MCN Columnists
Mike Wilmington

Wilmington By Mike WilmingtonWilmington@moviecitynews.com

MW on DVDs: The Killer Inside Me, The Law (La Loi), Palermo or Wolfsburg, Get Him to the Greek … and more

PICK OF THE WEEK: NEW The Killer Inside Me (Three Stars) U.S.; Michael Winterbottom, 2010 All these years, ever since it first appeared as a paperback original novel in 1952, a possible movie of Jim Thompson’s The Killer Inside Me — the first-person deep-noir tale of a smooth-talking small-town Southern deputy sheriff and murdering bastard…

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Wilmington on Movies: Wall Street: Money Never Sleeps, Legend of the Guardians: The Owls of Ga’Hoole, and Our Hitler

Wall Street: Money Never Sleeps (Three and a Half Stars) U.S.; Oliver Stone, 2010 Oliver Stone’s new movie Wall Street: Money Never Sleeps returns us to one of Stone’s great subjects of the 1980s: the glamour and corruption of the American financial markets. A sequel to Stone‘s 1987 Wall Street, this show plunges us back…

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Wilmington on DVDs: Robin Hood, Charade, Playing for Time, Forbidden Planet, The Secret Behind Their Eyes … and more

PICK OF THE WEEK: NEW Robin Hood (Three and a Half Stars) U.S.; Ridley Scott, 2010 “To live outside the law, you must be honest,“ Bob Dylan once sang (in “”Absolutely Sweet Marie,“ from “Blonde on Blonde“). And that’s the credo that permeates most of the many, many screen incarnations of Robin Hood of Sherwood…

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Wilmington on Movies: The Town, Easy A, Never Let Me Go, Mademoiselle Chambon, and Catfish

There’s not a role here that could have been played better, not an actor, including the much-dissed Ms. Lively, who could have been cast better (though, for old time’s sake, we might have liked to see Matt Damon as Jem). I think both this movie and the withering Gone, Baby, Gone (from Lehane) prove director Affleck loves his actors and tries to do his best by them. He’s also pretty damned smart about local color and atmosphere.

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Wilmington on DVDs: Casino Jack, My Son, My Son What Have Ye Done?, Breathless, Crumb and more …

Alex Gibney‘s Casino Jack and the United States of Money is the amazing, genuinely scary and totally sobering story of Jack Abramoff, the supreme Republican lobbyist/dealmaker/moneyman, and also the poster child for a decade crazed by greed and contemptuous of rules, regulations and the problems of the common man and woman.

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Wilmington on Movies: I’m Still Here, Soul Kitchen and Bran Nue Dae

Okay. Here’s my opinion. I think they had us on. Obviously. Totally. To me (and to lots of others) this looks like a Borat-style mix of a fake central character (Phoenix travestying himself) and a fake premise with some (maybe quite a few) real reactions from the real world around him. (How many, who can tell?)

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Wilmington on DVDs: Solitary Man, Crumb, THX-1138, Macgruber and Caravaggio

PICK OF THE WEEK: NEW Solitary Man (Three Stars) U.S.;  Brian Koppleman & David Levien, 2010 The thing that fascinates people about a serial seducer like Ben Kalmen (magnificently played by Michael Douglas in A Solitary Man) is his speed of conquest. What could take the average man, even in our liberated society, several months…

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MW on Movies: The American, Machete, Going the Distance, Mesrine: Killer Instinct, Mesrine: Public Enemy No. 1 and Lebanon

The American (Three Stars) U.S.; Anton Corbijn, 2010 I like George Clooney. No off-color psychological speculations, please. What I like about him is the easy-going “good guy” way he plays the Hollywood game. I like his politics, his philanthropy, his unpretentious smarts, his good-natured jock style, his taste in movie scripts, his daring as a…

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Wilmington

Quote Unquotesee all »

“One of my favorite things in watching any performance on film is when there isn’t a lot of cutting going on and when you get a chance to become really absorbed in the artist in hand. The same way we do, hopefully, at a concert, when we get a chance to really trip in to something that’s happening on stage. Whether the singer’s singing, or one of the other musicians is playing, we sort of stay there instead of cutting round with our eyes a lot.”
~ Jonathan Demme

“We’ve talked about this before in the past, my obsession with the Shakespearean histories having the ideal combination of the sweet and the sour. In ‘Henry IV, Part II’ which we’ve discussed before, in the end of that story it’s very complex and haunting because Prince Hal becomes Henry the King, and he has transcended his hoodlum days and at the ceremony is Falstaff, his good friend with whom he has really fucked around and been a loser with, and Falstaff comes up to him and says, ‘Now that you’re king we can really party,’ and the king famously says, ‘I know thee not, old man.’ It becomes Henry IV’s anointment and Falstaff’s catastrophe. That’s life. I have experienced very little unfettered triumph. There are moments, such as when my children are born, but even that comes with new fears and anxieties. In a sense the better you can communicate that life is both at once, the more powerful over time something becomes. One strives for something where the threads are there because it lasts in way that is very palpable. The idea of a tragedy is powerful in literature and theater, but in cinema it doesn’t work, certainly not commercially, and less so critically. Why is that? I think it has to do with how movies are so close to us.”
~ James Gray