MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

MW on DVDs: The Killer Inside Me, The Law (La Loi), Palermo or Wolfsburg, Get Him to the Greek … and more

PICK OF THE WEEK: NEW The Killer Inside Me (Three Stars) U.S.; Michael Winterbottom, 2010 All these years, ever since it first appeared as a paperback original novel in 1952, a possible movie of Jim Thompson’s The Killer Inside Me — the first-person deep-noir tale of a smooth-talking small-town Southern deputy sheriff and murdering bastard…

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Wilmington on Movies: Wall Street: Money Never Sleeps, Legend of the Guardians: The Owls of Ga’Hoole, and Our Hitler

Wall Street: Money Never Sleeps (Three and a Half Stars) U.S.; Oliver Stone, 2010 Oliver Stone’s new movie Wall Street: Money Never Sleeps returns us to one of Stone’s great subjects of the 1980s: the glamour and corruption of the American financial markets. A sequel to Stone‘s 1987 Wall Street, this show plunges us back…

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Wilmington on DVDs: Robin Hood, Charade, Playing for Time, Forbidden Planet, The Secret Behind Their Eyes … and more

PICK OF THE WEEK: NEW Robin Hood (Three and a Half Stars) U.S.; Ridley Scott, 2010 “To live outside the law, you must be honest,“ Bob Dylan once sang (in “”Absolutely Sweet Marie,“ from “Blonde on Blonde“). And that’s the credo that permeates most of the many, many screen incarnations of Robin Hood of Sherwood…

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Wilmington on Movies: The Town, Easy A, Never Let Me Go, Mademoiselle Chambon, and Catfish

There’s not a role here that could have been played better, not an actor, including the much-dissed Ms. Lively, who could have been cast better (though, for old time’s sake, we might have liked to see Matt Damon as Jem). I think both this movie and the withering Gone, Baby, Gone (from Lehane) prove director Affleck loves his actors and tries to do his best by them. He’s also pretty damned smart about local color and atmosphere.

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Wilmington on DVDs: Casino Jack, My Son, My Son What Have Ye Done?, Breathless, Crumb and more …

Alex Gibney‘s Casino Jack and the United States of Money is the amazing, genuinely scary and totally sobering story of Jack Abramoff, the supreme Republican lobbyist/dealmaker/moneyman, and also the poster child for a decade crazed by greed and contemptuous of rules, regulations and the problems of the common man and woman.

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Wilmington on Movies: I’m Still Here, Soul Kitchen and Bran Nue Dae

Okay. Here’s my opinion. I think they had us on. Obviously. Totally. To me (and to lots of others) this looks like a Borat-style mix of a fake central character (Phoenix travestying himself) and a fake premise with some (maybe quite a few) real reactions from the real world around him. (How many, who can tell?)

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Wilmington on DVDs: Solitary Man, Crumb, THX-1138, Macgruber and Caravaggio

PICK OF THE WEEK: NEW Solitary Man (Three Stars) U.S.;  Brian Koppleman & David Levien, 2010 The thing that fascinates people about a serial seducer like Ben Kalmen (magnificently played by Michael Douglas in A Solitary Man) is his speed of conquest. What could take the average man, even in our liberated society, several months…

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MW on Movies: The American, Machete, Going the Distance, Mesrine: Killer Instinct, Mesrine: Public Enemy No. 1 and Lebanon

The American (Three Stars) U.S.; Anton Corbijn, 2010 I like George Clooney. No off-color psychological speculations, please. What I like about him is the easy-going “good guy” way he plays the Hollywood game. I like his politics, his philanthropy, his unpretentious smarts, his good-natured jock style, his taste in movie scripts, his daring as a…

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Wilmington

Andrew Coyle on: Wilmington On Movies: Paterson

tamzap on: Wilmington on DVDs: The Magnificent Seven, Date Night, Little Women, Chicago and more …

rdecker5 on: Wilmington on DVDs: Ivan's Childhood

Ray Pride on: Wilmington on Movies: The Purge: Election Year

Movieman on: Wilmington on Movies: The Purge: Election Year

Johanna Lynch on: Wilmington on DVDs: The File on Thelma Jordon; Adua and her Friends; Bullet to the Head

【14時までのご注文は即日発送】04-0017 03 48サイズ JILL STUART NEW YORK (ジルスチュアート ニュ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

【最安値に挑戦!】 ダイキン SSRN112BD4馬力相当 天井埋込カセット形 マルチフロ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

alain mikli アランミクリ メガネSTARCK EYES (スタルクアイズ) SH0001D カラー0053(正規品)【楽 on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

【最安値に挑戦!】 ダイキンSZRN63BT2.5馬力相当 天井埋込カセット形 マルチフロ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

Quote Unquotesee all »

“I was 15 when I first watched Sally Hardesty escape into the back of a pickup truck, covered in blood and cackling like a goddamn witch. All of her friends were dead. She had been kidnapped, tortured and even forced to feed her own blood to her cannibalistic captors’ impossibly shriveled patriarch. Being new to the horror genre, I was sure she was going to die. It had been a few months since I survived a violent sexual assault, where I subsequently ran from my assailant, tripped, fell and fought like hell. I crawled home with bloody knees, makeup-stained cheeks and a new void in both my mind and heart. My sense of safety, my ability to trust others, my willingness to form new relationships and my love of spending time with people I cared about were all taken from me. It wasn’t until I found the original The Texas Chain Saw Massacre that something clicked. It was Sally’s strength, and her resilience. It was watching her survive blows to the head from a hammer. It was watching her break free from her bonds and burst through a glass window. It was watching her get back up after she’d been stabbed. It was watching her crawl into the back of a truck, laughing as it drove away from Leatherface. She was the last one to confront the killer, and live. I remember sitting in front of the TV and thinking, There I am. That’s me.”
~ Lauren Milici On “The Final Girl”

“‘Thriller’ enforced its own reality principle; it was there, part of the every commute, a serenade to every errand, a referent to every purchase, a fact of every life. You didn’t have to like it, you only had to acknowledge it. By July 6, 1984, when the Jacksons played the first show of their ‘Victory’ tour, in Kansas City, Missouri, Jacksonism had produced a system of commodification so complete that whatever and whoever was admitted to it instantly became a new commodity. People were no longer comsuming commodities as such things are conventionally understood (records, videos, posters, books, magazines, key rings, earrings necklaces pins buttons wigs voice-altering devices Pepsis t-shirts underwear hats scarves gloves jackets – and why were there no jeans called Bille Jeans?); they were consuming their own gestures of consumption. That is, they were consuming not a Tayloristic Michael Jackson, or any licensed facsimile, but themselves. Riding a Mobius strip of pure capitalism, that was the transubstantiation.”
~ Greil Marcus On Michael Jackson