MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

MW on DVDs: The Killer Inside Me, The Law (La Loi), Palermo or Wolfsburg, Get Him to the Greek … and more

PICK OF THE WEEK: NEW The Killer Inside Me (Three Stars) U.S.; Michael Winterbottom, 2010 All these years, ever since it first appeared as a paperback original novel in 1952, a possible movie of Jim Thompson’s The Killer Inside Me — the first-person deep-noir tale of a smooth-talking small-town Southern deputy sheriff and murdering bastard…

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Wilmington on Movies: Wall Street: Money Never Sleeps, Legend of the Guardians: The Owls of Ga’Hoole, and Our Hitler

Wall Street: Money Never Sleeps (Three and a Half Stars) U.S.; Oliver Stone, 2010 Oliver Stone’s new movie Wall Street: Money Never Sleeps returns us to one of Stone’s great subjects of the 1980s: the glamour and corruption of the American financial markets. A sequel to Stone‘s 1987 Wall Street, this show plunges us back…

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Wilmington on DVDs: Robin Hood, Charade, Playing for Time, Forbidden Planet, The Secret Behind Their Eyes … and more

PICK OF THE WEEK: NEW Robin Hood (Three and a Half Stars) U.S.; Ridley Scott, 2010 “To live outside the law, you must be honest,“ Bob Dylan once sang (in “”Absolutely Sweet Marie,“ from “Blonde on Blonde“). And that’s the credo that permeates most of the many, many screen incarnations of Robin Hood of Sherwood…

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Wilmington on Movies: The Town, Easy A, Never Let Me Go, Mademoiselle Chambon, and Catfish

There’s not a role here that could have been played better, not an actor, including the much-dissed Ms. Lively, who could have been cast better (though, for old time’s sake, we might have liked to see Matt Damon as Jem). I think both this movie and the withering Gone, Baby, Gone (from Lehane) prove director Affleck loves his actors and tries to do his best by them. He’s also pretty damned smart about local color and atmosphere.

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Wilmington on DVDs: Casino Jack, My Son, My Son What Have Ye Done?, Breathless, Crumb and more …

Alex Gibney‘s Casino Jack and the United States of Money is the amazing, genuinely scary and totally sobering story of Jack Abramoff, the supreme Republican lobbyist/dealmaker/moneyman, and also the poster child for a decade crazed by greed and contemptuous of rules, regulations and the problems of the common man and woman.

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Wilmington on Movies: I’m Still Here, Soul Kitchen and Bran Nue Dae

Okay. Here’s my opinion. I think they had us on. Obviously. Totally. To me (and to lots of others) this looks like a Borat-style mix of a fake central character (Phoenix travestying himself) and a fake premise with some (maybe quite a few) real reactions from the real world around him. (How many, who can tell?)

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Wilmington on DVDs: Solitary Man, Crumb, THX-1138, Macgruber and Caravaggio

PICK OF THE WEEK: NEW Solitary Man (Three Stars) U.S.;  Brian Koppleman & David Levien, 2010 The thing that fascinates people about a serial seducer like Ben Kalmen (magnificently played by Michael Douglas in A Solitary Man) is his speed of conquest. What could take the average man, even in our liberated society, several months…

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MW on Movies: The American, Machete, Going the Distance, Mesrine: Killer Instinct, Mesrine: Public Enemy No. 1 and Lebanon

The American (Three Stars) U.S.; Anton Corbijn, 2010 I like George Clooney. No off-color psychological speculations, please. What I like about him is the easy-going “good guy” way he plays the Hollywood game. I like his politics, his philanthropy, his unpretentious smarts, his good-natured jock style, his taste in movie scripts, his daring as a…

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Wilmington

【14時までのご注文は即日発送】04-0017 03 48サイズ JILL STUART NEW YORK (ジルスチュアート ニュ on: Wilmington on DVDs: House of Wax (1953); After Earth; The Purge

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best new dvd releases on: Wilmington on Movies and DVDs: Beauty and the Beast. Movie: Truesdale/Wise. DVD: Cocteau/Clement.

Barry Sabath on: Wilmington on Movies: The Apu Trilogy

Quote Unquotesee all »

“There are critics who see their job as to be on the side of the artist, or in a state of imaginative sympathy or alliance with the artist. I think it’s important for a critic to be populist in the sense that we’re on the side of the public. I think one of the reasons is, frankly, capitalism. Whether you’re talking about restaurants or you’re talking about movies, you’re talking about large-scale commercial enterprises that are trying to sell themselves and market themselves and publicize themselves. A critic is, in a way, offering consumer advice. I think it’s very, very important in a time where everything is commercialized, commodified, and branded, where advertising is constantly bleeding into other forms of discourse, for there to be an independent voice kind of speaking to—and to some extent on behalf of—the public.”
~ A. O. Scott On One Role Of The Critic

“Every night, we’d sit and talk for a long, long time and talk about the process and I knew he was very, very intrigued about what could be happening. Then of course, one of the fascinating things he told me about was how he had readers who were reading for him that never knew it was Stanley Kubrick. So if he heard of a novel, he would send it out to people. I think he did it through newspaper ads at the time. And he would send it out to people and ask for a kind of synopsis or a critique of the novel. And he would read those. And it was done anonymously. But he said there were housewives and there were barristers and all sorts of people doing that. And I thought, yeah, that’s a really good way to open up the possibilities. Because otherwise, you’re randomly looking, walking through a bookstore or an airport. I said, “How many people are doing this?” It was about 30 people.”
~ George Miller’s Conversations With Kubrick