MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

MW on Movies: The Girl Who Kicked the Hornet’s Nest, Paranormal Activity 2, and CIFF Wrap-Up

The Girl Who Kicked the Hornet’s Nest (Three Stars) Sweden; Daniel Alfredson, 2009 The Girl Who Kicked the Hornet’s Nest, the third of the Steig Larsson “Girl” movie adaptations — about a leftist Swedish investigative reporter named Mikael Blomkvist, a dragon-tattooed Lesbian computer hacker/investigator named Lisbeth Salander, and the rat’s nest of government corruption, private…

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MW on Movies: Hereafter

Eastwood is 80. Most of the evidence is in. Frankly, if he were as bad as his blasters seem to think, some perhaps still taking their cues from the late, renowned and brilliant Eastwood-hater Pauline Kael, he would probably have gone the way of all old macho-hunk stars and be costarring this year in The Expendables.

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MW on DVDs: Disneynature Oceans, The Maltese Falcon, The Exorcist, Visions of Europe, Predators … and more

PICK OF THE WEEK: NEW DisneyNature: Oceans (Blu-ray & DVD) (Four Stars) France-U.S.; Jacques Perrin/Jacques Cluzaud, 2009 A real gem, from France, where they love to watch the world through a camera eye. Made by Jacques Perrin and Jacques Cluzaud, the two directors of the magnificent birds-in-flight documentary Winged Migration, here’s an equally magnificent view…

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Wilmington on Movies: The Chicago International Film Festival, Red, Conviction … and more

And listen, if I have to read one more review about how this is a movie especially for AARP members, or the geriatric set, or card-carrying Medicare moviegoers, or old folks, I think I’ll throw my walker at them. Give me a break. What do these clowns want, a life spent perusing nothing but Jesse Eisenberg, Michael Cera, or Hannah Montana movies?

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Wilmington on DVDs: How to Train Your Dragon, Treasure of the Sierra Madre, The Darjeeling Limited, The Films of Nikita Mikhalkov, The Hangover, The Human Centipede and more …

The opening, for me at least, would have been better with something quieter before the storm — however virtuosic that dragon-storm, however riveting that warfare. The movie could have used a lot more initial contrast between the dreamy predispositions of Hiccup, and those bloody dragon assaults that come blasting at us right from the start.

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Wilmington on Movies: Secretariat, Life As We Know It, Buried, You Again, and Let Me In

Secretariat (Three and a Half Stars) U. S.; Randall Wallace, 2010 If you’ve got a great story, in life or in movies, the best thing to do is usually to let it fill your heart, tell it clearly, keep it straight and pure, and don’t load it up with agendas and tack-ons. The new movie…

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Wilmington on DVDs: The Thin Red Line, Mid-August Lunch, Grindhouse, The Twilight Zone, A Nightmare on Elm Street … and more

PICK OF THE WEEK: CLASSIC The Thin Red Line (Two Discs) (Four Stars) U.S.; Terrence Malick, 1998 (Criterion Collection). Let‘s talk about a really great American movie that has been somewhat underrated and neglected, and shouldn’t be any more, not after this superb new Criterion two-disc release. The movie is Terrence Malick‘s 1998 film of…

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MW on Movies: The Social Network

But, in the top fillip of The Social Network’s many, many ironies, we see that maybe Mark and his fellow web movers and shakers — and the whole new social-communal wrinkle that they‘ve been chosen to dramatically represent — don’t really “need” things like empathy, sympathy, what we’d call humanity.

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Wilmington

Quote Unquotesee all »

“Almodóvar–the first name is almost unnecessary–is a genius, is a flower, is a guiding light: the last, best son of Buñuel and so much more than that. His screenplays, which he directs with passion and fine care, have taught us about the exteriors of his native land and the interiors of our own hearts. From the early, manic experimental Super-8 work to the breakthrough Women on the Verge of a Nervous Breakdown, his titles are as evocative as most people’s screenplays. Yet for all their antic energy, Almodóvar’s films are deeply spiritual: watching his disturbing, mysterious, heart-rending Talk to Her is to understand, perhaps for the first time, the full meaning of grace. An Almodóvar screenplay is a running leap off a Gaudi balcony, it flips, soars, ascends, careens, tumbles, falls – always landing, astonishingly and astonished, on its feet.”
~ Howard A. Rodman, Announcing Almodóvar’s Jean Renoir Award

“I got a feeling I am going to win in the long run, but I want to be part of the zeitgeist, too. I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times. Girls now are also faced with different problems. I’ve been guilty of one thing: After being the only girl in bands for 10 years, I learned—the hard way—that if I was going to get my ideas through, I was going to have to pretend that they—men—had the ideas. I became really good at this and I don’t even notice it myself. I don’t really have an ego. I’m not that bothered. I just want the whole thing to be good. And I’m not saying one bad thing about the guys who were with me in the bands, because they’re all amazing and creative, and they’re doing incredible things now. But I come from a generation where that was the only way to get things done. So I have to play stupid and just do everything with five times the amount of energy, and then it will come through.”
~ Björk to Jessica Hopper at Pitchfork