, if I have to read one more review about how this is a movie especially for AARP members, or the geriatric set, or card-carrying Medicare moviegoers, or old folks, I think I’ll throw my walker at them. Give me a break. What do these clowns want, a life spent perusing nothing but Jesse Eisenberg, Michael Cera, or Hannah Montana movies?

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Wilmington on DVDs: How to Train Your Dragon, Treasure of the Sierra Madre, The Darjeeling Limited, The Films of Nikita Mikhalkov, The Hangover, The Human Centipede and more …

The opening, for me at least, would have been better with something quieter before the storm — however virtuosic that dragon-storm, however riveting that warfare. The movie could have used a lot more initial contrast between the dreamy predispositions of Hiccup, and those bloody dragon assaults that come blasting at us right from the start.

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Wilmington on Movies: Secretariat, Life As We Know It, Buried, You Again, and Let Me In

Secretariat (Three and a Half Stars) U. S.; Randall Wallace, 2010 If you’ve got a great story, in life or in movies, the best thing to do is usually to let it fill your heart, tell it clearly, keep it straight and pure, and don’t load it up with agendas and tack-ons. The new movie…

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Wilmington on DVDs: The Thin Red Line, Mid-August Lunch, Grindhouse, The Twilight Zone, A Nightmare on Elm Street … and more

PICK OF THE WEEK: CLASSIC The Thin Red Line (Two Discs) (Four Stars) U.S.; Terrence Malick, 1998 (Criterion Collection). Let‘s talk about a really great American movie that has been somewhat underrated and neglected, and shouldn’t be any more, not after this superb new Criterion two-disc release. The movie is Terrence Malick‘s 1998 film of…

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MW on Movies: The Social Network

But, in the top fillip of The Social Network’s many, many ironies, we see that maybe Mark and his fellow web movers and shakers — and the whole new social-communal wrinkle that they‘ve been chosen to dramatically represent — don’t really “need” things like empathy, sympathy, what we’d call humanity.

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Wilmington

Johanna Lynch on: Wilmington on DVDs: The File on Thelma Jordon; Adua and her Friends; Bullet to the Head

【14時までのご注文は即日発送】04-0017 03 48サイズ JILL STUART NEW YORK (ジルスチュアート ニュ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

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12月誕生石 タンザナイト 幸運のクローバー ネックレス ホワイトゴールド on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

best new dvd releases on: Wilmington on Movies and DVDs: Beauty and the Beast. Movie: Truesdale/Wise. DVD: Cocteau/Clement.

Quote Unquotesee all »

Tsangari: With my next film, White Knuckles, it comes with a budget — it’s going to be a huge new world for me. As always when I enter into a new thing, don’t you wonder how it’s going to be and how much of yourself you are going to have to sacrifice? The ballet of all of this. I’m already imaging the choreography — not of the camera, but the choreography of actually bringing it to life. It is as fascinating as the shooting itself. I find the producing as exciting as the directing. The one informs the other. There is this producer-director hat that I constantly wear. I’ve been thinking about these early auteurs, like Howard Hawks and John Ford and Preston Sturges—all of these guys basically were hired by the studio, and I doubt they had final cut, and somehow they had films that now we can say they had their signatures.  There are different ways of being creative within the parameters and limitations of production. The only thing you cannot negotiate is stupidity.
Filmmaker: And unfortunately, there is an abundance of that in the world.
Tsangari: This is the only big risk: stupidity. Everything else is completely worked out in the end.
~ Chevalier‘s Rachel Athina Tsangari

“The middle-range movies that I was doing have largely either stopped being made, or they’ve moved to television, now that television is a go-to medium for directors who can’t get work in theatricals, because there are so few theatricals being made. But also with the new miniseries concept, you can tell a long story in detail without having to cram it all into 90 minutes. You don’t have to cut the characters and take out the secondary people. You can actually put them all on a big canvas. And it is a big canvas, because people have bigger screens now, so there’s no aesthetic difference between the way you shoot a movie and the way you shoot a TV show.

“Which is all for the good. But what’s happened in the interim is that theatrical movies being a spectacle business are now either giant blockbuster movies that run three hours—even superhero movies run three hours, they used to run like 58 minutes!—and the others, which are dysfunctional family independent movies or the slob comedy or the kiddie movie, and those are all low-budget. So the middle ground of movies that were about things, they’re just gone. Or else they’re on HBO. Like the Bryan Cranston LBJ movie, which years ago would’ve been made for theaters.

“You’ve got people like Paul Schrader and Walter Hill who can’t get their movies theatrically distributed because there’s no market for it. So they end up going to VOD, and VOD is a model from which no one makes any money, because most of the time, as soon as they get on the site, they’re pirated. So the whole model of the system right now is completely broken. And whether or not anybody’s going to try to fix, or if it even can be fixed, I don’t know. But it’s certainly not the same business that I got into in the ’70s.”
~ Joe Dante

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